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OPRAH’S BOOK CLUB PICK • A HARPERS BAZAAR BEST BOOK OF 2022 • A PARADE MOST ANTICIPATED BOOK • A MARIE CLAIRE MOST ANTICIPATED BOOK“It’s clear from the first page that Davis is going to serve a more intimate, unpolished account than is typical of the average (often ghost-written) celebrity memoir; Finding Me reads like Davis is sitting you down for a one-on-one conversation about her life, warts and all.”—USA Today“[A] fulfilling narrative of struggle and success….Her gorgeous storytelling will inspire anyone wishing to shed old labels.”—Los Angeles TimesIn my book, you will meet a little girl named Viola who ran from her past until she made a life-changing decision to stop running forever.This is my story, from a crumbling apartment in Central Falls, Rhode Island, to the stage in New York City, and beyond. This is the path I took to finding my purpose but also my voice in a world that didn’t always see me.As I wrote Finding Me, my eyes were open to the truth of how our stories are often not given close examination. We are forced to reinvent them to fit into a crazy, competitive, judgmental world. So I wrote this for anyone running through life untethered, desperate and clawing their way through murky memories, trying to get to some form of self-love. For anyone who needs reminding that a life worth living can only be born from radical honesty and the courage to shed facades and be . . . you.Finding Me is a deep reflection, a promise, and a love letter of sorts to self. My hope is that my story will inspire you to light up your own life with creative expression and rediscover who you were before the world put a label on you.

A year-long journey by the renowned psychiatrist and his writer wife after her fatal diagnosis, as they reflect on how to love and live without regret.Internationally acclaimed psychiatrist and author Irvin Yalom devoted his career to counselling those suffering from anxiety and grief. But never had he faced the need to counsel himself until his wife, esteemed feminist author Marilyn Yalom, was diagnosed with cancer. In A Matter of Death and Life, Marilyn and Irv share how they took on profound new struggles: Marilyn to die a good death, Irv to live on without her.In alternating accounts of their last months together and Irv's first months alone, they offer us a rare window into facing mortality and coping with the loss of one's beloved. The Yaloms had numerous blessings — a loving family, a Palo Alto home under a magnificent valley oak, a large circle of friends, avid readers around the world, and a long, fulfilling marriage — but they faced death as we all do. With the wisdom of those who have thought deeply and the familiar warmth of teenage sweethearts who've grown up together, they investigate universal questions of intimacy, love, and grief.Informed by two lifetimes of experience, A Matter of Death and Life is an openhearted offering to anyone seeking support, solace, and a meaningful life.

Winner of the California Bookseller Association's Golden Poppy Award for NonfictionFinalist for the National Book Critics Circle Award for AutobiographyA San Francisco Chronicle Bestseller“A portrait of a heroics, innovation, grit, and pot-baking . . . strikingly relevant . . . beautifully written.”—Entertainment Weekly"A raunchy and rollicking account of a vanished era told by someone who paid very close attention to her larger-than-life parents. I gobbled it up like an edible."—Armistead MaupinIn the 1970s, when cannabis was as illicit as heroin, Alia Volz’s mother ran Sticky Fingers Brownies, a pioneering underground bakery that delivered ten thousand marijuana edibles per month to a city in the throes of change—from the joyous upheavals of gay liberation to the tragedy of the Peoples Temple. Dressed in elaborate costumes, Alia’s parents hid in plain sight, parading through the city’s circus-like atmosphere with the goods tucked into her stroller. When HIV/AIDS swept San Francisco in the 1980s, Alia’s mom turned from dealer into healer, providing soothing edibles to those fighting for their lives at the dawn of medical marijuana.By turns heartbreaking, exhilarating, and laugh-out-loud funny, Home Baked celebrates an eccentric and remarkable extended family, taking us through love, loss, and finding home.Now with extra material, including a reading group guide, author Q&A, and additional photos!

