Empfehlungen basierend auf "Master of the Game"

Wife. Mother. Politician. Traitor. Fighter. Survivor. CECILY "Rebellion?" The word is a spark. They can start a fire with it, or smother it in their fingertips. She chooses to start a fire. You are born high, but marry a traitor's son. You bear him twelve children, carry his cause and bury his past. You play the game, against enemies who wish you ashes. Slowly, you rise. You are Cecily. But when the King who governs you proves unfit, what then? Loyalty or treason - death may follow both. The board is set. Time to make your first move. Told through the eyes of its greatest unseen protagonist, this astonishing debut plunges you into the blood and exhilaration of the first days of the Wars of the Roses, a war as women fight it.

A Stirring Saga Of A Nurse Who Only Wants To Do Her Duty In World War Two – And Who Ends Up Having To Make An Agonising Choice. Set In Ireland And Birmingham, This Is The Latest From Emerging Star Of The Genre Anne Bennett.

A hauntingly powerful and emotionally charged novel about family secrets, love and loss, identity and belonging.Two children trapped in the same attic, almost a century apart, bound by a shared secret.Early 1900s London: Taken from his homeland, twelve-year-old Celestine spends most of the time locked away in the attic of a large house by the sea. The only time Celestine isn’t bound by confines of the small space is when he is acting as an unpaid servant to English explorer Sir Richard Babbington, As the years pass, he desperately clings on to memories of his family in Africa, even as he struggles to remember his mother’s face, and sometimes his real name . . .1974: Lowra, a young orphan girl born into wealth and privilege whose fortunes have now changed, finds herself trapped in the same attic. Searching for a ray of light in the darkness of the attic, Lowra finds under the floorboards an old-fashioned pen, a porcelain doll, a beaded necklace, and a message carved on the wall, written in an unidentifiable language. Providing comfort for her when all hope is lost, these clues will lead her to uncover the secrets of the attic.

Set in an unnamed city from which voices and images spring, Crave charts the disintegration of a human mind under the pressures of love, loss and desire"A hugely unnerving theatrical experience, shot through with the language of the Bible and a genuinely poetic richness" (Time Out)"A dramatic poem in the late-Beckett style, sometimes a chamber quartet for lost voices" (The Times)Produced by Paines Plough and Bright Ltd (Guy Chapman and Paul Spyker), Crave premiered at the Traverse Theatre for the 1998 Edinburgh Festival. It received its English premiere at the Royal Court Theatre in September 1998.

Virginia’s Shenandoah Valley is a long way from Hollywood. And that’s exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother’s farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs—but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla’s dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.Plunging into the project with gusto, she’s almost too busy to notice her neighbor, graphic novelist Ford Sawyer—but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford’s quirky charm, but she can’t help indulging in a little fantasy.But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died—and that the father was a local married man. Cilla can’t help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may—like her world-famous grandmother— be cut down in the prime of her life.

Not wishing to cause a scandal within the Joneses' household, Emma chooses to make a clean break from her old life and takes a train to the sea. As chance would have it, Emma finds herself sharing a car with another maid, one who serves at a large manor in the country. A big house bustling with servants seems an ideal place in which to move forward after losing her mistress and leaving her love back in London. Learning the precise dance of domestic service in her new environment is a welcome challenge, but how long can hard work divert Emma's mind from the longing of her heart?

Return to a time of legend—the days of Guinevere and Arthur and the glory that was to become Camelot On the night of Guinevere’s birth, a wise woman declares a prophecy of doom for the child: She will be gwenhwyfar, the white shadow, destined to betray her king, and be herself betrayed. Years pass, and Guinevere becomes a great beauty, riding free across Northern Wales on her beloved horse. She is entranced by the tales of the valorous Arthur, a courageous warrior who seems to Guinevere no mere man, but a legend. Then she finds herself betrothed to that same famous king, a hero who commands her willing devotion. Just as his knights and all his subjects, she falls under Arthur’s spell. At the side of King Arthur, Guinevere reigns strong and true. Yet she soon learns how the dark prophecy will reveal itself. She is unable to conceive. Arthur’s only true heir is Mordred, offspring of a cursed encounter with the witch Morgause. Now Guinevere must make a fateful choice: She decides to raise Mordred, teaching him to be a ruler and to honor Camelot. She will love him like a mother. Mordred will be her greatest joy–and the key to her ultimate downfall. “Guinevere comes alive—a strong, resourceful, and compassionate woman, accessible to modern folk . . . The Arthur-Guinevere-Lancelot triangle comes alive as well—believable, poignant, and bearing the seeds of tragedy.”—Katherine Kurtz

Is it a gesture of goodwill or a sinister trap that lures Rupert St. Vincent and his family to a magnificent estate? How desperate is Joyce Lambert, a destitute young widow whose only recourse is to marry a man she despises? What unexpected circumstance stirs old loyalties in Theodora Darrell, an unfaithful wife about to run away with her lover? In this collection of short stories, the answers are as unexpected as they are satisfying. The Queen of Mystery takes bizarre romantic entanglements, supernatural visitations, and classic murder to inventive new heights.

"A Mixture of Frailties", the third volume of Robertson Davies "Salterton" Trilogy, is his first extended engagement with one of the great neuroses of Canadian culture: Canada's artistic relationship to Europe, and particularly to Britain. Davies begins his story with the funeral of Louisa Bridgetower, the Salterton matron whose imposing presence ranges throughout the earlier volumes of the "Salterton" Trilogy. The substantial income from her estate is to be used to send an unmarried young woman to Europe to pursue an education in the arts. Mrs. Bridgetower's executors end up selecting Monica Gall, an almost entirely unschooled singer whose sole experience comes from performing with the Heart and Hope Gospel Quartet, a rough outfit sponsored by a small fundamentalist group. Monica soon finds herself in England, a pupil of some of Britain's most remarkable teachers and composers, and she gradually blossoms from a Canadian rube to a cosmopolitan soprano with a unique - and tragicomic - career.

A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. E. T. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.