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Who was Gandhi? In the midst of resurging interest in the man who freed India, inspired the American Civil Rights Movement, and is revered, respected, and misunderstood all over the world, the time is proper to listen to Gandhi himself — in his own words, his own "confessions," his Autobiography.Gandhi made scrupulous truth-telling a religion, and his Autobiography inevitably reminds one of other saints who have suffered and burned for their lapses. He gives a simply narrated account of his boyhood in Gujarat, marriage at age 13, legal studies in England, and a growing desire for purity and reform. He details his gradual conversion to vegetarianism and ahimsa (non-violence) and the state of celibacy (brahmacharya, self-restraint) that became one of his more arduous spiritual trials.Gandhi was a fascinating, complex man, a brilliant leader and guide, a seeker of truth who died for his beliefs but had no use for martyrdom or sainthood. In the political realm he outlines the beginning of Satyagraha in South Africa and India, with accounts of the first Indian fasts and protests, his initial errors and misgivings, his jailings, and continued cordial dealings with the British overlords.Mahatma Gandhi writes of this book: "My purpose is to describe experiments in the science of Satyagraha, not to say how good I am."Satyagraha, Gandhi's nonviolent protest movement (satya = true, agraha = firmness), came to stand, like its creator, as a moral principle and a rallying cry; the principle was truth and the cry freedom. The life of Gandhi has given fire and fiber to freedom fighters and to the untouchables of the world: hagiographers and patriots have capitalized on Mahatma myths. Yet Gandhi writes: "Often the title [Mahatma, Great Soul] has deeply pained me. . . . But I should certainly like to narrate my experiments in the spiritual field which are known only to myself, and from which I have derived such power as I possess for working in the political field."His story, the path to his vision of Satyagraha and human dignity, is a critical work of the twentieth century, and timeless in its courage and inspiration.Dover publishes history books featuring autobiographies and biographies of famous figures, great war battles, politics, various eras, and global cultures and history including Tudor England, Ancient Rome, medieval times, the writings of Gandhi, Lenin, Lincoln, and Machiavelli — books for the scholar and general reader, including many reprints of hard-to-find classics.

Published by Penguin Books, New York, 1992, written by John Steinbeck.

Ed Abbey called The Monkey Wrench Gang, his 1975 novel, a "comic extravaganza." Some readers have remarked that the book is more a comic book than a real novel, and it's true that reading this incendiary call to protect the American wilderness requires more than a little of the old willing suspension of disbelief. The story centers on Vietnam veteran George Washington Hayduke III, who returns to the desert to find his beloved canyons and rivers threatened by industrial development. On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period"). Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

The works of James Baldwin constitute one of the major contributions to American literature in the twentieth century, and nowhere is this more evident than in The Price of the Ticket, a compendium of nearly fifty years of Baldwin's powerful nonfiction writing. With truth and insight, these personal, prophetic works speak to the heart of the experience of race and identity in the United States. Here are the full texts of Notes of a Native Son, Nobody Knows My Name, The Fire Next Time, No Name in the Street, and The Devil Finds Work, along with dozens of other pieces, ranging from a 1948 review of Raintree Country to a magnificent introduction to this book that, as so many of Mr. Baldwin's works do, combines his intensely private experience with the deepest examination of social interaction between the races. In a way, The Price of the Ticket is an intellectual history of the twentieth-century American experience; in another, it is autobiography of the highest order.

Find out how a journalist and sportsman became one of the most famous American novelists of the twentieth century in this new addition to the #1 New York Times bestselling series!Ernest Hemingway wasn't just a novelist. He was a hunter and a fisherman; he became an ambulance officer in Paris, France, during World War I; and he worked as a reporter during the civil war in Spain in the 1930s. All of these experiences had such an important impact on Ernest's life that he used them as inspiration for some of his most notable works of fiction, including The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls.He wrote short stories, novels, and articles in an understated, direct style, that is still beloved by readers today. Hemingway is remembered as much for his fiction as he is for his adventurous lifestyle.

Collects firsthand accounts of the battle of Trafalgar, telling the story of the events before, during, and after the battle through letters, diaries, and other unpublished documents.

Now that Kerouac's major novel, On the Road is accepted as an American classic, academic critics are slowly beginning to catch up with his experimental literary methods and examine the dozen books comprising what he called 'the legend of Duluoz.' Nearly all of his books have been in print internationally since his death in 1969, and his writing has been discovered and enjoyed by new readers throughout the world. Kerouac's view of the promise of America, the seductive and lovely vision of the beckoning open spaces of our continent, has never been expressed better by subsequent writers, perhaps because Kerouac was our last writer to believe in America's promise--and essential innocence--as the legacy he would explore in his autobiographical fiction.

Written more than a century ago by Frederick Douglass, a former slave who went on to become a famous orator, U.S. minister, and a leader of his people, this masterpiece is one of the most eloquent indictments of slavery ever recorded. Douglass's shocking narrative takes the reader into the world of the South's antebellum plantations and reveals the daily terrors he suffered as a slave, shedding invaluable light on one of the most unjust periods in the history of America. Published for the first time as a Signet Classic.

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

Young children can now enjoy a biography series written just for them. "Rookie Biographies" introduce the beginning reader to interesting people who helped shape history. With short, easy-to-understand text, historical photos, and eye-catching illustrations, these introductory biographies will motivate children into wanting to learn more about noted individuals. Each book includes a index.