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Richard Wright's memoir of his childhood as a young black boy in the American south of the 1920s and 30s sold more than half a million copies on first publication and is considered a classic of the genre.

The shocking first-hand account of one man’s remarkable fight for freedom; now an award-winning motion picture.‘Why had I not died in my young years – before God had given me children to love and live for? What unhappiness and suffering and sorrow it would have prevented. I sighed for liberty; but the bondsman's chain was round me, and could not be shaken off.’1841: Solomon Northup is a successful violinist when he is kidnapped and sold into slavery. Taken from his family in New York State – with no hope of ever seeing them again – and forced to work on the cotton plantations in the Deep South, he spends the next twelve years in captivity until his eventual escape in 1853.First published in 1853, this extraordinary true story proved to be a powerful voice in the debate over slavery in the years leading up to the Civil War. It is a true-life testament of one man’s courage and conviction in the face of unfathomable injustice and brutality: its influence on the course of American history cannot be overstated.

"Altogether superb: an accessible, fluent account that advances scholarship while building a worthy memorial to the victims of two and a half centuries past." —Kirkus Reviews (starred review) In 1755, New England troops embarked on a "great and noble scheme" to expel 18,000 French-speaking Acadians ("the neutral French") from Nova Scotia, killing thousands, separating innumerable families, and driving many into forests where they waged a desperate guerrilla resistance. The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia; its settlers traded and intermarried freely with native Mikmaq Indians and English Protestants alike. But the Acadians' refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia's fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

Most of Jim Corbett's books contain collections of stories that recount adventures tracking and shooting man-eaters in the Indian Himalaya. This volume, however, consists of a single story, often considered the most exciting of all Corbett's jungle tales. He gives a carefully-detailed account of a notorious leopard that terrorized life in the hills of the colonial United Provinces. This story represents Corbett's most sustained and unique effort.

Part one of the #1 New York Times bestselling North and South Trilogy—the Civil War saga that inspired the classic television miniseries North and South—with over five million copies sold!“An entertaining…authentic dramatization of American history.”—The New York TimesFrom master storyteller John Jakes comes the epic story of two families—the Hazards and the Mains. Separated by vastly different ways of life, joined by the unbreakable bonds of true friendship, and torn asunder by a country on the brink of a bloody conflict that will irrevocably change them all…

Written more than a century ago by Frederick Douglass, a former slave who went on to become a famous orator, U.S. minister, and a leader of his people, this masterpiece is one of the most eloquent indictments of slavery ever recorded. Douglass's shocking narrative takes the reader into the world of the South's antebellum plantations and reveals the daily terrors he suffered as a slave, shedding invaluable light on one of the most unjust periods in the history of America. Published for the first time as a Signet Classic.

From the beginnings of cinema through the first boom in the specialized moving-picture theaters known as nickelodeons, The Emergence of Cinema looks at the first twelve years of projected motion pictures and their aural accompaniment. Early American cinema is examined as an industry and as an influential cultural practice in the context of a centuries-long history of projected images.

In the period 1880-1960, advertising pervaded every aspect of British life. It was also the period which witnessed the rise of the British Empire. This text traces the historically changing image of non-white people in British advertising during the colonial period. Drawing on archival sources it analyses the various conflicting and changing ideologies of colonialism and racism in British advertising.

George MacDonald Fraser's famous Flashman series appearing for the first time in B-format with an exciting new series style, ready to please his legions of old fans and attract armies of new ones. In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beauiful and unscrupulous adventuress of the era. From London gaming-halls and English hunting-fields to European dungeons and throne-rooms, he is involved in a desperate succession of escapes, disguises, amours and (when he cannot avoid them) hand-to-hand combats. All the while, the destiny of a continent rests on his broad and failing shoulders.

For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the records were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. For this reason, the perspective of Armstrong's first listeners is usually regarded as inadequate, as if they had missed the true significance of his music. This attitude overlooks the possibility that those early listeners might have heard something valuable on its own terms, something we ourselves have lost. If we could somehow recapture their perspective-without abandoning our own-how might it change our understanding of these seminal recordings? In Louis Armstrong's Hot Five and Hot Seven Recordings, Harker selects seven exceptional records to study at length: "Cornet Chop Suey," "Big Butter and Egg Man," "Potato Head Blues," "S.O.L. Blues"/"Gully Low Blues," "Savoy Blues," and "West End Blues." The world of vaudeville and show business provide crucial context, revealing how the demands of making a living in a competitive environment could catalyze Armstrong's unique artistic gifts. Technical achievements such as virtuosity, structural coherence, harmonic improvisation, and high-register playing are all shown to have a basis in the workaday requirements of Armstrong's profession. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, this book offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of recordings.