Empfehlungen basierend auf "Ma Rainey's Black Bottom A Play"

Mahlangeni, the Tsonga word for "meeting place", is one of the most remote ranger stations in the Kruger National Park. Far from everywhere, this isolated corner of the wilderness was home for eleven years to Kobie Kruger, wife of the ranger in charge of the station, and their their three daughters. Running a household and raising a family in a place where leopards, elephants, snakes and the like are your only neighbours, where you have no telephone, and where a trip to town means first crossing a river full of hippos and crocodiles, is hardly a straightforward business. But Kobie Kruger tackled each problem with undaunted pragmatism and an energy that gives new meaning to word resourceful.

In the spring of 1938, Teodor Mykolayenko returns to his family after nearly two years in prison for the crime of trying to feed them. Given shelter by his sister Anna, his wife, Maria, and their five children barely survived on the harsh and brutal Canadian prairie landscape. Channelling a determination gained from escaping starvation and Stalin's crimes in the Ukraine, Teodor is committed to making a home. With unbending resolve, he takes to the land and as the crops grow, his family heals and strengthens, but their comfort is soon challenged: Anna's rogue husband returns with an unforgivable plan. Mesmerizing and passionate, Under This Unbroken Sky is an astonishing tale of family, love, betrayal, and the resiliency of the human spirit.

About the Author In her award-winning autobiography, Dust Tracks on a Road (1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mule sand Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years. Hurston's finest work of fiction appeared at a time when artistic and political statements -- whether single sentences or book-length fictions -- were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The END result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?" That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors. In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there: ZORA NEALE HURSTONGENIUS OF THE SOUTHNOVELIST FOLKLORIST ANTHROPOLOGIST(1891-1960) In BriefZora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.

New York Times Bestseller • Pulitzer Prize Finalist • An Oprah's Book Club Selection“Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book ReviewThe Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa.The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil.The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review“Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White TearsA Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales.There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea.Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind.

The night of August 17, 1823 saw the start of one of the most massive slave rebellions in the history of the Western Hemisphere, the uprising in the British colony of Demerara (now Guyana), in which nearly twelve thousand slaves took up arms against their masters. In Crowns of Glory, Emilia Viotti da Costa tells the riveting story of this pivotal moment in the history of slavery. Studying the complaints brought by slaves to the office of the Protector of Slaves, she reconstructs the experience of slavery through the eyes of the Demerara slaves themselves. Da Costa also draws on eyewitness accounts, official records, and private journals (most notably the diary of John Smith, one of four ministers sent by the London Missionary Society to convert Demerara's "heathen"), to paint a vivid portrait of a society in transition, shaken to its foundations by the recent revolutions in America, France, and Haiti. Casting new light on the nuances of racial relations in the colonies, the inevitable clash between the missionaries' message of Christian brotherhood and a social order based on masters and slaves, and the larger historical forces that were profoundly eroding the institution of slavery itself, Crowns of Glory is an original and unforgettable book.

New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 •“A profound impact on Hurston’s literary legacy.”―New York Times“One of the greatest writers of our time.”―Toni Morrison“Zora Neale Hurston’s genius has once again produced a Maestrapiece.”―Alice WalkerA major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade―abducted from Africa on the last "Black Cargo" ship to arrive in the United States.In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past―memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

Longlisted for the Booker Prize 2020A Spectator Book of the Year‘A literary rendering of the Top Boy generation… I cannot conjure another work which captures this culture in such depth – or with such brutal honesty – as only lived experience can tell ’ Graeme Armstrong, author of The Young Team’An astonishingly powerful book’ Cathy Rentzenbrink, author of The Last Act of LoveThis life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.This is a story of a London you won’t find in any guidebooks.This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.This is about the boredom, the rush, the despair, the fear and the hope.This is about what’s left behind.Perfect for fans of Diane Cook, Douglas Stuart and Colum McCann.

'A vital work for our times' IRENOSEN OKOJIE 'Beautiful ... this is prose worth spending time with' MARIE CLAIRE 'A gorgeously deeply humane book' NICOLE DENNIS-BENN 'A vivid, stirring revolution' YRSA DALEY-WARD 'The ink practically hovers off the page' KAVEH AKBAR What makes a family? How is it defined and by whom? Is freedom for everyone? Across Lagos, a rolling cast of unforgettable characters seek out love in all its forms, daring to push all other relationships - with partners, family and friends - to the brink in the process. As they form and break unexpected connections, they reveal how they know each other, have loved each other and had their hearts broken in that pursuit. Stubbornly alive and brazenly flawed, they work to establish themselves in the city's worlds of art, music, entertainment and creativity while reckoning with desire, fear, death and God. Here, we witness their collective and individual attempts to grapple with the necessary fictions that they all carry for survival. This is a shimmering, defiant cross-generational portrait of what it means to be queer in contemporary Nigeria. 'Both deeply earnest and unique' VULTURE 'Unabashedly queer, complicated and occasionally outright hopeful' NPR 'Osunde is brilliant at character, giving the cast rich, knotty backstories that unfold in bursts of revelation' TLS 'Necessary Fiction's Nigerians are inseparable from Nigeria itself: brazen, willful, sexy, dynamic, explosive' MARLON JAMES 'Osunde's writing shines ... It's not just beautiful - it's transformative' BASSEY IKPI

Powerful, compassionate and ultimately hopeful. Observer WINNER OF THE COSTA CHILDREN'S BOOK AWARD 2021 and the Sunday Times Children's Book of the Week - a trailblazing novel about two teenagers from opposite worlds; The Crossing is a profound story of hope, grief, and the very real tragedies of the refugee crisis. The sea carries our pain. The stars carry our future. Natalie's world is falling apart. She's just lost her mum and her brother marches the streets of Dover full of hate and anger. Swimming is her only refuge. Sammy has fled his home and family in Eritrea for the chance of a new life in Europe. Every step he takes on his journey is a step into an unknown and unwelcoming future. A twist of fate brings them together and gives them both hope. But is hope enough to mend a broken world? 'Skilful, involving and important, this deserves it's accolades' The Sunday Times'Powerful, uplifting, hopeful' Guardian