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The searing, post-apocalyptic novel about a father and son’s fight to survive.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

By the winner of the pulitzer prize for fiction in 2007, this is the story of a father and son walking alone through burned america, heading through the ravaged landscape to the coast. It has been hailed as 'the first great masterpiece of the globally warmed generation. Here is an american classic which, at a stroke, makes mccarthy a contender for the nobel prize for literature . . an absolutely wonderful book that people will be reading for generations' andrew o’hagan harvey weinstein's film was released in the uk on 8 january 2010 with an all-star cast including viggo mortensen, charlize theron, guy pearce and robert duvall, and introducing major new young talent, kodi smit mcphee, with a soundtrack by nick cave and warren ellis. ‘a work of such terrible beauty that you will struggle to look away’ tom gatti, the times ‘so good that it will devour you, in parts. It is incandescent’ niall griffiths, daily telegraph ‘you will read on, absolutely convinced, thrilled, mesmeris

The “masterpiece” (Michael Herr) of the New York Times bestselling, Pulitzer Prize–winning author of The Road, No Country for Old Men, The Passenger, and Stella Maris“Cormac McCarthy is the worthy disciple both of Melville and Faulkner. I venture that no other living American novelist, not even Pynchon, has given us a book as strong and memorable.”—Harold Bloom, from his Introduction“McCarthy is a writer to be read, to be admired, and quite honestly—envied.”—Ralph EllisonOne of The Atlantic’s Great American Novels of the Past 100 YearsWidely considered one of the finest novels by a living writer, Blood Meridian is an epic tale of the violence and corruption that attended America’s westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the “Wild West.” Its wounded hero, the Kid, a fourteen-year-old Tennessean, must confront the extraordinary brutality of the Glanton gang, a murderous cadre on an official mission to scalp Indians. Seeming to preside over this nightmarish world is the diabolical Judge Holden, one of the most unforgettable characters in American fiction.Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian represents a genius vision of the historical West, one whose stature has only grown in the years since its publication.

The prequel to Comanche Moon, depicting the adventures of Woodrow McCall and Gus McCrae as young men adrift in the Old West.

Winner of the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play. Now a major motion picture "A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people." --TimeOut New York "Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original." --New York magazine "I don't care if August: Osage County is three-and-a-half hours long. I wanted more." -Howard Shapiro, Philadelphia Inquirer "This original and corrosive black comedy deserves a seat at the table with the great American family plays."--Time One of the most bracing and critically acclaimed plays in recent history, August: Osage County is a portrait of the dysfunctional American family at its finest--and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor. Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.

A Globe & Mail 100 SelectionPart epic of Texas, part classic coming- of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claimSpring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanches storms his homestead and brutally murders his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and language, answering to a new name, becoming the chief's adopted son, and waging war against their enemies, including white men—which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong—a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and Jeannie, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Philipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, even children are sacrificed in the name of ambition as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

In this stand alone novel, Andrew Livingston, scion of a New York banking family, goes West to the Bad Lands and encounters dangerous territory, a bitter range war and the clash of ideals and dreams of the Dakota Territory settlers.

In Lonely on the Mountain, Louis L’Amour’s solitary wandering Sackett brothers make a stand together—to save one of their own.The rare letters Tell Sackett received always had trouble inside. And the terse note from his cousin Logan is no exception. Logan faces starvation or a hanging if Tell can’t drive a herd of cattle from Kansas to British Columbia before winter. To get to Logan, he must brave prairie fires, buffalo stampedes, and Sioux war parties. But worse trouble waits, for a mysterious enemy shadows Sackett’s every move across the Dakotas and the Canadian Rockies. Tell Sackett has never abandoned another Sackett in need. He will bring aid to Logan—or die trying.

"The reading experience of a lifetime ..."--The Washington Post The National Book Award winner takes readers inside the epic fighting retreat of the Nez Perce Indians In this new installment in his acclaimed series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the Nez Perce War, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn as they fled from northeast Oregon across Montana to the Canadian border. Vollmann's main character is not the legendary Chief Joseph, but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict, and written in an original style in which the printed page works as a stage with multiple layers of foreground and background, The Dying Grass is another mesmerizing achievement from one of the most ambitious writers of our time.

In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.