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Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

With gorgeous full-color illustrations, ornate decorative elements, lettering in metallic ink, and engaging text, The Language of Flowers: A Fully Illustrated Compendium of Meaning, Literature, and Lore for the Modern Romantic is a treasure for flower lovers. A sumptuous, contemporary anthology of 50 of the world's most storied and popular flowers, each of its entries offers insight to the meaning associated with the flower, and is a fascinating mix of foklore, classic mythology, literature, botanical information and popular culture.Following an introduction that provides a short history of the language of flowers, a fad which reached its peak during the reign of Queen Victoria, each uniquely illustrated and designed entry is an enjoyable read full of history and little-known facts. Here is the story of Tulipmania; how the pansy got its "face," and why the most particular pollination process of a certain orchid has made the vanilla bean a very dear commodity. You'll also dicover how Christian Dior's passion for lily of the valley inspired his classic perfume Diorissimo and its extraordinary bottle; why Oscar Wilde had a penchant for wearing green carnations in his lapel; and how Greeks and Romans believed snapdragons could ward off witchcraft, so they planted them at entryways to their homes.With more than a dozen two-page paintings evoking the romance of noteworthy Victorian gardens and symbolic bouquets, a cross-referenced index of flowers and meanings, and suggestions for further reading, this book is a must for lovers of floriology and Victoriana.

Imagine you could get into a time machine and travel back to the 14th century. This text sets out to explain what life was like in the most immediate way, through taking the reader to the Middle Ages, and showing everything from the horrors of leprosy and war to the ridiculous excesses of roasted larks and haute couture.

Beatrix Potter's books are adored by millions, but they were just one aspect of an extraordinary life. This captivating biography brings us the passionate, unconventional woman behind the beloved stories: a gifted artist and shrewd businesswoman; a pioneering scientific researcher; a powerful landowner who conserved acres of Lakeland countryside; a daughter who defied her parents with her first tragically short engagement and who, finally was given a second chance of love and happiness.

The companion volume to the complete Diary of Samuel Pepys in its most authoritative and acclaimed edition.Samuel Pepys’s Diary was first published in abbreviated form in 1825. A succession of new versions brought out in the Victorian era made the Diary one of the best-known books and Pepys one of the best-known figures of English history. However, not until the publication of the Latham and Matthews edition was the Diary presented in its complete form, with a newly transcribed text and the benefit of a systematic commentary. The text of the Diary is in nine volumes, followed by this Companion and an Index. The edition has justly become established as the definitive version, hailed by The Times as ‘one of the glories of contemporary English publishing’ and by C. P. Snow as ‘a triumph of modern scholarship’.The Companion has been compiled and edited by Robert Latham, with specialist contributions from other scholars. The result of many years’ research, it is an essential adjunct to the Diary text.Over 1,700 entries, alphabetically arranged, fill in the background details about the people and places mentioned in the Diary. In addition there are longer articles on a wide range of subjects of particular relevance to Pepys and his period, such as the Great Fire, the Dutch Wars and the Plague. Others reflect Pepys’s lively interest in the arts, science and medicine, and his work for the Navy. In addition, many aspects of social history are covered in articles on, for example, dress, food, drink, taverns and travel. The book is completed by an extensive glossary, genealogical tables, a chronology and maps.The Companion will not only enrich every reader’s appreciation of Pepys’s magnificent Diary, but forms in its own right a fascinating and varied survey of seventeenth-century England.

