Empfehlungen basierend auf "Mozart The Boy who Changed the World with His Music"

The First Ever Oral-history Of Krautrock, The Sound That Changed Modern Music. West Germany, 1968. Like Everywhere Else In The Western World, The Young Generation Is Pushing For Radical Change, Still Suffering The After-effects Of The Second World War. Many Stream Out Of The Lecture Halls And Onto The Streets. Some Into The Underground. And Some Into The Practice Basements, In Search Of The Soundtrack Of The Movement. The Unique And Adventurous Sounds That German Bands Like Can, Neu!, Amon Dl, Popul Vuh, Tangerine Dream, Faust, Cluster Or Kraftwerk Produced Back Then, Now Known As Krautrock, Are Considered A Blueprint For Modern Rock Music. And The Stream Of Their Creative Admirers And Continuators Has Been Constantly Widening Since The First Fans Like David Bowie And Iggy Pop: Whether Blur, Aphex Twin, Sonic Youth, Radiohead Or The Red Hot Chilli Peppers. In Neu Klang, Christoph Dallach Interviewed Its Pioneers, Including Irmin Schmidt, Jaki Liebezeit And Holger Czukay Of Can; Neu!'s Michael Rother; Dieter Moebius Of Cluster; Klaus Schulze Of Tangerine Dream; Karl Bartos Of Kraftwerk, Brian Eno And Many Others. Their Answers Combine To Form An Oral History That Points Far Beyond The Individual Band Histories: On The One Hand, Into The Past, To Nazi Teachers, Post-war Parental Homes, Free Jazz, Terrorism, Lsd And Extremely Long Hair; But Just As Much Into The Future, To Global Recognition, Myth-making, Techno Or Post-rock--publisher's Description. Introduction -- Kraut -- The Fifties. Post-war Youth ; Jazz -- The Sixties. Beat ; Hair ; Commune ; 1968 ; New Beginnings ; Drugs ; Zodiak (in Berlin) ; Kluster -- The Seventies. Kessler ; Tangerine Dream ; Commercialism ; Moog ; Amon Düül ; A.r. & Machines ; New Parths ; Globetrotting ; Faust ; Networks ; Can ; Plank ; Kraftwerk ; Neu! ; Forst ; Beyond Germany ; Public Enemies ; Rolf-ulrich Kaiser ; Deutsch ; End ; Today ; Always. Christoph Dallach; Translated By Katy Derbyshire.

Dear Future Historians: Lyrics and Exegesis of Rou Reynolds for the Music of Enter Shikari 2006--2019 charts the lyrical creativity of the hardcore rock-metal band, through their five hugely successful albums.Bringing together the popular 2017 limited hardback edition Dear Future Historians and 2018 limited paperback The Spark, this updated and expanded edition is essential for any Enter Shikari fan.

An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wallBerlin Calling is a gripping account of the 1989 "peaceful revolution" in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day.In a story stocked with fascinating characters from Berlin's highly politicized undergrounds―including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation―Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.

Von matschigen Festival-Wiesen bis zu den großen Rocklegenden, von Woodstock bis Glastonbury, von Folk bis Dance – dieses Buch ist eine Hommage an die größten Musikfestivals aller Zeiten. Entdecke Monsters of Rock, Tomorrowland, Coachella und South by South West sowie die legendären Musiker, die dort aufgetreten sind, und finde Deinen Gummistiefel auf dieser temporeichen, fröhlichen Abenteuerreise durch die Geschichte der Musikfestivals.

U2 formed in 1976 when the drummer posted a note to the school bulletin board. Over forty years later, the band is still producing music and touring the world with the same line-up they have had ever since the 1970s. U2 have become one of the most successful rock bands of all time, releasing fourteen studio albums and over seventy singles. In this book, the reader is guided through each release, song by song, from the band's first album "Boy" (1980) until the single "Your Song Saved My Life" released in 2021. Everyone knows U2's biggest hits--songs like "With or Without You," "One," and "Beautiful Day"--but delve into all of the songs including B-sides, compilation tracks, and lesser-known album tracks. U2: Song by Song is a look at every song by the Irish rock group, written by a lifelong U2 fan. The book provides an examination of each track including the inspirations behind them and the impact that these songs have had on the world today. U2: Song by Song charts U2's rise to success, documenting chart positions, and awards given to each song.

Um die gleichermaßen von Perfektion und Spontaneität geprägte Persönlichkeit von Joel Meyerowitz bestmöglich abzubilden, ist dieser Band in zwei Teile gegliedert („Klassisches“ und „Jazz“) und in umgekehrter chronologischer Reihenfolge sortiert. Alle großen Projekte des Fotografen werden gezeigt: seine von dem Künstler Giorgio Morandi inspirierten Aufnahmen, seine Exklusivreportage über Ground Zero, seine Trips durch die Vereinigten Staaten in den Fußstapfen von Robert Frank, seine Experimente beim Vergleich von Schwarzweiß- und Farbfotografie und seine Straßenszenen, die inzwischen Kultstatus erlangt haben.

A biography of the child prodigy who wrote more than 800 pieces of music before his untimely death at thirty-five.

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme. The years before WWI were a golden age for German and Austrian classical music. The story of this period – and a way of life soon to end – is told through the intertwined careers of the two titans of early twentieth-century composing, Strauss and Mahler. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise. The newly-created democratic state of Weimar Germany was, famously, a crucible for progressive art of all kinds, and classical music was no different. From Brecht and Weill’s Threepenny Opera to Schoenberg’s development of the influential twelve-tone technique, Ross charts this flowering of avant-garde creativity. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

Das 2. Album der Sängerin und Grammy-Gewinnerin, die ihr unglaubliches Stimmpotenzial in ruhigen Songs wie in poppigen oder Soulballaden zeigt.