Empfehlungen basierend auf "Listen, Slowly"

THE SUNDAY TIMES BESTSELLERWINNER OF THE ONDAATJE PRIZE'The best book I read last year by a mile. . . so beautifully written that anyone would be hooked' Laura Hackett, Sunday Times, Best Summer Books'Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime' Luke Harding, Observer'We never lose our inner freedom; the freedom to do what is right'Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.THE SUNDAY TIMES MEMOIR OF THE YEARWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZESHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONSHORTLISTED FOR THE GORDON BURN PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATOR

“A riveting memoir. . . an important, moving work that those who have suffered cannot afford to forget and those who have been spared cannot afford to ignore.” — San Francisco ChronicleFrom a childhood survivor of the Cambodian genocide under the regime of Pol Pot, this is a riveting narrative of war crimes and desperate actions, the unnerving strength of a small girl and her family, and their triumph of spirit.One of seven children of a high-ranking government official, Loung Ung lived a privileged life in the Cambodian capital of Phnom Penh until the age of five. Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to labor camps, and those who survived the horrors would not be reunited until the Khmer Rouge was destroyed.Harrowing yet hopeful, Loung's powerful story is an unforgettable account of a family shaken and shattered, yet miraculously sustained by courage and love in the face of unspeakable brutality.

“Messy Roots is a laugh-out-loud, heartfelt, and deeply engaging story of their journey to find themself--as an American, as the daughter of Chinese immigrants, as a queer person, and as a Wuhanese American in the middle of a pandemic.”—Malaka Gharib, author of I Was Their American DreamAfter spending her early years in Wuhan, China, riding water buffalos and devouring stinky tofu, Laura immigrates to Texas, where her hometown is as foreign as Mars—at least until 2020, when COVID-19 makes Wuhan a household name.In Messy Roots, Laura illustrates her coming-of-age as the girl who simply wants to make the basketball team, escape Chinese school, and figure out why girls make her heart flutter.Insightful, original, and hilarious, toggling seamlessly between past and present, China and America, Gao’s debut is a tour de force of graphic storytelling.

Ruth, An Only Child Of Kenyan Immigrant Parents, Lives In An Emotionally Cold Household And Attends The Local Catholic Girl's School On A Scholarship. Maria, A Beautiful Orphan Whose Panamanian Mother Dies By Suicide And Is Taken Care Of By An Ill Aunt, Is Also One Of The Only Other Students Of Color At The School. When Ruth Becomes Drawn Into Maria's Orbit, And They Fall Into An Easy, Yet Intense, Friendship, Ruth's World Opens Up. While Maria Eases Into Her Full Self, Embracing Her Queerness And Her Own Creative Pursuits, Ruth Is Mostly Content To Follow Her Around: To College And Then Into The Early-90s Art World Of New York City. There, The Push And Pull Of Female Ambition And Friendship Tear, And Come Back Together, Over The Years As Maria Finds Success In The Art World And While Ruth Stumbles Along The Fringes Of It While Deciding To Go Down A More Traditional Path Of Marriage. As Their Lives Converge And Diverge, It Culminates In One Final Confrontation. What Does It Mean To Be An Artist? To Be True To Oneself? Marking The Arrival Of A Sensational New Literary Talent, Lonely Crowds Interrogates The Nature Of Friendship, Desire, And Time, Challenging Us To Reckon Honestly With Our Own Ambitions And The Lives We Hope To Lead-- Provided By Publisher.

The most influential book of Taiwan’s #MeToo movement—a heartbreaking account of sexual violence and a remarkable reinvention of the trauma plot, turning the traditional Lolita narrative upside down as it explores women’s vulnerability, victimization, and the lengths they will go to survive.Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works—Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits.Si-Chi’s innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents—unaware of Lee’s true nature—happily accept. While Yi-Ting’s studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school—lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her “first love paradise,” where the power of love, no matter how twisted, gives her the strength to survive.One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi’s First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.Translated from the Chinese by Jenna Tang

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Sentimental, heartfelt....the exploration of Henry's changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don't repeat those injustices.-- Kirkus Reviews "A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel. -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain "Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut." -- Lisa See, bestselling author of Snow Flower and the Secret Fan In the opening pages of Jamie Ford's stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle's Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry's world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While "scholarshipping" at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship-and innocent love-that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel's dark dusty basement he begins looking for signs of the Okabe family's belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice-words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago. Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart. BONUS: This edition contains a Hotel on the Corner of Bitter and Sweet discussion guide and an excerpt from Jamie Ford's Songs of Willow Frost.

A Most Anticipated Book of 2023 from: LA Times * Boston Globe * The Millions * LitHub * Shondaland By the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive literary essays and linked short fiction exploring family, queer desire, pop culture, and race The late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions. Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the immigrant experience of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth. Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker). Cambodian American Experience: Step into the world of Cambodian American life in Stockton, California, through the eyes of a groundbreaking author grappling with family, community, and the long shadow of the Khmer Rouge. Linked Short Stories: Follow three cousins as they navigate grief, longing, and a complicated inheritance: their late aunt’s illegitimate loan-sharking business. Humor and Trauma: Explore the connection between humor and trauma through razor-sharp observations on pop culture, race, family, and queer desire. LGBTQ Voices: A soulful and intimate exploration of queer identity and desire, written with the wit and depth that made Anthony Veasna So a literary star.

"A thought-provoking book about the long journey of the Kyrgyz people to independence" that melds the stories of Chingiz Aitmatov and Azamat Altay (Roza Otunbayeva, former president of the Kyrgyz Republic). After surviving the blitzkrieg of World War II and escaping from three Nazi prison camps, Soviet soldier Azamat Altay fled to the West and was charged as a traitor in his homeland of Kyrgyzstan in Soviet Central Asia. Chingiz Aitmatov became a hero of Kyrgyzstan, propelled by family loss to write novels about the everyday lives of his fellow citizens. While both came from small villages in the beautiful mountainous countryside, they found themselves caught on opposite sides of the Cold War struggle between world superpowers. Altay became the voice of democracy on Radio Liberty, broadcasting back into his shuttered homeland, while Aitmatov rose through the ranks of Soviet society, a quiet rebel whose prose masked ugly truths about Soviet communism. Yet just as they seemed to be pulled apart by the divisions of the Cold War, they found their lives intersecting in compelling ways, joined by a common mission to save their people. "The stories of Chingiz Aitmatov and Azamat Altay are best told together, a herculean task which Jeffrey B. Lilley's Have The Mountain's Fallen? Two Journeys of Loss and Redemption in the Cold War manages deftly . . . Their story―because it is, in essence, a single story―is that of Kyrgyzstan itself, replete with tragedy and sacrifice, hope and triumph."— The Diplomat "A Cold War story that gives hope."—Richard G. Lugar, United States Senator (Ret.)