Empfehlungen basierend auf "Lonely Castle in the Mirror: The no. 1 Japanese bestseller and Guardian 2021 highlight"

Kafka on the Shore follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. Their parallel odysseys are enriched throughout by vivid accomplices and mesmerising dramas. Cats converse with people; fish tumble from the sky; a ghostlike pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since WWII. There is a savage killing, but the identity of both victim and killer is a riddle. Murakami's novel is at once a classic quest, but it is also a bold exploration of mythic and contemporary taboos, of patricide, of mother-love, of sister-love. Above all it is an entertainment of a very high order.

Alternate cover edition here.High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance.

Yasuko hanaoka accidentally kills her ex-husband, when circumstances rose to an unendurable level of ghastly behaviour from him. What follows is an elongated and witty brain-game between the investigator and her accomplice, ishigami, who aided yasuko in covering up the murder. The devotion of suspect x is the story about an ingenious plotter, and clever dr manabu yukawa, who helps in solving the case. Yasuko hanaoka works in a restaurant. She is divorced, and is a single mother to misato. Her ex-husband, togashi, was an abusive man, stalking and extorting money from her. With similar intentions, he showed up at yasuko’s home, this time threatening to kill her and her daughter if she refused to lend him money. What started from denial, reached to a heated argument, and within a short span of time, turned to a nasty fight. In the spur of the moment, yasuko killed togashi. Hearing the commotion in their apartment, tetsuya ishigami came into the picture. Ishigami was a middle-aged, singl

Bringing together Yukio Mishima's finest stories, this selection shows his extraordinary ability to depict a wide variety of human beings in moments of significance. A moonlit journey to fulfil a wish; a mother lost in mourning; a night of infidelity; and a young lieutenant who ends his life. Filled with rich description and luxurious beauty, these hauntingly beautiful short stories from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death. In the title story, 'Death in Midsummer', which is set at a beach resort, a triple tragedy becomes a cloud of doom that requires exorcising. In another, 'Patriotism', a young army officer and his wife choose a way of vindicating their belief in ancient values that is as violent as it is traditional; it prefigured his own death by seppuku in November 1970. There is a story in which the sad truth of the relationship between a businessman and his former mistress is revealed through a suggestion of the unknown, and another in which a working-class couple, touching in their simple love for each other, pursue financial security by rather shocking means.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.Filled with rich description and luxurious beauty, these ten tales of loss and longing from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death: a mother lost in mourning, a moonlit journey to fulfil a wish, a night of infidelity, a young lieutenant who ends his life.

Oceans and decades apart, two women are inextricably bound by the secrets between them.Japan, 1957. Seventeen-year-old Naoko Nakamura’s prearranged marriage would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor—and to marry him would bring great shame upon her family. When it’s learned Naoko carries the sailor’s child, she is cast out in disgrace, forced to make unimaginable choices with far-reaching consequences.America, present day. Tori Kovac finds a letter containing a shocking revelation about her father—one that calls into question everything she understood about her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

Eleventh-century Japan: After a difficult but successful assignment as provisional governor of Eichigo, Akitada Sugawara is finally allowed to return to Heian Kyo. But instead of a triumphant homecoming accompanied by his beautiful wife and young son, Akitada must ride ahead of his entourage to the sickbed of his dying mother. Fading light and a steady downpour interrupt his journey, forcing him to take refuge in a temple where a brilliantly illustrated hell screen and a piercing cry disturb his restless sleep.Upon his arrival, Akitada finds his mother, sick and bitter, cursing his return, while his youngest sister, Yoshiko, forsakes her own happiness to serve as the old woman’s nurse and maid. Only his sister Akiko seems fortunate---married to a wealthy nobleman, Toshikage, and expecting their first child. But appearances prove to be deceptive, for it is not long before Akitada is asked to help clear his brother-in-law’s name. In the course of his investigation Akitada learns that his night at the temple was disturbed by more than a terrible scream. A woman has been murdered, and because of his reputation for detective work, Akitada must solve another mystery. Personal and professional interests begin to merge as Akitada becomes ensnared in a tangled web of deceit and malevolence that will, in the end, strike very close to home.

“[A]n excellent book...” —The EconomistFinancial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan.Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.The Financial Times“David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.”The Telegraph (UK)“Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.”Publishers Weekly (starred):"A probing and insightful portrait of contemporary Japan."