Empfehlungen basierend auf "Motion Picture and Video Lighting"

Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time”Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget.This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.A perfect gift for the aspiring filmmaker.

This box set of the 50 books in the new Penguin Modern series celebrates the pioneering spirit of the Penguin Modern Classics list and its iconic authors. Including avant-garde essays, radical polemics, newly translated poetry and great fiction, here are brilliant and diverse voices from across the globe. Ground-breaking and original in their day, their words still have the power to move, challenge and inspire.

Bestselling author of Ella Enchanted and fairy-tale master Gail Carson Levine shares her secrets of great writing in this companion to the popular Writing Magic.Have you ever wanted to captivate readers with a great opening, create spectacular and fantastical creatures, make up an entire country, realize a dastardly villain, write an epic love story, or make your characters leap off the page? If you answered yes to any of these questions, Gail Carson Levine can help you achieve your goals.Newbery Honor author Gail Carson Levine offers a behind-the-scenes take on writing and teaches you how to become a world-class author. Drawing from her popular blog, Gail answers readers' fiction- and poetry-writing questions and dives into how to make a story come alive. If you're interested in writing prose and poetry or just want to be a better and more rounded writer, this book will help you on your creative journey.With her trademark humor and vast writing knowledge, Gail Carson Levine reveals the tricks of her trade, writer to writer.Supports the Common Core State Standards

"Any readers whose love of music has somehow not led them to explore the technical side before will surely find the result a thoroughly accessible, and occasionally revelatory, primer."—Seattle Post-IntelligencerWhat makes a musical note different from any other sound? How can you tell if you have perfect pitch? Why do ten violins sound only twice as loud as one? Do your Bob Dylan albums sound better on CD vinyl? John Powell, a scientist and musician, answers these questions and many more in How Music Works, an intriguing and original guide to acoustics.In a clear and engaging voice, Powell leads you on a fascinating journey through the world of music, with lively discussions of the secrets behind harmony timbre, keys, chords, loudness, musical composition, and more. From how musical notes came to be (you can thank a group of stodgy men in 1939 London for that one), to how scales help you memorize songs, to how to make and oboe from a drinking straw, John Powell distills the science and psychology of music with wit and charm.

What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard

From the internationally bestselling creator of Wreck This Journal, a curious, engaging, and creative rethinking of all the different things a book can be.In this uniquely skewed look at the purpose and function of a “book”, Keri Smith offers an illustrated guide that challenges readers to creatively examine all the different ways This Is Not a Book can be used. With intriguing prompts, readers will discover that the book can be:A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place.A recording device—have everyone you contact today write their name in the book.An instrument—create as many sounds as you can using the book, like flipping the pages fast or slapping the cover.This Is Not a Book forces you to ask, “If it’s not a book, what is it then?”—with a kaleidoscope of possible answers.

From the celebrated Ursula K. Le Guin, "a writer of enormous intelligence and wit, a master storyteller" (Boston Globe), the revised and updated edition of her classic guide to the essentials of a writer's craft. Completely revised and rewritten to address modern challenges and opportunities, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin's own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online. Masterly and concise, Steering the Craft deserves a place on every writer's shelf.

In this eloquent, intimate exploration of the delights and demands of the piano, world-renowned concert pianist and music writer Charles Rosen draws on a lifetime's wisdom to consider every aspect of the instrument- from what makes a beautiful sound to suffering from stage fright, from the physical challenges of playing to tales of great musicians, including Vladimir Horowitz's recording tricks, Rachmaninov's hands and why Artur Rubenstein applied hairspray to the keys. Gracefully blending anecdote, history, expertise and memoir, Piano Notes will enchant anyone with a passion for music.

Bestselling author James N. Frey's How to Write a Damn Good Novel remains one of the most widely used guides ever published for aspiring authors. "Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carré or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification.How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.

Most histories of American music have ignored the presence of twelve-tone music before and during the Second World War, and virtually all have ignored its presence after 1970, even though so many major composers continued (and continue) to compose serially. This book provides a comprehensive history of twelve-tone music in America, and compels a revised picture of American music since 1925 as a dynamic steady-state within which twelve-tone serialism has long been, and still remains, a persistent presence: a vigorous and unbroken tradition for more than eighty years. Straus outlines how, instead of a rigid orthodoxy, American twelve-tone music is actually a flexible, loosely-knit cultural practice. The book provides close readings of thirty-seven American twelve-tone works by composers including Copland, Babbitt, Stravinsky and Carter, among many others, who represent a typically American diversity of background and life circumstances, and strips away the many myths surrounding twelve-tone music in America.