Empfehlungen basierend auf "Marvel Studios' Werewolf by Night: the Art of the Special"

Previously titled Father of Frankenstein, this acclaimed novel was the basis for the 1998 film starring Sir Ian McKellen, Lynn Redgrave, and Brendan Fraser. It journeys back to 1957 Los Angeles, where James Whale, the once-famous director of such classics as Frankenstein and Bride of Frankenstein, is living in retirement, haunted by his past. Rescuing him from his too-vivid imagination is his gardener, a handsome ex-marine. The friendship between these two very different men is sometimes tentative, sometimes touching, often dangerous—and always captivating. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, a tainted bolt of cloth from London carries bubonic infection to this isolated settlement of shepherds and lead miners. A visionary young preacher convinces the villagers to seal themselves off in a deadly quarantine to prevent the spread of disease. The story is told through the eyes of eighteen-year-old Anna Frith, the vicar's maid, as she confronts the loss of her family, the disintegration of her community, and the lure of a dangerous and illicit love. As the death toll rises and people turn from prayers and herbal cures to sorcery and murderous witch-hunting, Anna emerges as an unlikely and courageous heroine in the village's desperate fight to save itself.

From the international bestselling author of The Girl with All the Gifts comes a wildly original and enthrallingly dark medieval fantasy unlike anything you've read before – a fable of twisted folklore, macabre magic, and the strangest of found families. "A masterpiece of medieval dark fiction." – Christopher Buehlman, author of Between Two Fires "A wild fever dream – monstrous and beautiful." – Seanan McGuire, author of Every Heart a Doorway Eleven hundred and some years after the death of Christ, in the kingdom that had but recently begun to call itself England, I, Once Was Willem, rose from the dead to defeat a great evil facing the humble village of Cosham. The words enclosed herein are true.   I speak of monsters and magic, battle and bloodletting, and the crimes of desperate men. I speak also of secret things, of that which lies beneath us and that which impends above. By the time you come to the end of this account you will know the truth of your own life and death, the path laid out for your immortal soul, your origin and your inevitable end.   You will not thank me. "It's been a long time since a book has reached out and just entirely enveloped me in its world the way Once Was Willem did. Astounding, and I loved every moment of it." – RJ Barker, author of The Bone Ships

Laszlo is afraid of the dark.The dark lives in the same house as Laszlo. Mostly, though, the dark stays in the basement and doesn't come into Lazslo's room. But one night, it does.This is the story of how Laszlo stops being afraid of the dark.With emotional insight and poetic economy, two award-winning talents team up to conquer a universal childhood fear.

Roland and his companions venture on a new journey into the Gunslinger's past, during which Roland unfolds a tale revealing the secrets of his youth, including the tragic loss of his first love. 30,000 first printing.

In the autumn of 1140 the Benedictine monastery at Shrewsbury finds its new novice Meriet Aspley a bit disturbing. The younger son of a prominent family, Meriet is meek and biddable by day, but his sleep is rife with nightmares so violent that they earn him the name of "Devil's Novice". Shunned by the other monks, Aspley attracts the concern of Brother Cadfael. Then a body appears, that of a young priest last seen at the Aspley estate. Can Meriet be involved in the death? As events take a sinister turn, it falls to Brother Cadfael to detect the truth.

Sister Fidelma must entreat the chieftain of a Druid clan to allow the construction of a Christian church and school in the region. On their way, she and Brother Eadulf find the slaughtered bodies of 36 young men--all covered with pagan ritual scars. Fidelma must learn who or what is behind the massacre. Martin's Press.

Except to Harry Keogh, Necroscope. And what they tell him is horrifying. In the Balkan mountains of Rumania, a terrible evil is growing. Long buried in hallowed ground, bound by earth and silver, the master vampire schemes and plots. Trapped in unlife, neither dead nor living, Thibor Ferenczy hungers for freedom and revenge. The vampire's human tool is Boris Dragosani, part of a super-secret Soviet spy agency. Dragosani is an avid pupil, eager to plumb the depthless evil of the vampire's mind. Ferenczy teaches Dragosani the awful skills of the necromancer, gives him the ability to rip secrets from the mind and bodies of the dead. Dragosani works not for Ferenczy's freedom but world domination. he will rule the world with knowledge raped from the dead. His only opponent: Harry Koegh, champion of the dead and the living. To protect Harry, the dead will do anything--even rise from their graves! Copyright © Libri GmbH. All rights reserved.

It appears that the unlovely village of Underhowle is home to a serial killer. But as the police hunt for the bodies of more young women, Rev. Merrily Watkins fears that the detective in charge has become blinkered by ambition. Meanwhile, Merrily has more personal problems, like the anonymous phone calls, the candles and incense left burning in her church, and the alleged angelic visitations.

An extraordinary new verse translation of Dante’s masterpiece, by poet, scholar, and lauded translator Anthony EsolenOf the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.