Empfehlungen basierend auf "Murder Under a Twilight Roof"

The villagers of Chipping Cleghorn are agog with curiosity when the Gazette advertises: 'A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6:30 p.m.'A childish practical joke? Or a spiteful hoax? Unable to resist the mysterious invitation, the locals arrive at Little Paddocks at the appointed time when, without warning, the lights go out and a gun is fired. When they come back on, a gruesome scene is revealed.An impossible crime?Only Miss Marple can unravel it.'Establishes firmly her claim to the throne of detection. Th plot is an ingenious as ever...'A. A. Milne

New York Times Bestseller • Soon to be a PBS MASTERPIECE Mystery! series premiering fall 2024!Bestselling author Anthony Horowitz brings back his famous literary detective Atticus Pund and Susan Ryeland, hero of Magpie Murders, in an inventive, labyrinthine story that is “catnip for classic mystery lovers” (Time magazine).Retired publisher Susan Ryeland is living the good life. She is running a small hotel on a Greek island with her long-term boyfriend Andreas. It should be everything she's always wanted. But is it? She's exhausted with the responsibilities of making everything work on an island where nothing ever does, and truth be told she's beginning to miss London.And then the Trehearnes come to stay. The strange and mysterious story they tell, about an unfortunate murder that took place on the same day and in the same hotel in which their daughter was married—a picturesque inn on the Suffolk coast named Farlingaye Hall—fascinates Susan and piques her editor’s instincts.One of her former writers, the late Alan Conway, author of the fictional Magpie Murders, knew the murder victim—an advertising executive named Frank Parris—and once visited Farlingaye Hall. Conway based the third book in his detective series, Atticus Pund Takes the Cake, on that very crime.The Trehearne’s, daughter, Cecily, read Conway’s mystery and believed the book proves that the man convicted of Parris’s murder—a Romanian immigrant who was the hotel’s handyman—is innocent. When the Trehearnes reveal that Cecily is now missing, Susan knows that she must return to England and find out what really happened.Brilliantly clever, relentlessly suspenseful, full of twists that will keep readers guessing with each revelation and clue, Moonflower Murders is a deviously dark take on vintage English crime fiction from one of its greatest masterminds.

In this absorbing new entry in the acclaimed New York Times bestselling series, Scotland Yard’s Ian Rutledge is caught up in a twisted web of vengeance and murder. On the north coast of Cornwall, an apparent act of mercy is repaid by an arrest for murder. Four young women have been accused of the crime. A shocked father calls in a favor at the Home Office. Scotland Yard is asked to review the case. However, Inspector Ian Rutledge is not the first Inspector to reach the village. Following in the shoes of a dead man, he is told the case is all but closed. Even as it takes an unexpected personal turn, Rutledge will require all his skill to deal with the incensed families of the accused, the grieving parents of the victim, and local police eager to see these four women sent to the infamous Bodmin Gaol. Then why hasn’t the killing stopped? With no shred of evidence to clear the accused, Rutledge must plunge deep into the darkest secrets of a wild, beautiful and dangerous place if he is to find a killer who may—or may not—hold the key to their fate.

J is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz. In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was my investigation into the dead man's past that triggered the inquiry into my own, and in the end the two stories became difficult to separate. Five years ago, when Jaffe's thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he'd gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot. Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn't belong, it was odd to realize how little attention I'd paid to my own past. I'd simply accepted what I was told, constructing my personal mythology on the flimsiest of facts. But Jaffe wasn't quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full.Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it's better to reserve jud

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

"Crombie’s characters are rich, emotionally textured, fully human. They are the remarkable creations of a remarkable writer."—Louise Penny “Nobody writes the modern English mystery the way Deborah Crombie does—and A Bitter Feast is the latest in a series that is gripping, enthralling, and just plain the best.”   — Charles Todd, New York Times bestselling author of The Black Ascot and A Cruel Deception New York Times bestselling author Deborah Crombie returns with a mesmerizing entry in her “excellent” (Miami Herald) series, in which Scotland Yard detectives Duncan Kincaid and Gemma James are pulled into a dangerous web of secrets, lies, and murder that simmers beneath the surface of a tranquil Cotswolds village. Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, have been invited for a relaxing weekend in the Cotswolds, one of Britain’s most enchanting regions, famous for its rolling hills, golden cottages, and picturesque villages. Duncan, Gemma, and their children are guests at Beck House, the family estate of Melody Talbot, Gemma’s detective sergeant. The Talbot family is wealthy, prominent, and powerful—Melody’s father is the publisher of one of London’s largest and most influential newspapers. The centerpiece of this glorious fall getaway is a posh charity harvest luncheon catered by up-and-coming chef Viv Holland. After fifteen years in London’s cut-throat food scene, Viv has returned to the Gloucestershire valleys of her childhood and quickly made a name for herself with her innovative meals based on traditional cuisine but using fresh local ingredients. Attended by the local well-to-do as well as national press food bloggers and restaurant critics, the event could make Viv a star. But a tragic car accident and a series of mysterious deaths rock the estate and pull Duncan and Gemma into the investigation. It soon becomes clear that the killer has a connection with Viv’s pub—or, perhaps, with Beck House itself. Does the truth lie in the past? Or is it closer to home, tied up in the tangled relationships and bitter resentments between the staff at Beck House and Viv’s new pub? Or is it more personal, entwined with secrets hidden by Viv and those closest to her?

