Empfehlungen basierend auf "Making Personas Transnational Film Stardom in Modern Japan"

Tina Suzuki has just begun her first year of graduate study. Born and raised in San Francisco by her Japanese immigrant mother, Tina knows nothing about the rest of her family, and very little about her cultural heritage. But when her boyfriend's Japanese calligraphy teacher suffers a stroke, loses his ability to communicate, but continues to create magnificent calligraphic art, Tina knows she has stumbled across an ideal research subject. Getting people to cooperate with her research is an entirely different matter. The blank personal history presented by her mother is in fact a tightly wound scroll full of scandalous secrets. Tina's studies lead to revelations about her own family - secrets she would never have expected. Juxtaposed with Tina's story is that of the stricken calligraphy teacher as a young man in Kyoto, and the history of the ancient inkstone he carries with him.

A "dreamlike and compelling” tour de force (Chicago Tribune)—an astonishingly imaginative detective story, an account of a disintegrating marriage, and an excavation of the buried secrets from Japan’s forgotten campaign in Manchuria during World War II.Now with a new introduction by the author.In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels.

“Soseki is the representative modern Japanese novelist, a figure of truly national stature.”—Haruki MurakamiThe father of modern Japanese literature's best-loved novel, in its first new English translation in half a centuryNo collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than fifty years, Kokoro—meaning "heart"—is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei." Haunted by tragic secrets that have cast a long shadow over his life, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt, and revealing, in the seemingly unbridgeable chasm between his moral anguish and his student's struggle to understand it, the profound cultural shift from one generation to the next that characterized Japan in the early twentieth century.

One of the late Shusaku Endo’s finest works, The Samurai tells of the journey of some of the first Japanese to set foot on European soil and the resulting clash of cultures and politics.

The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story.A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight.Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.

The haunting and poignant story of a how a young Japanese girl's understanding of the historic and tragic bombing of Hiroshima is transformed by a memorial lantern-floating ceremony.Twelve-year-old Nozomi lives in the Japanese city of Hiroshima. She wasn't even born when the bombing of Hiroshima took place. Every year Nozomi joins her family at the lantern-floating ceremony to honor those lost in the bombing. People write the names of their deceased loved ones along with messages of peace, on paper lanterns and set them afloat on the river. This year Nozomi realizes that her mother always releases one lantern with no name. She begins to ask questions, and when complicated stories of loss and loneliness unfold, Nozomi and her friends come up with a creative way to share their loved ones' experiences. By opening people's eyes to the struggles they all keep hidden, the project teaches the entire community new ways to show compassion.Soul Lanterns is an honest exploration of what happened on August 6, 1945, and offers readers a glimpse not only into the rich cultural history of Japan but also into the intimate lives of those who recognize--better than most--the urgent need for peace.

These translated poems were written by 2 ladies of the Heian court of Japan between the ninth and eleventh centuries A.D. The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

'Was it death he was now waiting for? Or a wild ecstasy of the senses?' For the young army officer of Yukio Mishima's seminal story, 'Patriotism, ' death and ecstasy become elementally intertwined. With his unique rigor and passion, Mishima hones in on the body as the great tragic stage for all we call social, ritual, political.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

What if you woke up one morning, and everything changed?It's one week before Christmas Eve, and Haruhi and the S.O.S. Brigade (a club for her high school's strangest and most extraordinary students) are gearing up for holiday festivities. But just before the fun kicks off, Kyon, the only "normal" member, wakes up in a weird alternate dimension, one where Haruhi attends another school entirely, Nagato the time traveling robot is just an ordinary human, and Mikuru (the cute girl of Kyon's dreams) doesn't even recognize him-in other words, S.O.S. Brigade never existed.The only clue Kyon can find is a bookmark left by the robot version of Nagato, which leads him on a quest back in time, where he interacts with the storyline from "Bamboo Leaf Rhapsody", a short story from the previous Haruhi book, The Boredom of Haruhi Suzumiya. This fun and quirky holiday tale is reminiscent of A Christmas Carol and It's a Wonderful Life.