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'Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode: the revolutionary euphoria of Barcelona, the courage of ordinary Spanish men and women he fought alongside, the terror and confusion of the front, his near-fatal bullet wound and the vicious treachery of his supposed allies. A firsthand account of the brutal conditions of the Spanish Civil War, George Orwell's Homage to Catalonia includes an introduction by Julian Symons in Penguin Modern Classics.

From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume.“An absorbing portrait of Baldwin’s time—and of him.” —New York Review of BooksJames Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society.Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

"Altogether superb: an accessible, fluent account that advances scholarship while building a worthy memorial to the victims of two and a half centuries past." —Kirkus Reviews (starred review) In 1755, New England troops embarked on a "great and noble scheme" to expel 18,000 French-speaking Acadians ("the neutral French") from Nova Scotia, killing thousands, separating innumerable families, and driving many into forests where they waged a desperate guerrilla resistance. The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia; its settlers traded and intermarried freely with native Mikmaq Indians and English Protestants alike. But the Acadians' refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia's fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

The publication of this magnificent trilogy of short novels — Legends Of The Fall, Revenge, and The Man Who Gave Up His Name — confirmed Jim Harrison's reputation as one of the finest American writers of his generation. These absorbing novellas explore the theme of revenge and the actions to which people resort when their lives or goals are threatened, adding up to an extraordinary vision of the twentieth-century man.

A brief biography of the slave who escaped to freedom with his family and other runaway slaves on a captured Confederate gunboat.

In the period 1880-1960, advertising pervaded every aspect of British life. It was also the period which witnessed the rise of the British Empire. This text traces the historically changing image of non-white people in British advertising during the colonial period. Drawing on archival sources it analyses the various conflicting and changing ideologies of colonialism and racism in British advertising.

“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing.” —William Faulkner   Winner of the National Book Award Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels.

The story of what happened to Flashman, the caddish bully of Tom Brown's Schooldays, after he was expelled in drunken disgrace from Rugby school in the late 1830s. The author has written several books about Flashman, and books of short stories, including The General Danced at Dawn.

This absorbing narrative history brings into sharp and lively focus a period of immense energy, creativity, and turmoil. The book opens in 1886, as the Empire is poised to celebrate Victoria's golden jubilee, and ends in 1918 at the close of the 'war to end all wars', with England knowing that an era has conclusively ended. It vividly portrays every aspect of the nation's life - political, social, and cultural - carrying the reader from the wretched city slums to the bustling docks and factories, from the grand portals of Westminster to Blackpool's new holiday beach, from the world of the leisured aristocracy to the trenches of the Western Front and the violent politics of the militant suffrage movement.

They were black and white, young and old, men and women. In the spring and summer of 1961, they put their lives on the line, riding buses through the American South to challenge segregation in interstate transport. Their story is one of the most celebrated episodes of the civil rights movement, yet a full-length history has never been written until now. In these pages, acclaimed historian Raymond Arsenault provides a gripping account of six pivotal months that jolted the consciousness of America. The Freedom Riders were greeted with hostility, fear, and violence. They were jailed and beaten, their buses stoned and firebombed. In Alabama, police stood idly by as racist thugs battered them. When Martin Luther King met the Riders in Montgomery, a raging mob besieged them in a church. Arsenault recreates these moments with heart-stopping immediacy. His tightly braided narrative reaches from the White House--where the Kennedys were just awakening to the moral power of the civil rights struggle--to the cells of Mississippi's infamous Parchman Prison, where Riders tormented their jailers with rousing freedom anthems. Along the way, he offers vivid portraits of dynamic figures such as James Farmer, Diane Nash, John Lewis, and Fred Shuttlesworth, recapturing the drama of an improbable, almost unbelievable saga of heroic sacrifice and unexpected triumph. The Riders were widely criticized as reckless provocateurs, or "outside agitators." But indelible images of their courage, broadcast to the world by a newly awakened press, galvanized the movement for racial justice across the nation. Freedom Riders is a stunning achievement, a masterpiece of storytelling that will stand alongside the finest works on the history of civil rights.