A brutal murder with a golf club and an ingenious plot bursting with snobbery, suspicion , adultery and secrets -- to say nothing of the dreadful crime of catricide...The lives of the inhabitants of Swevenings are disrupted only by a fierce competition to catch the Old Un, a monster trout known to dwell in a beautiful stream which winds past their homes. Then one of their small community is found brutally murdered; beside him is the freshly killed trout. Both died by violence -- but Chief Detective Inspector Roderick Alleyn's murder investigation seems to be much more interested in the fish...

THE REMORSEFUL DAY'"Where does this leave us, sir?""Things are moving fast.""We're getting near the end, you mean?""We were always near the end."'The murder of Yvonne Harrison had left the Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case - and it is just the sort of puzzle at which Chief Inspector Morse excels.So why is he adamant that he will not lead the re-investigation, despite the entreaties of Chief Superintendent Strange and dark hints of some new evidence? And why, if he refuses to take on the case officially, does he seem to be carrying out his own private enquiries?For Sergeant Lewis this is yet another example of the unsettling behaviour his chief has been displaying of late...THE WENCH IS DEAD'That night he dreamed in Technicolor. He saw the ochre-skinned, scantily clad siren in her black, arrowed stockings. And in Morse's muddled computer of a mind, that siren took the name of Joanna Franks...'The body of Joanna Franks was found at Duke's Cut on the Oxford Canal at about 5.30 a.m. on Wednesday, 22 June 1859.At around 10.15 a.m. on a Saturday morning in 1989 the body of Chief Inspector Morse - though very much alive - was removed to Oxford's John Radcliffe Hospital. Treatment for a perforated ulcer was later pronounced successful.As Morse begins his recovery he comes across an account of the investigation an trial the followed Joanna Franks death... and becomes convinced that the two men hanged for her murder were innocent...

The author of City of Lies returns to nineteenth-century New York City to find Christmas in the air, a police detective and a midwife with love in their hearts, and a wealthy widow accused of murder... Detective Sergeant Frank Malloy and Sarah Brandt aren't the only ones who've recently tied the knot. Family friend Mrs. O'Neill was delighted when her daughter, Una, wed the seemingly wealthy and charming Randolph Pollock. But there's a problem. Una was found cradling her dead husband's body. Rendered mute by the ordeal, she cannot explain what happened and now stands charged with murder. Mrs. O'Neill would like Frank to investigate the case and save Una, yet with Frank and Sarah still on their honeymoon, it's up to the other members of their newly formed household to do some detective work. But solving the mystery behind Pollock's death means first discovering the truth about who he really is...

Pantomime season has arrived in the brand new hilarious murder mystery from Fiona Leitch. Available to pre-order now! 'Murder and mayhem are rarely this enjoyable. Another fantastic entry in this brilliant series that solidifies Leitch as one of the very best and funniest writers around’ Jonathan Whitelaw ‘A wonderful seasonal romp’ Ian Moore It’s Christmas in Penstowan, and local amateur dramatics group the Penstowan Players are putting on their annual pantomime. This year it’s ‘Aladdin’, and half the town have been drafted in to help, including Shirley Parker, who only has a small part in the chorus but will no doubt upstage everybody, and Tony Penhaligon, who’s treading the boards as the baddie, Abanazar. Ex-Metropolitan police officer turned caterer Jodie Parker has managed to get away with not appearing, but only if she agrees to cater the opening night party. But it’s not just terrible jokes, quick costume changes and backstage chaos that wait in the wings... When the Widow Twankey (otherwise known as Tim, the mayor’s husband) trips over a corpse lying next to Aladdin’s bloodstained magic lamp, it’s time for Jodie and her partner, DCI Nathan Withers, to find the killer. Was it the genie of the lamp or an overly harsh theatre critic? Or does someone in the Penstowan Players have a dark secret they will do anything to protect? ‘Funnier than panto, more warming than a glass of mulled wine and a mince pie and completely gripping. Fun, festive and full of red herrings and clever clues, it's the perfect Christmas treat’ Andreina Cordani, author of The Twelve Days of Murder ‘A fun read to curl up with by the fireside this Christmas’ Debbie Young, author of Death at the Village Christmas Fair Praise for Fiona Leitch ‘An absolute joy to read... I read it in a day and highly recommend’ ⭐⭐⭐⭐⭐ ‘I really love this cozy mystery series’ ⭐⭐⭐⭐⭐ ‘Love the humour in this... this whole series is a pleasure to read’ ⭐⭐⭐⭐⭐ 'Leitch crafts a Cornwall that I want to live in – vibrant, funny and dripping with mystery and mayhem. Brilliant’ Jonathan Whitelaw, author of The Bingo Hall Detectives ‘A terrific summer read... a thumping good whodunnit; this is a murder mystery that wears a flower in its hair and invites us to kick off our shoes’ J.M. Hall ‘The book equivalent of catching up with your favourite old friends over a glass of wine or three... the observational humour is spot on’ Jo Middleton ‘[A] fun, feel-good factor and an intriguing mystery to be solved. And pies. I loved it’ Stephanie Austin, author of the Devon Mysteries series