'In the journal I do not just express myself more openly than I could do to any person; I create myself.' Intimate, vulnerable and unsparing, Reborn bears witness to the evolution of Susan Sontag. With entries dating from 1947-1963, the first instalment from Susan Sontag's diaries charts her ascension from early adolescence to her early thirties. Unabashed, though thoroughly self-reflective, Sontag's diaries reveal the inner workings of her mind, her insecurities and her passions. This compelling account of the evolution of America's greatest post-war intellectual allows us to behold the moral and political awakening of the artist and critic. 'An exceptionally vivid, and often moving, account of a young woman's painful journey towards acceptance of her own nature.' Sunday Telegraph 'Moving on several levels . . . thrilling . . . fascinating . . . often reads like a brilliant postmodern bildungsroman' New York Magazine 'One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging' The Guardian

WINNER OF THE ROYAL SOCIETY OF LITERATURE CHRISTOPHER BLAND PRIZEA BBC RADIO 4 BOOK OF THE WEEK'Truly heart-warming ... It's become my comfort book' JACQUELINE WILSON'Told from inside one of the UK's most overlooked professions, this home careworker's memoir is warm, raw, and unflinchingly honest. The sad moments are balanced with the funny, heartwarming ones' i paperA luminous, uplifting and deeply moving memoir by a care worker, told through her funny, heartbreaking, sometimes frustrating, and always eye-opening encounters with the often overlooked and marginalised people she cares for.Kate never expected to become a home care worker. But when she left her senior role in the NHS, burnt-out and disheartened, she thought caring for people in their own homes would be a simpler job. Despite being determined not to become too involved with her 'customers', she soon found herself developing firm friendships, forging deep connections and bearing witness to the extraordinary drama to be found in ordinary lives.With energy, compassion and clarity, her memoir gives an astonishing insight into this unsung - and often maligned - profession, and into the hidden lives of the housebound and infirm. From Beryl who screams like a banshee whenever Kate tries to wash her, but collapses in giggles when her toes are tickled, to bawdy Mr Radbert who 'promised to give me his car when he can remember where he left it'.Every Kind of People is clear-eyed about the challenges facing the NHS and the care system. But it is above all a celebration of humanity and of the life-changing impact of caring, on those who offer it and those who receive it.'Being as close as this to someone is a uniquely precious place to be. It is a place where secrets are revealed and fears are shared and outrageous jokes are made that could not be told to anyone else. It is a coal face of human experience'---'The work of a natural storyteller ... All kinds of brilliant' JON McGREGOR‘I am in love with Kate's storytelling, her ability to see the person and her fabulous, dry humour. This is a book about caring, and it's also a book about being in love with humanity’ KATHRYN MANNIX'An extraordinary account of what it is to care for others, both beautiful and painful to read. This book is a compassionate invitation to get up close to the human condition and those who attend to it' DR GWEN ADSHEAD, author of The Devil You Know'An extraordinary and important book that will make you laugh, cry, admire and despair in equal measure... A wonderful achievement' DAVID HASLAM

Why, as an eager and talented writer, has Anne Morrow Lindbergh published so relatively little in forty years of marriage?” asked reviewer John Barkham in 1970. “After a promising start with those first books on flying, she tapered off into long silences broken by an infrequent volume of verse or prose.”  Many years later, Lindbergh replied with a quote from Harriet Beecher Stowe, who claimed that writing, for a wife and mother, is “rowing against wind and tide.”   In this sixth and final collection of Lindbergh’s diaries and letters, taking us from 1947 to 1986, we mark her progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature.   Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies.  She researched and wrote many books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8.  She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply.   More than any previous books by or about Anne Morrow Lindbergh, Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time.

The multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.

"I was born with skins too few. Or they were scrubbed off me by...robust and efficient hands." The experiences absorbed through these "skins too few" are evoked in this memoir of Doris Lessing's childhood and youth as the daughter of a British colonial family in Persia and Southern Rhodesia Honestly and with overwhelming immediacy, Lessing maps the growth of her consciousness, her sexuality, and her politics, offering a rare opportunity to get under her skin and discover the forces that made her one of the most distinguished writers of our time.

"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.