Empfehlungen basierend auf "Moving Forward 10"

Fourteen tales selected from the breadth of Dazai’s fabled career, some never before seen in EnglishNo one really understands how we suffer. One day, when we’re adults, we may come to recall this suffering, this misery, as silly and laughable, but how are we to get through the long, hateful period until then? No one bothers to teach us that.Osamu Dazai was a master raconteur who plumbed―in an addictive, easy style―the absurd complexities of life in a society whose expectations cannot be met without sacrificing one's individual ideals on the altar of conformity. The gravitational pull of his prose is on full display in these stories. In “Lantern,” a young woman, in love with a well-born but impoverished student, shoplifts a bathing suit for him―and ends up in the local newspaper indicted as a crazed, degenerate communist. In “Chiyojo,” a high-school girl shows early promise as a writer, but as her uncle and mother relentlessly push her to pursue a literary career, she must ask herself: is this what I really want? Or am I supposed to fulfill their own frustrated ambitions? In “Shame,” a young reader writes a fan letter to a writer she admires, only to find out, upon visiting him, that he’s a bourgeoise sophisticate nothing like the desperate rebels he portrays, and decides (in true Dazai style): “Novelists are human trash. No, they’re worse than that; they’re demons. . . They write nothing but lies.”This collection of 14 tales―a half-dozen of which have never before appeared in English―is based on a Japanese collection of, as Dazai described them, “soliloquies by female narrators.” No One Knows includes the quietly brilliant long story “Schoolgirl” and shows the fiction of this 20th-century genius in a fresh light.

“Uketsu is a disrupter, the master of quiet horror.”—Janice Hallett, internationally bestselling author of The Appeal“Delightfully macabre and fiendishly clever. Seemingly unconnected stories tie themselves into a complicated knot, which Uketsu masterfully unravels.”—G. T. Karber, author of the national bestseller MurdleThe spine-tingling "triumphant international debut" (Publishers Weekly starred review) that has taken Japan by storm—an eerie fresh take on mystery-horror in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches.An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . .A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning.A child's picture of his home contains a dark secret message.A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality.Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.Translated from the Japanese by Jim Rion

In The Wake Of The 2011 Tsunami, Ruth Discovers A Hello Kitty Lunchbox Washed Up On The Shore Of Her Beach Home In British Columbia. Within It Lies A Diary That Expresses The Hopes, Heartbreak And Dreams Of A Young Girl Desperate For Someone To Understand Her. Each Turn Of The Page Pulls Ruth Deeper Into The Mystery Of Nao’s Life, And Forever Changes Her In A Way Neither Could Foresee. Weaving Across Continents And Decades, A Tale For The Time Being Is An Extraordinary Novel About Our Shared Humanity And The Search For Home.

A collectible hardcover edition of the best stories by the father of the Japanese short story—including the two that inspired Kurosawa's classic samurai film about the subjectivity of truth—featuring an introduction by Haruki MurakamiA Penguin Vitae EditionRyūnosuke Akutagawa is one of Japan's foremost stylists—a modernist master whose short stories are marked by highly original imagery, cynicism, beauty, and wild humor. "Rashōmon" and "In a Bamboo Grove" inspired Akira Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as "The Nose," "O-Gin" and "Loyalty" paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as "Death Register," "The Life of a Stupid Man," and "Spinning Gears," Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.Penguin Vitae—loosely translated as “Penguin of one’s life”—is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

Yoko Ogawa’s The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family. He is a brilliant math professor with a peculiar problem—ever since a traumatic head injury, he has lived with only eighty minutes of short-term memory. She is an astute young housekeeper, with a ten-year-old son, who is hired to care for him. And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor’s mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities—like the Housekeeper’s shoe size—and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

In his perfectly crafted haiku poems, Basho described the natural world with great simplicity and delicacy of feeling. When he composed The Narrow Road to the Deep North he was a serious student of Zen Buddhism setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He wrote of the seasons changing, of the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These travel writings not only chronicle Basho's perilous journeys through Japan, but also capture his vision of eternity in the transient world around him.

The latest in the "terrifically imaginative" (The Wall Street Journal) Akitada mystery series brings eleventh-century Japan to life I. J. Parker's phenomenal Akitada mystery series has been gaining fans with each new novel. The latest, The Convict's Sword, is the most fully realized installment to date, weaving history, drama, mystery, romance, and adventure into a story of passion and redemption. Lord Sugawara Akitada, the senior secretary in the Ministry of Justice, must find the mysterious killer of a man condemned to live in exile for a crime he did not commit. Meanwhile, Akitada's retainer, Tora, investigates the sudden death of a blind street singer, whose past life is a bigger mystery than anyone thought. Told in Parker's clever, vivid prose, The Convict's Sword is a must-read for those who love well-written mysteries in an exotic setting.

"A classic of Japanese literature" (Chicago Sun-Times) and the first novel in the masterful tetralogy, The Sea of Fertility, set in 1912 Tokyo, featuring an aspiring lawyer who believes he has met the successive reincarnations of his childhood friend.  It is 1912 in Tokyo, and the hermetic world of the ancient aristocracy is being breached for the first time by outsiders—rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Shigekuni Honda, an aspiring lawyer and his childhood friend, Kiyoaki Matsugae, are the sons of two such families. As they come of age amidst the growing tensions between old and new, Kiyoaki is plagued by his simultaneous love for and loathing of the spirited young woman Ayakura Satoko. But Kiyoaki’s true feelings only become apparent when her sudden engagement to a royal prince shows him the magnitude of his passion—and leads to a love affair both doomed and inevitable.

In this book, the two field mice celebrate winter while discovering the joy of friendship and generosity. Guri and Gura are having a snowball fight when, suddenly, they come upon huge footprints in the snow. Following the prints to their house, they find inside an unexpected winter guest - an old man with a long white beard. With a joyous 'Merry Christmas', he presents Guri and Gura with a beautiful cake, which they share with their friends in the forest.