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BONUS: This eBook includes downloadable videos and a Q&A with Nabeel Qureshi that are not found in the print edition.Having shared his journey of faith in the New York Times bestselling Seeking Allah, Finding Jesus, Nabeel Qureshi now examines Islam and Christianity in detail, exploring areas of crucial conflict and unpacking the relevant evidence.In this anticipated follow-up book, Nabeel reveals what he discovered in the decade following his conversion, providing a thorough and careful comparison of the evidence for Islam and Christianity--evidence that wrenched his heart and transformed his life.In Seeking Allah, Finding Jesus, Nabeel Qureshi recounted his dramatic journey, describing his departure from Islam and his decision to follow Christ. In the years that followed, he realized that the world's two largest religions are far more different than they initially appeared.No God but One: Allah or Jesus? addresses the most important questions at the interface of Islam and Christianity: How do the two religions differ? Are the differences significant? Can we be confident that either Christianity or Islam is true? And most important, is it worth sacrificing everything for the truth?Nabeel shares stories from his life and ministry, casts new light on current events, and explores pivotal incidents in the histories of both religions, providing a resource that is gripping and thought-provoking, respectful and challenging.Both Islam and Christianity teach that there is No God but One, but who deserves to be worshiped, Allah or Jesus?This eBook includes the full text of the book plus bonus content not found in the softcover! Bonuses include a Q&A with Nabeel Qureshi and downloadable videos that answer important questions about Islam and Christianity. Please note that some e-reader devices do not accommodate video play. You can still access the bonus videos by copying the web address provided into an internet browser on a device or computer that accommodates video content.

The thirteenth century mystic Ibn `Arabi was the foremost Sufi theorist of the premodern era. For more than a century, Western scholars and esotericists have heralded his universalism, arguing that he saw all contemporaneous religions as equally valid. In Rethinking Ibn `Arabi, Gregory Lipton calls this image into question and throws into relief how Ibn `Arabi's discourse is inseparably intertwined with the absolutist vision of his own religious milieu--that is, the triumphant claim that Islam fulfilled, superseded, and therefore abrogated all previous revealed religions.Lipton juxtaposes Ibn `Arabi's absolutist conception with the later reception of his ideas, exploring how they have been read, appropriated, and universalized within the reigning interpretive field of Perennial Philosophy in the study of Sufism. The contours that surface through this comparative analysis trace the discursive practices that inform Ibn `Arabi's Western reception back to the eighteenth and nineteenth century study of "authentic" religion, where European ethno-racial superiority was wielded against the Semitic Other-both Jewish and Muslim. Lipton argues that supersessionist models of exclusivism are buried under contemporary Western constructions of religious authenticity in ways that ironically mirror Ibn `Arabi's medieval absolutism.

In this classic work, the author of Culture and Imperialism reveals the hidden agendas and distortions of fact that underlie even the most "objective" coverage of the Islamic world."No one stuyding the relations between the West and the decolonizing world can ignore Mr. Said's work." --The New York Times Book ReviewFrom the Iranian hostage crisis through the Gulf War and the bombing of the World Trade Center, the American news media have portrayed "Islam" as a monolithic entity, synonymous with terrorism and religious hysteria. At the same time, Islamic countries use "Islam" to justify unrepresentative and often repressive regimes. Combining political commentary with literary criticism, Covering Islam continues Edward Said's lifelong investigation of the ways in which language not only describes but also defines political reality.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • Named A Best Book of the Year by The Washington Post and The Denver Post • Praised by Fareed Zakaria as “intelligent, compassionate, and revealing,” a powerful journey to help bridge one of the greatest divides shaping our world today.If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.Praise for If the Oceans Were Ink“A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common…. If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims.”―The Washington Post“Journalist Power writes about her year studying the Quran with a Muslim scholar she befriended while working at a think tank in London. For some, this will be a strong introduction to Islam. To others, it's fodder for discussion on the Sheikh's views, how Westerners (such as Power) interpret those views and the interplay of culture and religion.” ―The Denver Post“For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends―intelligent, compassionate, and revealing―the kind that needs to be taking place around the world.”―Fareed Zakaria, author of The Post-American World“Carla Power’s intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book’s very essence. A spirited, compelling read.”―Azadeh Moaveni, author of Lipstick Jihad“An inspiring story of two [people] from different worlds who refuse to let religious and cultural differences, prejudice, and ignorance get in the way of their friendship, If the Oceans Were Ink is as thought-provoking as it is elegantly written. It takes a difficult, highly charged topic and puts it into terms that are not only understandable and eye-opening, but beautiful.”―Bustle (11 Beautifully Written Memoirs by Women)“Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran’s message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance.”―John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam“A thoughtful, provocative, intelligent book.”―Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava“With a journalist’s mind for the story, a born traveler’s heart for the adventure of crossing borders, and a

