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The darkly magical new story about the monsters under the bed, from bestselling author of The Christmasaurus, Tom Fletcher.What silently waits in the shadows at night? What's under your bed, keeping just out of sight?Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises?Lucy Dungston always did.Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!But Lucy wants to find out the truth. Lucy lost her dad not long ago, and she's determined not to lose her mum too. She's going to get her back - and nothing is going to stop her . . .. . . except maybe the Creakers.

New York Times BestsellerWinner of a Goodreads Choice Award“Funny, dark, and at times stunningly existential.” ―Marianne Eloise, GuardianEveryone has questions about death. In Will My Cat Eat My Eyeballs?, best-selling author and mortician Caitlin Doughty answers the most intriguing questions she’s ever received about what happens to our bodies when we die. In a brisk, informative, and morbidly funny style, Doughty explores everything from ancient Egyptian death rituals and the science of skeletons to flesh-eating insects and the proper depth at which to bury your pet if you want Fluffy to become a mummy. Now featuring an interview with a clinical expert on discussing these issues with young people―the source of some of our most revealing questions about death―Will My Cat Eat My Eyeballs? confronts our common fear of dying with candid, honest, and hilarious facts about what awaits the body we leave behind. 36 illustrations

Fan favorite Wong takes readers to a whole new level with this blistering sequel to the cult sensation "John Dies at the End," soon to be a movie starring Paul Giamatti.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant -- you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie -- exhausted from the birth -- turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird. . . .People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore -- death and dying -- and the results are hilarious, heartwarming, and a hell of a lot of fun.

A modern-day Alice in Wonderland meets the undead…Alice in Zombieland, the first book in The White Rabbit Chronicles, introduces readers to a world newly overrun by zombies...and the one girl who may be able to save mankind.She won't rest until she's sent every walking corpse back to its grave.Had anyone told Alice Bell that her entire life would change course between one heartbeat and the next, she would have laughed. But that's all it took. One heartbeat. A blink, a breath, a second, and everything she knew and loved was gone.Her father was right. The monsters are real.To avenge her family, Ali must learn to fight the undead. To survive, she must learn to trust the baddest of the bad boys, Cole Holland. But Cole has secrets of his own, and if Ali isn't careful, those secrets might just prove to be more dangerous than the zombies.The White Rabbit Chronicles:Alice in ZombielandThrough the Zombie GlassThe Queen of Zombie HeartsA Mad Zombie Party

Liked the Sweetpea TV series on Sky Atlantic? You'll love the books... ‘This isn’t a book for the squeamish or the faint-hearted ... think Bridget Jones meets American Psycho’ Red

Publisher:. HarperCollins UK The eighth instalment in the biggest. funniest. most thrilling comedy-horror-adventure series in the universe - and the follow-up to 2012's number-one bestseller. Kingdom of the Wicked ... War has finally come But its not a war between good and evil. or light and dark -.. its a war between Sanctuaries For too long. the Irish Sanctuary has teetered on the brink of world-ending disaster. and the other Sanctuaries around the world have had enough Allies turn to enemies. friends turn to foes. and Skulduggery and Valkyrie must team up with the rest of the Dead Men if theyre going to have any chance at all of maintaining the balance of power and getting to the root of a vast conspiracy that has been years in the making. But while this war is only beginning. another war rages within Valkyrie herself. Her own dark side. the insanely powerful being known ...

Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses. His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock

Preparations for the Ghastly-Gorm Garden Party and bake-off are under way. Celebrity cooks—such as Nigellina Sugarspoon, Gordon Ramsgate and Heston Harboil—are arriving at the hall for the big event and, true to form, Maltravers, the indoor gamekeeper, is acting suspiciously. Elsewhere at Ghastly-Gorm Ada's wardrobe-dwelling lady's maid Marylebone has received a marriage proposal. Ada vows to aid the course of true love and find out what Maltravers is up to, but amidst all this activity, everyone, including her father, appears to have forgotten her birthday!