Empfehlungen basierend auf "Mr. Flood's Last Resort"

An alluring literary mystery full of secrets and lies, when an art teacher at a psychiatric hospital in 1960s England finds her life turned upside down by the arrival of a mysterious patient who has spent decades living in complete isolation with his elderly aunts in a decrepit Victorian house. Perfect for fans of Ann Patchett, Barbara Kingsolver, and Tessa Hadley.In all failed relationships there is a tipping point. It goes unnoticed at the time but can later be identified as the beginning of the decline. For Helen it was the weekend that the Hidden Man came to Westbury Park…The London suburb of Croydon,1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor.One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist. It appears he lives in the old house with his elderly, frail aunt, who expires as soon as she’s admitted to the hospital. No one knows why William has been shut away for decades, unseen by neighbors, with only his two now-deceased aunts for company. Westbury Park becomes his refuge.When it emerges that William is not only sane but a talented artist, Helen comes to see him as something of a personal project. But as she tries to solve the puzzle of the Hidden Man’s past, Helen’s own carefully constructed life of secrets begins to unravel...A gorgeously written and life-affirming novel about life’s delicate layers of experience and connection, Shy Creatures reveals all the different ways we can be confined...and liberated.

“Quinn evocatively balances the outward cheerfulness of the 1950s with historical observations exploring racism, misogyny, homophobia and political persecution in this sharply drawn, gripping novel.” - People Magazine The New York Times bestselling author of The Diamond Eye and The Rose Code returns with a haunting and powerful story of female friendships and secrets in a Washington, DC, boardinghouse during the McCarthy era. Washington, DC, 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic room, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss, whose facade of perfect wife and mother covers gaping inner wounds; policeman’s daughter Nora, who finds herself entangled with a shadowy gangster; frustrated baseball star Beatrice, whose career has come to an end along with the women’s baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy’s Red Scare. Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears the house apart, the Briar Club women must decide once and for all: who is the true enemy in their midst? Capturing the paranoia of the McCarthy era and evoking the changing roles for women in postwar America, The Briar Club is an intimate and thrilling novel of secrets and loyalty put to the test. A beautiful, foil cover, first edition.

Can you really see evil when you look into someone's eyes?In a rundown house, a woman has been dismembered in an act of carnage that leaves veteran cops in shock. Drawn on the wall, in blood, are ancient symbols, and a mirror-image word in Latin

'Brooks writes with tremendous warmth, a natural knack for dialogue and such persuasive narrative skill that, travelling further into the cult's clutches, your brain feels insidiously sapped... It begs to be read; resists caricature; and has you fumbling, like its principal character, in a ragbag of knowledge, attempting to fend off that philosophical nonsense which marshmallows the brain' NEW STATESMAN When Lucy goes missing, her sister Carmen sets out to find her. The search leads Carmen into the closed world of an enigmatic religious cult and, in the week that follows. Carmen's induction into the society of ever-smiling, singing people with strangely vacant eyes leaves her raging, confused, exhausted and suspicious. Is this a dream of perfect love, or a sinister manipulation? Heavenly Deception is a remarkable and profoundly disturbing portrayal of fanaticism. 'A powerful study in psychic manipulation, and a well-aimed ana hard-hitting story' LONDON REVIEW OF BOOKS 'The sinister mind-bending practised by the Moonies is a serious subject, and Miss Brooks writes about it with a compelling, crusading energy that makes for a convincing, disturbing and valuable novel' DAILY TELEGRAPH.

Soon-to-be new parents Kiera and her husband, Sebastian Gage, have been hoping for a respite from their inquiries, but murder and mayhem have a startling way of dropping into their laps in the all-new historical mystery in this national bestselling series.Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence.A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered--in an imitation of a gruesome scene--the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner.But family quarrels and the revelation of a secret Kiera has been keeping from Sebastian threaten to undermine everything they have overcome. When they find themselves in the crosshairs of the killer, trapped in the squalid underground vaults of the city, they will soon discover that the truth does not always set you free, and death can lurk around any corner.

When bodies go missing from the cemetery, Lincoln and the Ministry of Curiosities investigate. But not Charlie. As a housemaid at Lichfield Towers, she doesn't get involved in Ministry business. Instead, she conducts investigations of her own. She searches for details about her real mother, and makes inquiries into Lincoln's background. What she learns has the power to destroy the fragile trust they've built, or bring them closer together.As secrets are revealed, and investigations don't go as planned, Charlie finds her necromancy sucking her into a whirlpool filled with betrayal, lies and danger.

With this latest entry in a bestselling series that evokes all the passion and heroism of history’s most heartbreaking conflict–the war that was meant to end all wars–Anne Perry adds new luster to her worldwide reputation. Angels in the Gloom is an intense saga of love, hate, obsession, and murder that features an honorable English family–brothers Joseph and Matthew Reavley and their sisters, Judith and Hannah. In March 1916, Joseph, a chaplain at the front, and Judith, an ambulance driver, are fighting not only the Germans but the bitter cold and the appalling casualties at Ypres. Scarcely less at risk, Matthew, an officer in England’s Secret Intelligence Service, fights the war covertly from London. Only Hannah, living with her children in the family home in tranquil Cambridgeshire, seems safe. Appearances, however, are deceiving. By the time Joseph returns home to Cambridgeshire, rumors of spies and traitors are rampant. And when the savagely brutalized body of a weapons scientist is discovered in a village byway, the fear that haunts the battlefields settles over the town–along with the shadow of the obsessed ideologue who murdered the Reavleys’ parents on the eve of the war. Once again, this icy, anonymous powerbroker, the Peacemaker, is plotting to kill. Perry’s kaleidoscopic new novel illuminates an entire world, from the hell of the trenches to the London nightclub where a beautiful Irish spy plies her trade; from the sequestered laboratory where a weapon that can end the war is being perfected to the matchless glory of the English countryside in spring. Steeped in history and radiant with truth, Angels in the Gloom is a masterpiece that warms the heart even as it chills the blood.

P.I Tamara Hayle and her latest client, popular radio personality Mandy Magic, share the same roots -- both grew up in the hardscrabble projects on one of the meanest streets in Newark. But that's what brings her to Tamara Hayle. Mandy Magic knows that each act of vandalism and seemingly random murder brings the demons of her yesterdays closer -- and each day that passes makes her easier to kill.

Fifteen-year-old Janny Malcolm is nearly catatonic with fear, and social worker Bo Bradley feels it has something to do with her beautifully crafted doll. Bo--who is suffering from manic depression--starts to work on the case only to be suspiciously taken off it by her supervisor. More determined than ever to discover the source of the girl's pain, Bo finds not only the creator of the doll, but a nest of dark and dangerous secrets.

A church art exhibition turns deadly . . . 'Art, my dear boy,' said Mr Askern, 'especially sacred art, needs tradition. Tradition is the bedrock of our art . . .' He broke off, staring at the woman in front of him. Her face seemed to lose all definition and her skin turned an unnatural shade of putty-coloured grey. 'Art,' she said, her voice scarcely more than a whisper. 'Art! Oh my God, art!' She swayed dangerously. Jack leapt forward, catching her as she fell. Jack Haldean expected Lythewell and Askerns' exhibition of church art in Lyon House, London, to be a sedate affair. After all, Lythewell and Askern, Church Artists, were a respectable, old-fashioned firm, the last people to be associated with mystery, violence and sudden death. Or so it seemed - until after the exhibition . . .