Empfehlungen basierend auf "Murder at Midnight"

A brand new Agatha Christie omnibus, bringing together all four stand-alone novels she wrote in the 1920s âe" The Secret Adversary, The Man in the Brown Suit, The Secret of Chimneys and its sequel The Seven Dials Mystery. Agatha Christieâe(tm)s imaginative crime novels and thrillers made her a household name from the 1920s right through to her final books in the early 1970s. Best known as the creator of Hercule Poirot and Miss Jane Marple, her prolific output would bring her publisher William Collins at least one book every year. Twenty of her contemporary crime novels were to feature neither Poirot or Marple, instead a wide range of ingenious plots would be played out by a selection of amateur sleuths, professional detectives, young adventuresses or unwary bystanders caught up in unforeseen events. This collection of five omnibuses gathers together the twenty stand-alone novels, presenting them chronologically and providing a fascinating window on a changing world though six decades of investigation. Presented in this way, recurring characters âe" including Superintendent Battle, Tommy and Tuppence Beresford, Colonel Johnny Race and Ariadne Oliver âe" rub shoulders with many who would appear only in one book, and the result is a selection of some of the finest mystery writing ever. Here is the answer to the question of what Agatha Christie might have been had she not invented Poirot or Marple âe" and the answer undoubtedly is still The Queen of Crime!

NEW YORK TIMES BESTSELLER On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer. BONUS: This edition includes an excerpt from Alan Bradley's As Chimney Sweepers Come to Dust. Praise for The Dead in Their Vaulted Arches   “Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist.”—The New York Times Book Review   “[Alan] Bradley’s award winning Flavia de Luce series . . . has enchanted readers with the outrageous sleuthing career of its precocious leading lady. . . . This latest adventure contains all the winning elements of the previous books.”—Library Journal (starred review) “Bradley’s latest Flavia de Luce novel reaches a new level of perfection as it shows the emotional turmoil and growth of a girl who has always been older than her years and yet is still a child. The mystery is complex and very personal this time, reaching into the past Flavia never knew about. . . . These are astounding, magical books not to be missed.”—RT Book Reviews (Top Pick)   “Excellent . . . Flavia retains her droll wit. . . . The solution to a murder is typically neat, and the conclusion sets up future books nicely.”—Publishers Weekly (starred review)   “It’s hard to resist either the genre’s pre-eminent preteen sleuth or the hushed revelations about her family.”—Kirkus Reviews   “Flavia . . . is as fetching as ever; her chatty musings and her combination of childish vulnerability and seemingly boundless self-confidence haven’t changed a bit.”—Booklist   Acclaim for Alan Bradley’s beloved Flavia de Luce novels, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Winn Award, and Arthur Ellis Award   “If ever there were a sleuth who’s bold, brilliant, and, yes, adorable, it’s Flavia de Luce.”—USA Today   “Irresistibly appealing.”—The New York Times Book Review, on A Red Herring Without Mustard   “Original, charming, devilishly creative.”—Bookreporter, on I Am Half-Sick of Shadows   “Delightful and entertaining.”—San Jose Mercury News, on Speaking from Among the Bones

Lady Georgiana Rannoch is just back from her honeymoon with dashing Darcy O’Mara when a friend in need pulls her into a twisted Gothic tale of betrayal, deception and, most definitely, murder. . . .I am a bit at loose ends at the moment. My cook, Queenie, is making my new role as mistress of Eynsleigh something akin to constant torture as Darcy is off on another one of his top secret jaunts. And Grandad is busy helping wayward youths avoid lives of crime. So when my dearest friend, Belinda, inherits an old cottage in Cornwall and begs me to go with her to inspect the property, I jump at the chance.After a heart-stopping journey in Belinda’s beast of a motorcar, we arrive at the creaky old cottage called White Sails and quickly realize that it is completely uninhabitable. Just when I’m starting to wonder if I would have been better off trying to get Queenie to cook a roast that hasn’t been burnt beyond all recognition, we meet Rose Summers, a woman Belinda knew as a child when she spent time in Cornwall. Rose invites us to stay at Trewoma Hall, the lovely estate now owned by her husband, Tony.Belinda confesses that she never liked Rose and had a fling with Tony years ago, so staying with them is far from ideal but beggars can’t be choosers as they say. Trewoma is not the idyllic house Belinda remembers. There’s something claustrophobic and foreboding about the place. Matters aren’t helped by the oppressively efficient housekeeper Mrs. Mannering or by the fact that Tony seems to want to rekindle whatever he and Belinda once had right under his wife’s nose.Our increasingly awkward visit soon turns deadly when a member of the household is found murdered and all clues point to Belinda as the prime suspect. I soon learn that some long buried secrets have come back to haunt those in residence at Trewoma Hall and I’ll need to sift through the ruins of their past so Belinda doesn’t lose her chance at freedom in the present. . . .