THE SUNDAY TIMES BESTSELLER THE TIMES and SUNDAY TIMES BEST MEMOIR OF 2024 ... 'GENIUS' A BOOK OF THE YEAR for the SPECTATOR, MAIL ON SUNDAY, NEW STATESMAN, FINANCIAL TIMES, INDEPENDENT, TELEGRAPH, SUNDAY EXPRESS and THE TABLET. From one of the funniest writers of our time, the award-winning author of One Two Three Four and Ma'am Darling turns his attention to Queen Elizabeth II in an unforgettable and fascinating biography. 'A crown jewel among royal biographies' OBSERVER 'Extraordinarily original, enlightening and fresh' SPECTATOR 'Absolutely fascinating' Ruth Langsford, LOOSE WOMEN 'A very unusual masterpiece' SUNDAY TELEGRAPH 'Brilliantly funny and well-researched' FINANCIAL TIMES Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex; Jimi Hendrix played her tune; Haile Selassie gave her a gold tiara; Dirk Bogarde watched Death in Venice with her; Andy Warhol envied her fame; Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy. Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation. Combining biography, essays, cultural history, dream diaries, travelogue and satire, the bestselling and award-winning author of Ma'am Darling and One Two Three Four: The Beatles in Time presents a kaleidoscopic portrait of this most public yet private of sovereigns. - 'An unconventional tribute that offers a snapshot of almost a century of social history with a mix of royal insanity, and superior anecdotes, from farts and corgis to Paul McCartney and poets laureate' THE TIMES and SUNDAY TIMES BOOKS OF THE YEAR 2024 'An enthralling reverie on memory, identity, coincidence and meaning - testing, teasing, charming, moving and deceptively wise' RORY STEWART 'An entertaining and revealing digest ... fascinating ... Craig Brown has captured something essential about Britain's curious relationship with royalty' TLS 'Completely and utterly brilliant and exquisitely funny and fascinating. This book is, dare I say, majestic. Craig Brown has no peers - I would curtsey to him if I met him' MARINA HYDE 'Wonderfully readable ... At once sympathetic but clear-eyed, kind but sharp' NEW STATESMAN 'Brown is as sharp and dryly funny as his subject' EVENING STANDARD 'You wouldn't think the world needed another book about Queen Elizabeth - but how wrong you'd be. Craig Brown's wholly original and enthralling biography is absolute heaven from start to finish' INDIA KNIGHT 'Craig Brown continues to reinvent the art of biography... utterly fascinating' JASON COWLEY Craig Brown's book One Two Three Four won the Baillie Gifford Prize for Non-Fiction in 2020.

From Back Day by day, almost hour by hour, C.V. Wedgwood describes the hour uneasy years that were to explode into civil war--a devastation that cost King Charles his life and won the rebels their revolution.

"When King Charles came home from Scotland in the autumn of 1641, London was bright with hangings and the fountains ran wine..."With these words C V Wedgwood begins the second volume of her history of the Great Rebellion which carries the story from 1641 to 1647, from the Parliamentary passage of the Grand Remonstrance to the dramatic moment when the Scots surrendered the captive King Charles to the English.These were the years when the great battles of Marston Moor and Naseby were fought; when Prince Rupert emerged as the King's chief general; and Montrose conducted his brilliant but forlorn Scottish campaign. On the Parliamentary side the death of Pym was followed by the rise of Cromwell, both in Parliament and in the field. The New Model Army, which won the war for Parliament, was largely his creation. It was not merely an army but a new social force in English life.By the end of this volume, the Royalist cause had suffered a political and military defeat from which it could not recover. As the centre of power moved from King to Parliament; so it moved within Parliament itself to groups led by Cromwell, and at all times, the course of the struggle was profoundly influenced by events in Scotland and Ireland.Miss Wedgwood depicts this violent welter of military, political and religous developments with clarity, humour and sympathy; at the same time she communicates the tension and uncertainty, the texture of day-to-day life in a country at war with vivid and unforgettable immediacy.

In her highly praisedThe Six Wives of Henry VIIIand its sequel,Children of England, Alison Weir examined the private lives of the early Tudor kings and queens, and chronicled the childhood and youth of Elizabeth I. This book begins as the young Elizabeth ascends the throne in the wake of her sister Mary’s disastrous reign. Elizabeth is portrayed as both a woman and a queen, an extraordinary phenomenon in a patriarchal age. Alison Weir writes of Elizabeth’s intriguing, long-standing affair with Robert Dudley, Earl of Leicester; of her dealings — sometimes comical, sometimes poignant — with her many suitors; of her rivalry with Mary, Queen of Scots; and of her bizarre relationship with the Earl of Essex, thirty years her junior. Rich in detail, vivid and colourful, this book comes as close as we shall ever get to knowing what Elizabeth I was like as a person.