François Déroche, Translated From French By Malcom Debevoise. Includes Bibliographical References And Index. Electronic Reproduction. New York Available Via World Wide Web.

Learn about the history and traditions of the Islamic faith in The Islam Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Islam in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Islam Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Islam, with: - Images of Islamic art, architecture, calligraphy, and historical artefacts - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Straightforward text makes topics accessible for people at any level of understanding The Islam Book is a comprehensive guide essential to understanding the world's fastest-growing religion - aimed at self-educators after a trustworthy account and religious studies students wanting to gain an overview. Here you'll find clear factual writing offering insight into terms like Sharia law, the Caliphate, and jihad; Sunni and Shia divisions; and Sufi poetry and music. Your Islam Questions, Simply Explained This essential guide to Islam covers every aspect of the Muslim faith and its history - from the life of the Prophet Muhammad and the teachings of the Koran to Islam in the 21st century. If you thought it was difficult to learn about one of the world's major religions, The Islam Book presents key information in an easy to follow layout. Find out about modern issues such as fundamentalism, the work of peaceful traditionalists, modernisers, and women's rights campaigners, as well as the central tenets of Islam, such as prayer, fasting, and pilgrimage. The Big Ideas Series With millions of copies sold worldwide, The Islam Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and is sometimes called 'the Koran in Persian'. The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes .In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Jawid Mojaddedi's sparkling new unabridged verse translation of Book One follows the original in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets. - ;'The pen would smoothly write the things it knew But when it came to love it split in two, A donkey stuck in mud is logic's fate - Love's nature only love can demonstrate.' Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called 'the Koran in Persian'. The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound. Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets. -

Distinguished political scientist and anthropologist Mahmood Mamdani, father of New York City mayoral candidate Zohran Mamdani, offers an “exceptionally clear [and] especially shocking” (San Francisco Chronicle) examination of political Islam, the factors that led to 9/11, and the global repercussions on Muslims everywhere.“This provocative and thoughtful inquiry is a valuable contribution to the understanding of some of the most important developments in the contemporary era.”—Noam ChomskyIn Good Muslim, Bad Muslim, Mahmood Mamdani brings his expertise and insight toa question many Americans have been asking since 9/11: how did this happen?Mamdani dispels the idea of “good” (secular, westernized) and “bad” (premodern, fanatical) Muslims, pointing out that these judgments refer to political rather than cultural or religious identities. The presumption that there are “good” Muslims readily available to be split off from “bad” Muslims masks a failure to make a political analysis of our times. Political Islam, Mamdani argues, emerged as the result of a modern encounter with Western power, and that the terrorist movement at the center of Islamist politics is an even more recent phenomenon, one that followed America’s embrace of proxy war after its defeat in Vietnam. He writes with great insight about the Reagan years, showing America’s embrace of the highly ideological politics of “good” against “evil.” Identifying militant nationalist governments as Soviet proxies in countries such as Nicaragua and Afghanistan, the Reagan administration readily backed terrorist movements, hailing them as the “moral equivalents” of America’s Founding Fathers. The era of proxy wars came to an end with the invasion of Iraq, where, as in Vietnam, America was not fighting terrorism but nationalism, a battle that cannot be won by occupation.Good Muslim, Bad Muslim is a provocative and important book that will profoundly change our understanding both of Islamist politics and the way America is perceived in the world today.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the 18th century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more.   With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage—including pieces translated into English for the first time—to a wide spectrum of new readers.

A successful work on the culture and politics of modern day Islam as told through the story of a young Iranian cleric.