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A timely look at the impact of China’s booming emergence on the countries of Southeast Asia“An expert and lucid synthesis of the historical context and recent developments of Southeast Asia’s rich and complex relations with Beijing.”—John Reed, Financial TimesToday, Southeast Asia stands uniquely exposed to the waxing power of the new China. Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia’s preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing’s orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition.Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China’s rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.

Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family’s efforts to match him with his wealthy cousin so that he can marry her. But dark circumstances—a lustful brother-in-law, a treacherous sister, a family secret—force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope—however slim—that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China.

In Eliot Pattison's Soul of the Fire, When Shan Tao Yun and his old friend Lokesh are abruptly dragged away by Public Security, he is convinced that their secret, often illegal, support of struggling Tibetans has brought their final ruin. But his fear turns to confusion as he discovers he has been chosen to fill a vacancy on a special international commission investigating Tibetan suicides. Soon he finds that his predecessor was murdered, and when a monk sets himself on fire in front of the commissioners he realizes that the Commission is being used as a tool to whitewash Tibet's self-immolation protests as acts of crime and terrorism. Shan faces an impossible dilemma when the Public Security officer who runs the Commission, Major Ren, orders the imprisoned Lokesh beaten to coerce Shan into following Beijing's script for the Commission. He has no choice but to become part of the hated machine that is devouring Tibet, but when he discovers that the most recent immolation was actually another murder, he realizes the Commission itself is riddled with crime and intrigue. Everywhere he turns, Shan finds new secrets that seem to lead to the last agonizing chapter of his life. Shan must make a final desperate effort to uncover the Commission's terrible secrets whose painful truth could change Shan's life - and possibly that of many Tibetans - forever.

In Water Touching Stone, the sequel to the internationally acclaimed The Skull Mantra, Shan Tao Yun is cloistered in a remote Tibetan sanctuary when he receives shattering news. A teacher revered by the oppressed has been found slain and, one by one, her orphaned students have followed her to her grave, victims of a killer harboring unfathomable motives. Abandoning his mountain hermitage, Shan Tao Yun, a former Beijing police inspector who has been exiled to Tibet, embarks on a search for justice. Shadowed by bizarre tales of an unleashed 'demon,' Shan braces himself for even darker imaginings as he stalks a killer and fights to restore spiritual balance to the ancient and tenuous splendor of Tibet.

“Li Kao may have a slight flaw in his character but the book has none. I recommend it unconditionally and I predict Barry Hughart has quite a future as a fantasy writer.”—Anne McCaffreyWhen the children of his village were struck with a mysterious illness, Number Ten Ox sought a wiseman to save them. He found master Li Kao, a scholar with a slight flaw in his character. Together they set out to find the Great Root of Power, the only possible cure.The quest led them to a host of truly memorable characters, multiple wonders, incredible adventures—and strange coincidences which were really not coincidences at all. And it involved them in an ancient crime that still perturbed the serenity of Heaven. Simply and charmingly told, this is a wry tale, a sly tale, and a story of wisdom delightfully askew. Once read, its marvels and beauty will not easily fade from the mind.The author claims that this is a novel of an ancient China that never was. But, oh . . . it should have been!

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature. Divided into five volumes, of which The Debt of Tears is the fourth, The Story of the Stone charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author's own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Journey to the West, volume 3, comprises the third twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

From the bestselling author of Oracle Bones and River Town comes the final book in his award-winning trilogy, on the human side of the economic revolution in China. In the summer of 2001, Peter Hessler, the longtime Beijing correspondent for The New Yorker, acquired his Chinese driver's license. For the next seven years, he traveled the country, tracking how the automobile and improved roads were transforming China. Hessler writes movingly of the average people—farmers, migrant workers, entrepreneurs—who have reshaped the nation during one of the most critical periods in its modern history. Country Driving begins with Hessler's 7,000-mile trip across northern China, following the Great Wall, from the East China Sea to the Tibetan plateau. He investigates a historically important rural region being abandoned, as young people migrate to jobs in the southeast. Next Hessler spends six years in Sancha, a small farming village in the mountains north of Beijing, which changes dramatically after the local road is paved and the capital's auto boom brings new tourism. Finally, he turns his attention to urban China, researching development over a period of more than two years in Lishui, a small southeastern city where officials hope that a new government-built expressway will transform a farm region into a major industrial center. Peter Hessler, whom The Wall Street Journal calls "one of the Western world's most thoughtful writers on modern China," deftly illuminates the vast, shifting landscape of a traditionally rural nation that, having once built walls against foreigners, is now building roads and factory towns that look to the outside world.

How did American schoolchildren, French philosophers, Russian Sinologists, Dutch merchants, and British lawyers imagine China and Chinese law? What happened when agents of presumably dominant Western empires had to endure the humiliations and anxieties of maintaining a profitable but precarious relationship with China? In Chinese Law in Imperial Eyes, Li Chen provides a richly textured analysis of these related issues and their intersection with law, culture, and politics in the eighteenth and nineteenth centuries. Using a wide array of sources, Chen's study focuses on the power dynamics of Sino-Western relations during the formative century before the First Opium War (1839-1842). He highlights the centrality of law to modern imperial ideology and politics and brings new insight to the origins of comparative Chinese law in the West, the First Opium War, and foreign extraterritoriality in China. The shifting balance of economic and political power formed and transformed knowledge of China and Chinese law in different contact zones. Chen argues that recovering the variegated and contradictory roles of Chinese law in Western "modernization" helps provincialize the subsequent Euro-Americentric discourse of global modernity. Chen draws attention to important yet underanalyzed sites in which imperial sovereignty, national identity, cultural tradition, or international law and order were defined and restructured. His valuable case studies show how constructed differences between societies were hardened into cultural or racial boundaries and then politicized to rationalize international conflicts and hierarchy.

The third in Bramah's Kai Lung series of fantasy novels. Kai Lung Unrolls His Mat, like the others in the series consists of thinly connected stories related by Kai Lung, concerning the adventures of the storyteller and his lady love Hwa-Mei versus the wicked but ever-smooth Mandarin Shan Tien and his despicable accomplice Ming-Shu. Kai Lung's adventures are related with humor and irony, his shrewdness and wisdom conveyed in euphemisms, paradoxes and parables. Bramah's droll writing style went a long way toward making the Kai Lung series so popular.