Empfehlungen basierend auf "Look Who's Back"

The moments that it took Gavrilo Princip to step forward to the stalled car and shoot dead Franz Ferdinand and his wife were perhaps the most fateful of the modern era. An act of terrorism of staggering efficiency, it fulfilled its every aim: it would liberate Bosnia from Habsburg rule and it created a powerful new Serbia, but it also brought down four great empires, killed millions of men and destroyed a civilization. What made a seemingly prosperous and complacent Europe so vulnerable to the impact of this assassination?In 'The Sleepwalkers', Christopher Clark retells the story of the outbreak of the First World War and its causes. Above all, it shows how the failure to understand the seriousness of the chaotic, near genocidal fighting in the Balkans would drag Europe into catastrophe.

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

An omnibus edition of Judith Kerr's internationally acclaimed trilogy, When Hitler Stole Pink Rabbit, The Other Way Round and A Small Person Far Away, we see the world through Anna's eyes as she grows up -- from her much loved family to Hitler's holocaust. Anna was a German child when she had to flee from the Nazis before the War. By the time the bombs began to fall she was a stateless adolescent in London, and after it was all over she became a happily married Englishwoman who thought she had put the past behind her. This omnibus edition of the three volumes of Judith Kerr's Hitler trilogy, tells her story beginning with the rise of Hitler in 1933 through to her return to Berlin years after the war.

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

'you Wanted To See Some Action - Well You're Going To Get It Now. You're Going To Get It Now All Right.' Friday 24th May, 1940 Private Johnny Hawke, Aged Sixteen, Awakens To Artillery Fire. Hours Later, Stukas Scream Down From The Sky. Messerschmit Fighters Roar Towards His Regiment. Trucks Burst Into Flames. Now Men And Mules Lay Dead And Dying, Severed Limbs Twisted Grotesquely As Blood Soaks The Cobbled Streets. Young Private Hawke Just Wants To Do His Duty And Serve His Country. But As He - And His Fellow Soldiers - Prepare To Stop The German Advance, There's Only One Question On Everyone's Lips. How Will They Survive?

This masterful biography by one of Germany's best known journalists was the leading nonfiction best seller in Germany. Fest shows Hitler as the receptacle of the dreads and resentments of a shaken social order, gifted with an uncanny instinct for all that was hollow behind the appearance of power, at home and abroad. Though a warped human being, he was neither clown nor puppet, as many liked to think; Hitler appears here as an enormously astute politician, impressing and hypnotizing Germans and foreigners alike with the scope of his projects and the theatricality of their presentation. In the last analysis, however, Fest uncovers in Hitler a constantly destructive personality, which aimed at and achieved destruction on an unprecedented scale, not least because an insecure world gave him his opportunities.

Presenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Jünger's Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics. 'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.' A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Jünger's experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years. Ernst Jünger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign Legion. His father dragged him back, but he returned to military service when he joined the German army on the outbreak of the First World War. Storm of Steel (Stahlgewittern) was Jünger's first book, published in 1920. Greatly admired by the Nazis, Jünger remained at a distance from the regime, with books such as his allegorical work On the Marble Cliffs (1939) functioning as a covert criticism of Nazi ideology and methods. If you enjoyed Storm of Steel, you might like Edward Blunden's Undertones of War, also available in Penguin Modern Classics. 'To read this extraordinary book is to gain a unique insight into the compelling nature of organized, industrialized violence' Niall Ferguson, author of War of the World 'Hofmann's interpretation is superb' The Times 'Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle' Telegraph 'Storm of Steel is what so many books claim to be but are not: a classic account of war' Evening Standard

This is Winston Churchill's six-volume history of the Second World War.

'of The Great Powers That Dominated Europe From The Eighteenth To The Twentieth Centuries, Prussia Is The Only One To Have Vanished ... Iron Kingdom Is Not Just Good: It Is Everything A History Book Ought To Be ... The Nemesis Of Prussia Has Cast Such A Long Shadow That German Historians Have Tiptoed Around The Subject. Thus It Was Left To An Englishman To Write What Is Surely The Best History Of Prussia In Any Language' Sunday Telegraph

Fascism is a political ideology which has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience. Fascism was directly associated with the Second World War, the most devastating annihilation of human lives in the history of mankind which left more than 40 million dead around the globe and introduced notions of inhumanity the extent of which was heretofore unknown. The mere term stirs up visions of atrocities and wanton cruelty even today, fifty years after the end of the Last European War Yet once again fascism is in the ascendant, suggesting that it is time for us to renew our understanding of its ideas, ideals, and iniquities. This anthology tries to show why fascism holds such strong appeal to many people. With a wide selection of texts written by fascist thinkers and propagandists as well as prominent anti-fascist criticism from both inside and outside Europe, before and after the Second World War, this collection offers a chilling portrait of the most feared political doctrine in modern history. Some of the topics covered in this volume include fascism in Germany and Italy, pre-1922 precursors of fascism, theories of fascism, the abortive fascist movements in the period 1922-1945, anti-fascist movements and reaction, Marxist criticism of fascist ideology, and post-war fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this insightful book evokes the pernicious effects of fascist ideology.