Empfehlungen basierend auf "My Ears Are Bent"

The American West, 1860-1890: years of broken promises, disillusionment, war and massacre. Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo. First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention on a national disgrace.

"These funny, filthy, and terrifically smart letters reveal him in a way that no biographer can." -- New York NewsdayGuru of the Beat generation, éminence grise of the international avant-garde, dark prophet, and blackest of satirists, William S. Burroughs has had a range of influence rivaled by few living writers. This volume of his correspondence from 1945 to 1959 vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, it shows how letter-writing was itself integral to his life and to his fiction.Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters deepen in substance and style. Then, in Tangier, comes a dramatic shift in voice and vision and the explosive, distinctive letters that will become Naked Lunch. Letters were lifelines for Burroughs, the outcast; and works-in-progress for Burroughs, the writer; and, they track his turbulent journey across two decades and three continents. To read them as they were written is to experience a unique merging of life and letters, the extraordinary story of Williams S. Burroughs homme de lettres."Unrelenting impact." -- Los Angeles Reader

1950 Harcourt, Brace and Company; Hardcover

From the two-time Pulitzer Prize finalist, bestselling historian, and author of Our First Civil War—the epic story of the California Gold Rush, “a fine, robust telling of one of the greatest adventure stories in history" (David McCullough, Pulitzer Prize-winning author of John Adams). The California Gold Rush inspired a new American dream—the “dream of instant wealth, won by audacity and good luck.” The discovery of gold on the American River in 1848 triggered the most astonishing mass movement of peoples since the Crusades. It drew fortune-seekers from the ends of the earth, accelerated America’s imperial expansion, and exacerbated the tensions that exploded in the Civil War.  H.W. Brands tells his epic story from multiple perspectives: of adventurers John and Jessie Fremont, entrepreneur Leland Stanford, and the wry observer Samuel Clemens—side by side with prospectors, soldiers, and scoundrels. He imparts a visceral sense of the distances they traveled, the suffering they endured, and the fortunes they made and lost. Impressive in its scholarship and overflowing with life, The Age of Gold is history in the grand traditions of Stephen Ambrose and David McCullough.

1939 COPYRIGHT. OUR COPY HAS A DIFFERENT COVER THAN STOCK PHOTO SHOWN, AND IT WAS PUBLISHED BY LITTLE, BROWN & CO. PLEASE SEE OUR SCAN. FORMER LIBRARY BOOK WITH USUAL STAMPS & MARKINGS. SCUFFING & EDGE WEAR ON COVERS/SPINE. AGE RELATED TANNING INSIDE COVERS AND ON PAGES. MUSTY ODOR. SOME CRAYON MARKING ON PAGES, NOT AFFECTING READABILITY.

In this remarkable book, 103-year-old George Dawson, a slave's grandson who learned to read at age 98, reflects on his life and offers valuable lessons in living as well as a fresh, firsthand view of America during the twentieth century. Richard Glaubman captures Dawson's irresistible voice and view of the world, offering insights into humanity, history, hardships, and happiness. From segregation and civil rights, to the wars, presidents, and defining moments in history, George Dawson's description and assessment of the last century inspires readers with the message that-through it all-has sustained him: "Life is so good. I do believe it's getting better."

The Grapes of Wrath (Penguin Modern Classics)

"Gipson again has given us a purely wonderful trunk of Americana, and one of those rare books to be enjoyed on many latitudes of brow elevation."--Chicago Sunday Tribune

The Pulitzer Prize–winning author of The Cain Mutiny delivers an "enormously entertaining" portrait of "a Bronx Tom Sawyer" ( San Francisco Chronicle). City Boy is Herman Wouk's sharp and moving novel of boyhood. A hilarious and often touching tale of an urban kid's adventures and misadventures on the street, in school, in the countryside, always in pursuit of Lucille, a heartless redhead personifying all the girls who torment and fascinate pubescent lads of eleven.

For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the records were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. For this reason, the perspective of Armstrong's first listeners is usually regarded as inadequate, as if they had missed the true significance of his music. This attitude overlooks the possibility that those early listeners might have heard something valuable on its own terms, something we ourselves have lost. If we could somehow recapture their perspective-without abandoning our own-how might it change our understanding of these seminal recordings? In Louis Armstrong's Hot Five and Hot Seven Recordings, Harker selects seven exceptional records to study at length: "Cornet Chop Suey," "Big Butter and Egg Man," "Potato Head Blues," "S.O.L. Blues"/"Gully Low Blues," "Savoy Blues," and "West End Blues." The world of vaudeville and show business provide crucial context, revealing how the demands of making a living in a competitive environment could catalyze Armstrong's unique artistic gifts. Technical achievements such as virtuosity, structural coherence, harmonic improvisation, and high-register playing are all shown to have a basis in the workaday requirements of Armstrong's profession. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, this book offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of recordings.