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NEW YORK TIMES BESTSELLER • A deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the founder of The Isolation Journals and a subject of the Netflix documentary American Symphony ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist “I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review   “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

Six-year-old Sheila never spoke, she never cried, and her eyes were filled with hate. Abandoned on a highway by her mother, unwanted by her alcoholic father, Sheila was placed in a class for emotionally disturbed children after she committed an atrocious act of violence against another child.Everyone said Sheila was lost forever, everyone except her teacher, Torey Hayden.Torey fought to reach Sheila, to bring the abused child back from her secret nightmare, because beneath the rage, Torey saw in Sheila the spark of genius. And together they embarked on a wondrous journey—a journey gleaming with a child's joy at discovering a world filled with love and a journey sustained by a young teacher's inspiring bravery and devotion.

The actress discusses her personal quest into the realm of higher consciousness, detailing her extraordinary search for meaning and added dimension for her life and the impact of that investigation on her relationships

NATIONAL BESTSELLER • NEW YORK TIMES EDITORS’ CHOICE • A “profound and beautiful” (Marilynne Robinson) account of joy and sorrow from one of the great writers of our time, The New Yorker’s Kathryn Schulz, winner of the Pulitzer Prize“I will stake my reputation on you being blown away by Lost & Found.”—Anne Lamott, author of Dusk, Night, Dawn and Bird by BirdLONGLISTED FOR THE NATIONAL BOOK AWARD • FINALIST FOR THE NATIONAL JEWISH BOOK AWARD • FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE ANDREW CARNEGIE MEDALONE OF THE TEN BEST BOOKS OF THE YEAR: PeopleONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Oprah Daily, The Washington Post, The Boston Globe, Esquire, Vulture, She Reads, Book Riot, Publishers WeeklyOne spring morning, Kathryn Schulz went to lunch with a stranger and fell in love. Having spent years looking for the right relationship, she was dazzled by how swiftly everything changed when she finally met her future wife. But as the two of them began building a life together, Schulz’s beloved father—a charming, brilliant, absentminded Jewish refugee—went into the hospital with a minor heart condition and never came out. Newly in love yet also newly bereft, Schulz was left contending simultaneously with wild joy and terrible grief.Those twin experiences form the heart of Lost & Found, a profound meditation on the families that make us and the families we make. But Schulz’s book also explores how disappearance and discovery shape us all. On average, we each lose two hundred thousand objects over our lifetime, and Schulz brilliantly illuminates the relationship between those everyday losses and our most devastating ones. Likewise, she explores the importance of seeking, whether for ancient ruins or new ideas, friends, faith, meaning, or love. The resulting book is part memoir, part guidebook to sustaining wonder and gratitude even in the face of loss and grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Schulz writes with curiosity, tenderness, and humor about the connections between joy and sorrow—and between us all.

“Crystal clear, bracing as ice water, Escaping Into the Open should be read by all scribblers regardless of material success.” —Rita Mae BrownBestselling, award-winning novelist Elizabeth Berg knows a thing or two about writing, having graced the world with wonderful works of fiction including Talk Before Sleep, The Year of Pleasures, and the acclaimed Oprah Book Club Selection, Open House. With Escaping Into the Open, she offers an inspiring, eminently entertaining, and delightfully practical handbook on the joys, challenges, and creative possibilities inherent in the writing life. Now revised with new material—a classic in the vein of Writing Down the Bones by Natalie Goldberg and Anne Lamott’s Bird by Bird—Elizabeth Berg’s Escaping Into the Open is an indispensable guide for any aspiring storyteller.

New York Times BestsellerAn intimate and evocative memoir one woman’s experience with the universality of grief and the redemptive power of love as she endures her husband’s 84-day battle with lung cancer.When Steph Catudal met her husband Rivs, she thought that the love, stability, and warmth she shared with her husband had finally dispelled her pent-up anger and grief over the loss of her father and her faith. But when Rivs became ill and was put into coma at the height of the pandemic, the painful memories of her childhood—watching her father die of cancer—came flooding back.Written with lush lyricism, Steph’s account of how this crisis forced her to confront her past is raw, illuminating, and heartbreaking: her father’s death that wrecked her faith in God and jumpstarted a decade of rebellion, including running away from home and living out of a van at age 16, struggling with alcoholism, and delving into drugs to ease her pain. Sitting by Rivs's bedside, she grappled with the memories of the past and the uncertainties of the future while reckoning with the unknowns of her husband’s illness. Rivs would endure a grueling 84 days in a medically induced coma, eventually undergoing chemo for a similar illness that stole her father.Like Cheryl Strayed’s Wild, and Michelle Zauner’s Crying in H Mart, Everything All At Once is a heart-wrenching and ultimately uplifting reflection on resilience and a powerful reminder that we can find healing no matter how broken we are.