Scotland Yard Inspector Richard Jury and his trusty partner Melrose Plant arrive in a tiny English seaside village to investigate the murder of a costumed woman who is linked to one of the most wealth and influential families in town. Reprint.

Includes an extra out-take chapter.It's the following Thursday.Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He’s made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn't that be a bonus?But this time they are up against an enemy who wouldn't bat an eyelid at knocking off four septuagenarians. Can The Thursday Murder Club find the killer (and the diamonds) before the killer finds them?

The first gripping, Agatha Christie-style mystery starring a brilliant new double act: feisty, funny schoolgirl detectives, Daisy Wells and Hazel Wong.When Daisy Wells and Hazel Wong set up their very own deadly secret detective agency at Deepdean School for Girls, they struggle to find any truly exciting mysteries to investigate. (Unless you count the case of Lavinia's missing tie. Which they don't, really.)But then Hazel discovers the Science Mistress, Miss Bell, lying dead in the Gym. She thinks it must all have been a terrible accident -- but when she and Daisy return five minutes later, the body has disappeared. Now the girls know a murder must have taken place... and there's more than one person at Deepdean with a motive.Now Hazel and Daisy not only have a murder to solve: they have to prove a murder happened in the first place. Determined to get to the bottom of the crime before the killer strikes again (and before the police can get there first, naturally), Hazel and Daisy must hunt for evidence, spy on their suspects and use all the cunning, scheming and intuition they can muster. But will they succeed? And can their friendship stand the test?

Don't miss the British mystery series "Karen Pirie" on BritBox! Season 2 based on A Darker Domain airs this fall! A New York Times Notable Crime Book of the Year • A Finalist for the Los Angeles Book Prize “A thrilling story with heartbreaking questions of social justice and history.” —Seattle Times The New York Times calls Val McDermid, “As smooth a practitioner of crime fiction as anyone out there. . . the best we’ve got.” Time spent with her extraordinary thriller, A Darker Domain, will prove that it’s true. Set in Scotland, McDermid’s brilliant exploration of loyalty and greed intertwines the past and present. Fife, Scotland, 1984. Mick Prentice abandons his family at the height of a politically charged national miners' strike to join the strikebreakers down south. Despised and disowned by friends and relatives, he is not reported missing until twenty-three years later. Fife, Scotland, 1985. Kidnapped heiress Catriona Maclennan Grant is killed and her baby son vanishes when the ransom payoff goes horribly wrong. In 2008, a tourist in Tuscany stumbles upon dramatic new evidence that reopens the investigation. Already immersed in the Prentice affair, Detective Karen Pirie, newly appointed head of the Cold Case Review Team, wants to make her mark with this second unsolved 1980s mystery. But two decades' worth of secrets are leading Pirie into a dark domain of violence and betrayal—a place darker than any she has previously entered.

When The Body Of A Woman Is Found In A Ditch In An Isolated Norfolk Village, It Isn't Just The Fact That She'd Been A Friend That Disturbs Dr David Hunter. He Was Once A Forensic Anthropologist And So All Too Familiar With The Different Faces Of Death, Until A Devastating Personal Tragedy Made Him Turn His Back On His Former Life And Career. Simon Beckett.

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer, in USA Today Elly Griffiths’ penultimate novel in the beloved series. Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological dis­covery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth’s isolated cot­tage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late. PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES Winner of the Edgar Award for Best Novel Winner of the Mary Higgins Clark Award Winner of the CWA Dagger in the Library Award “Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her.” —USA Today “Elly Griffiths draws us all the way back to prehistoric times . . . Highly atmospheric.” —New York Times Book Review “Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth—an inspired creation. I identified with her insecurities and struggles, and cheered her on.” —Louise Penny

For a century the iconic Grand Raj Palace Hotel has welcomed the world's elite. From film stars to foreign dignitaries, anyone who is anyone stays at the Grand Raj.The last thing the venerable old hotel needs is a murder. . .When American billionaire Hollis Burbank is found dead -- the day after buying India's most expensive painting -- the authorities are keen to label it a suicide. But the man in charge of the investigation is not so sure. Inspector Chopra is called in -- and discovers a hotel full of people with a reason to want Burbank dead.Accompanied by his sidekick, baby elephant Ganesha, Chopra navigates his way through the palatial building, a journey that leads him steadily to a killer, and into the heart of darkness . . .