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The fantastic new mystery from the author of Murder Most Unladylike. Daisy Wells and Hazel Wong have returned to Deepdean for a new school term, but nothing is the same. There's a new Head Girl, Elizabeth Hurst, and a team of Prefects - and these bullying Big Girls are certainly not good eggs. Then, after the fireworks display on Bonfire Night, Elizabeth is found - murdered. Many girls at Deepdean had reason to hate Elizabeth, but who might have committed such foul play? Could the murder be linked to the secrets and scandals, scribbled on scraps of paper, that are suddenly appearing around the school? And with their own friendship falling to pieces, how will Daisy and Hazel solve this mystery? Praise for the Murder Most Unladylike series: 'Ripping good fun' The Times 'Thrilling' Guardian 'Top class' Financial Times 'A delight' Daily Mail

Daisy Wells and Hazel Wong are taking a holiday on the world-famous Orient Express - and it's clear that each of their fellow first-class passengers has something to hide. Even more intriguing: there is rumour of a spy in their midst. Then, during dinner, there is a scream from inside one of the cabins. When the door is broken down, a passenger is found murdered, her stunning ruby necklace gone. But the killer has vanished - as if into thin air. Daisy and Hazel are faced with their first ever locked-room mystery - and with competition from several other sleuths, who are just as determined to crack the case. 'A delight . . . Hazel and Daisy are aboard the Orient Express: cue spies, priceless jewels, a murder and seriously upgraded bun breaks' The Bookseller 'Addictive . . . A rumbustious reworking of Agatha Christie's Orient Express caper' New Statesman

The “wickedly clever and devilishly amusing”* Veronica Speedwell returns for a rousing adventure from the New York Times bestselling author of the Lady Julia Grey Mysteries.London, 1887. At the Curiosity Club, a ladies-only establishment for daring and intrepid women, Victorian adventuress Veronica Speedwell meets the mysterious Lady Sundridge, who begs her to take on an impossible task—saving society art patron Miles Ramsforth from execution. Ramsforth, accused of the brutal murder of his mistress, Artemisia, will face the hangman’s noose in a week’s time if the real killer is not found.But Lady Sundridge is not all that she seems, and unmasking her true identity is only the first of many secrets Veronica must uncover. Together with her natural-historian colleague, Stoker, Veronica races against time to find the true murderer. From a Bohemian artists’ colony to a royal palace to a subterranean grotto with a decadent history, the investigation proves to be a very perilous undertaking indeed...*SusanElia MacNeal

J is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz. In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was my investigation into the dead man's past that triggered the inquiry into my own, and in the end the two stories became difficult to separate. Five years ago, when Jaffe's thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he'd gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot. Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn't belong, it was odd to realize how little attention I'd paid to my own past. I'd simply accepted what I was told, constructing my personal mythology on the flimsiest of facts. But Jaffe wasn't quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full.Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it's better to reserve jud

A sunny evening, a tranquil garden—and an old man brutally gunned down on his doorstep. In a pretty and tranquil town, a proposed superstore development has divided the population in an increasingly bitter war. The low-level aggression of bored youth that is generally tolerated has become sinister. The bloodied carcass of a sheep abandoned in the streets is more than just unpleasant vandalism, and teenage bikers, terrorizing a woman to the breaking point, are impossible to control. When a second victim is killed in what seems like a random shooting, the fear in the town becomes palpable. Detective Fleming will not accept that the crimes are motiveless, but she struggles to make sense of the two murders when nothing makes sense anymore and no one will believe anything. Not even the truth.

You could say my sisters and I are hot-blooded bluebloods with a flair for fashion—and for solving crimes. But things have NOT been going well for us Blackbirds: Emma has busted out of a very exclusive clinic. Libby’s hormones are in overdrive from selling paraphernalia for Potions and Passions, a company that promises its customers full satisfaction. And I’m still dating mobster’s son Mick Abruzzo, which keeps me in a permanent tizzy. At least, nobody in my vicinity has been knocked off lately. Oops—looks like I spoke too soon…A TEMPEST IN A C-CUPNora’s next journalistic assignment: the unveiling of the most miraculous bra in fashion history. But before Nora can hand in her uplifting story, her boss is found shot execution-style and trussed up in expensive panty hose—an Abruzzo family trademark. Now Nora must find the killer before her innocent lover takes the rap. That means shadowing the most glamorous suspects in Philadelphia—including a bad-boy designer, a former child star, a high-strung ad exec, and a pair of luscious twin models. Though Nora’s accustomed to upper-crust murder, cross your fingers for the Blackbird sisters, because this time, high society has never seemed so low-down dirty.

A body in the back of a taxi begins an elegantly constructed mystery, perhaps the finest of Marsh's 1930s novels. The season had begun. Débutantes and chaperones were planning their luncheons, teas, dinners, balls. And the blackmailer was planning his strategies, stalking his next victim. But Chief Detective Inspector Roderick Alleyn knew that something was up. He had already planted his friend Lord Robert Gospell at the scene. But someone else got there first...

Curator Chloe Ellefson is happily planning to spotlight home-front challenges and German immigrants at Old World Wisconsin's first Civil War reenactment, but her overbearing boss scorns her ideas and proposes staging a mock battle instead. And when a reenactor is found dead at one of the historic site's German farms, Chloe's boyfriend, cop Roelke McKenna, suspects murder. The more Roelke learns about reenacting, the more he fears that a killer will join the ranks. Then Chloe discovers a disturbing secret about Roelke's Civil War-era ancestors. Together they struggle to solve crimes past and present...before Chloe loses her job and another reenactor loses his life. Praise: "Veteran Ernst provides a new perspective on the Civil War woven together with a compelling mystery." --Kirkus Reviews "Extremely well-written."--Suspense Magazine "Kathleen Ernst knows how to spin a tale, weave an intricate plot, and hide clues in the embroidery. A Memory of Muskets takes two stories separated by more than a century and knits them together into one thoroughly satisfying read."--Kathy Lynn Emerson, Agatha Award-winning author of How to Write Killer Historical Mysteries, Murder in the Merchant's Hall, and other historical mysteries

When Munin Cooper, known as the Witch of Oyster Bay, warns Olivia Limoges that death is coming, neither of them realize that it is the older woman herself who will soon be found dead. And Olivia’s instincts tell her that something—or someone—more sinister than a mystical force is at play…Olivia has a lot on her plate preparing for the Coastal Carolina Food Festival. When she hears the news of Munin’s untimely death, however, finding the murderer takes priority. The witch left behind a memory jug full of keepsakes that Olivia knows must point to the killer—but she’s got to figure out what they mean.With handsome Police Chief Rawlings by her side, Olivia starts to identify some of the jug’s mysterious contents—and finds its secrets are much darker than she suspected. Now Olivia must enlist the help of the Bayside Book Writers to solve the puzzle behind the piece of pottery and put an end to a vengeful killer before any more damage can be done…

The author of City of Lies returns to nineteenth-century New York City to find Christmas in the air, a police detective and a midwife with love in their hearts, and a wealthy widow accused of murder... Detective Sergeant Frank Malloy and Sarah Brandt aren't the only ones who've recently tied the knot. Family friend Mrs. O'Neill was delighted when her daughter, Una, wed the seemingly wealthy and charming Randolph Pollock. But there's a problem. Una was found cradling her dead husband's body. Rendered mute by the ordeal, she cannot explain what happened and now stands charged with murder. Mrs. O'Neill would like Frank to investigate the case and save Una, yet with Frank and Sarah still on their honeymoon, it's up to the other members of their newly formed household to do some detective work. But solving the mystery behind Pollock's death means first discovering the truth about who he really is...