Winner of the California Bookseller Association's Golden Poppy Award for NonfictionFinalist for the National Book Critics Circle Award for AutobiographyA San Francisco Chronicle Bestseller“A portrait of a heroics, innovation, grit, and pot-baking . . . strikingly relevant . . . beautifully written.”—Entertainment Weekly"A raunchy and rollicking account of a vanished era told by someone who paid very close attention to her larger-than-life parents. I gobbled it up like an edible."—Armistead MaupinIn the 1970s, when cannabis was as illicit as heroin, Alia Volz’s mother ran Sticky Fingers Brownies, a pioneering underground bakery that delivered ten thousand marijuana edibles per month to a city in the throes of change—from the joyous upheavals of gay liberation to the tragedy of the Peoples Temple. Dressed in elaborate costumes, Alia’s parents hid in plain sight, parading through the city’s circus-like atmosphere with the goods tucked into her stroller. When HIV/AIDS swept San Francisco in the 1980s, Alia’s mom turned from dealer into healer, providing soothing edibles to those fighting for their lives at the dawn of medical marijuana.By turns heartbreaking, exhilarating, and laugh-out-loud funny, Home Baked celebrates an eccentric and remarkable extended family, taking us through love, loss, and finding home.Now with extra material, including a reading group guide, author Q&A, and additional photos!

When Matriarchs Begin To Disappear, There Is A Choice To Either Step Into The Places They Left Behind, Or To Craft A New Space. Helen Knott’s Debut Memoir, In My Own Moccasins, Wowed Reviewers, Award Juries, And Readers Alike With Its Profoundly Honest And Moving Account Of Addiction, Intergenerational Trauma, Resilience, And Survival. Now, In Her Highly Anticipated Second Book, Knott Returns With A Chronicle Of Grief, Love, And Legacy. Having Lost Both Her Mom And Grandmother In Just Over Six Months, Forced To Navigate The Fine Lines Between Matriarchy, Martyrdom, And Codependency, Knott Realizes She Must Let Go, Not Just Of The Women Who Raised Her, But Of The Woman She Thought She Was. Woven Into The Pages Are Themes Of Mourning, Sobriety Through Loss, And Generational Dreaming. Becoming A Matriarch Is Charted With Poetic Insights, Sass, Humour, And Heart, Taking The Reader Over The Rivers And Mountains Of Dane Zaa Territory In Northeastern British Columbia, Along The Cobbled Streets Of Antigua, Guatemala, And Straight To The Heart Of What Matriarchy Truly Means. This Is A Journey Through Pain, On The Way To Becoming.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from the author of The Handmaid's Tale and The Testaments, one of our most lauded and influential cultural figures. 'Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.' Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to the Orwellian 1980s Berlin where she wrote The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.

Psychotherapist Irvin D. Yalom probes further into the mysteries of the therapeutic encounter in this entertaining and thoughtful follow-up to his bestselling Love's ExecutionerIn six enthralling stories drawn from his own clinical experience, Irvin D. Yalom once again proves himself an intrepid explorer of the human psyche as he guides his patients--and himself--toward transformation. With eloquent detail and sharp-eyed observation Yalom introduces us to a memorable cast of characters. Drifting through his dreams and trampling through his thoughts are Paula, Yalom's "courtesan of death"; Myrna, whose eavesdropping gives new meaning to patient confidentiality; Magnolia, into whose ample lap Yalom longs to pour his own sorrows, even as he strives to ease hers; and Momma--ill-tempered, overpowering, and suffocating her son with both love and disapproval. A richly rewarding, almost illicit glimpse into the therapist's heart and mind, Momma and the Meaning of Life illuminates the unique potential of every human relationship.