Empfehlungen basierend auf "Last Voyage of the Valentina"

By the bestselling, prize-winning author of When God was a Rabbit and Tin Man, Still Life is a beautiful, big-hearted, richly tapestried story of people brought together by love, war, art, flood… and the ghost of E.M. Forster.We just need to know what the heart’s capable of, Evelyn.And do you know what it’s capable of?I do. Grace and fury.It’s 1944 and in the ruined wine cellar of a Tuscan villa, as the Allied troops advance and bombs fall around them, two strangers meet and share an extraordinary evening together.Ulysses Temper is a young British solider and one-time globe-maker, Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the ruins and relive her memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view.These two unlikely people find kindred spirits in each other and Evelyn’s talk of truth and beauty plants a seed in Ulysses mind that will shape the trajectory of his life – and of those who love him – for the next four decades.Moving from the Tuscan Hills, to the smog of the East End and the piazzas of Florence, Still Life is a sweeping, mischievous, richly-peopled novel about beauty, love, family and fate.

THE INTERNATIONAL BESTSELLERIlja Leonard Pfeijffer’s moving and addictive masterpiece of European identity, nostalgia and the end of an era.‘A masterpiece: grandiose style, brilliant and rich. It will defy the ages’ Trouw (The Netherlands)‘The love of my life lives in my past. That is, despite the alliteration, a terrible sentence to write. I do not want to come to the conclusion that, as it is the case for the hotel where I am staying and the continent after which it is named, the best time is behind me and that I have little more to expect from the future than to live on my past.’A writer takes residence in the illustrious but decaying Grand Hotel Europa, to think about where things went wrong with Clio, with whom he fell in love in Genoa and moved to Venice. He reconstructs a compelling story of love in times of mass tourism, about their trips to Malta, Palmaria, Portovenere and the Cinque Terre and their thrilling search for the last painting of Caravaggio. Meanwhile, he becomes fascinated by the mysteries of Grand Hotel Europe and gets more and more involved with the memorable characters who inhabit it, and who seem to come from a more elegant time. All the while, globalisation seems to be grabbing hold even on this place frozen in time.Grand Hotel Europa is Ilja Leonard Pfeijffer’s masterly novel on the old continent, where so much history resides that there is no place left for a future and where the most realistic future perspectives are offered in the form of exploiting the past in the shape of tourism.

“Dramatic, adventurous, heroic, romantic. . . these historical chronicles, legends, myths, tall tales and fables, featuring warriors, kings, monks, explorers and clever common folk, imaginatively tell the history of Ireland.” — Philadelphia InquirerThis New York Times bestselling epic is an unforgettable tour de force that marries the intimate, passionate texture of the Irish spirit with a historical scope that is sweeping and resplendent. Storyteller extraordinaire Frank Delaney takes his readers on a journey through the history of Ireland, stopping along the way to evoke the dramatic events and personalities so critical to shaping the Irish experience.In the winter of 1951, a storyteller, the last practitioner of an honored, centuries-old tradition, arrives at the home of nine-year-old Ronan O'Mara in the Irish countryside. For three wonderful evenings, the old gentleman enthralls his assembled local audience with narratives of foolish kings, fabled saints, and Ireland's enduring accomplishments before moving on. But these nights change young Ronan forever, setting him on a years-long pursuit of the elusive, itinerant storyteller and the glorious tales that are no less than the saga of his tenacious and extraordinary isle.

The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era.Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction.“A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review“Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News“The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle

It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. Ostracised at first, he proves in time to be peace-loving, humorous - and a consummate musician. A burgeoning love with the local doctor's daughter, whose letters to her fiance - and members of the underground - go unanswered, seems inevitable. But can it survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender?

"There is no better short story writer in the English-speaking world."—Wall Street Journal Twelve remarkable stories by the master storyteller William Trevor. In this collection of twelve dazzling, acutely rendered tales, William Trevor plumbs the depths of the human heart. Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, "a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so." Conscious or not, he touches us in ways that few writers even dare to try. Trevor wrote eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature.

Patrick Hamilton may be best known now for the plays Rope and Gaslight and for the classic Alfred Hitchcock and George Cukor movies they inspired, but in his heyday he was no less famous for his brooding tales of London life. Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters.Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration.

Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.

“A masterpiece that can compare with Steinbeck’s East of Eden. … Some books make you laugh; some make you cry; some make you think. The Prince of Tides is a rarity: It does all three.” — Detroit Free Press A modern American classic and a family saga that spans decades, this is the story of the volatile Tom Wingo, his brilliant but troubled twin sister, Savannah, and the complex and damaging family legacy they share. Moving between the sparkling glamour of New York City and the vanishing beauty of the South Carolina low country, The Prince of Tides is Pat Conroy’s masterwork. “A big, sprawling saga of a novel…the kind you hole up with and spend some days with and put down feeling you have emerged from a terrible, wonderful spell.” —San Francisco Chronicle “A literary gem . . . The Prince of Tides is in the best tradition of novel writing. It is an engrossing story of unforgettable characters.” —The Pittsburgh Press

After a lonely boyhood, and the painful ordeal of his schooldays, Philip's yearning for adventure takes him to Germany and later Paris where he tries to make his mark as an artist before returning to London to study medicine. Here, a tortured and one-sided love affair with Mildred, a vulgar yet irresistible waitress, changes the course of his life for ever. Commenting later on the novel's autobiographical aspects, Maugham recalled how in writing the book he mingled fact and fiction and 'found myself free from the pains and unhappy recollections that had tormented me'.However, like Dickens' David Copperfield to which it is often compared, Of Human Bondage goes far beyond autobiography, and is Maugham's most ambitious and unsparing novel, revealing the author's undoubted gift for storytelling as he explores the timeless theme of human freedom - freedom to act, to think and to love.