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von Jean Sasson

In a land where Kings still rule, I am a Princess. You must know me only as Sultana, for I cannot reveal my true name for fear that harm will come to me and my family for what I am about to tell you. Think of a Saudi Arabian princess and what do you see? A woman glittering with jewels, living a life of unbelievable luxury. She has gold, palaces, swimming-pools, servants, designer dresses galore. But in reality she lives in a gilded cage. She has no freedom, no vote, no control over her own life, no value but as a bearer of sons. Hidden behind the vell, she is a prisoner, her jailers her father, her husband, her sons. 'Sultana' is a member of the Saudi royal family, closely related to the King. For the sake of her daughters, she decided that it was time for a woman in her position to speak out about the reality of life for women in her country, whatever their rank. She tells of her own life, from her turbulent childhood to her arranged marriage - a happy one, until her husband decided to take a second wife - and of the lives of her sisters, her friends and her servants. In contrast to the affection and easy camaraderie amongst the women, she relates a history of appalling oppression against them, everyday occurrences that in any other culture would be seen as shocking human rights violations: forced marriages, servants bullied into sex slavery, summary executions. Princess is a testimony to a woman of indomitable spirit and great courage. By speaking out, 'Sultana' risked bringing the wrath of the Saudi establishment upon her head and upon the heads of her children. For this reason, she told her story anonymously.

von Hisham Matar

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARDAfter finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.Praise for A Month in Siena“As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey

von Naguib Mahfouz

Sugar Street is the third and concluding volume of the celebrated Cairo Trilogy, which brings the story of Al-Sayid Ahmad and his family up to the middle of the twentieth century.Aging and ill, the family patriarch surveys the world from his housewares's latticed balcony, as his long-suffering wife once did. While his children face middle age, it is through his grandsons that we see a modern Egypt emerging.

von Bassem Youssef

“Hilarious and Heartbreaking. Comedy shouldn’t take courage, but it made an exception for Bassem.” --Jon Stewart "The Jon Stewart of the Arabic World"—the creator of The Program, the most popular television show in Egypt’s history—chronicles his transformation from heart surgeon to political satirist, and offers crucial insight into the Arab Spring, the Egyptian Revolution, and the turmoil roiling the modern Middle East, all of which inspired the documentary about his life, Tickling Giants. Bassem Youssef’s incendiary satirical news program, Al-Bernameg (The Program), chronicled the events of the 2011 Egyptian Revolution, the fall of President Hosni Mubarak, and the rise of Mubarak’s successor, Mohamed Morsi. Youssef not only captured his nation’s dissent but stamped it with his own brand of humorous political criticism, in which the Egyptian government became the prime laughing stock. So potent were Youssef’s skits, jokes, and commentary, the authoritarian government accused him of insulting the Egyptian presidency and Islam. After a six-hour long police interrogation, Youssef was released. While his case was eventually dismissed, his television show was terminated, and Youssef, fearful for his safety, fled his homeland. In Revolution for Dummies, Youssef recounts his life and offers hysterical riffs on the hypocrisy, instability, and corruption that has long animated Egyptian politics. From the attempted cover-up of the violent clashes in Tahrir Square to the government’s announcement that it had created the world’s first "AIDS cure" machine, to the conviction of officials that Youssef was a CIA operative—recruited by Jon Stewart—to bring down the country through sarcasm. There’s much more—and it’s all insanely true. Interweaving the dramatic and inspiring stories of the development of his popular television show and his rise as the most contentious funny-man in Egypt, Youssef’s humorous, fast-paced takes on dictatorship, revolution, and the unforeseeable destiny of democracy in the Modern Middle East offers much needed hope and more than a few healing laughs. A documentary about his life, Tickling Giants, debuted at the Tribeca Film Festival in 2016, and is now scheduled for major release.

von Rahaf Mohammed

A gripping memoir of bravery and sacrifice by a young woman whose escape from her abusive family and an oppressive culture in Saudi Arabia captivated the worldIn early 2019, after three years of careful planning, Rahaf Mohammed finally escaped her abusive family in Saudi Arabia—but made it only to Bangkok before being stripped of her passport. If forced to return home, she was sure she would be killed, like other rebel women in her country. As men pounded at the door of her barricaded hotel room, she opened a Twitter account. The teenager reached out to the world, and the world answered—she gained 45, 000 followers in one day, and those followers helped her seek asylum in the West.Now Rahaf Mohammed tells her remarkable story in her own words, revealing untold truths about life in the closed kingdom, where young women are brought up in a repressive system that puts them under the legal control of a male guardian. Raised with immense financial privilege but under the control of her male relatives—including her high-profile politician father—she endured an abusive childhood in which oppression and deceit were the norm.Moving from Rahaf's early days on the underground online network of Saudi runaways, who use coded entries to learn how to flee the brutalities of their homeland, to her solo escape to Canada, Rebel is a breathtaking and life-affirming memoir about one woman's tenacious pursuit of freedom.

von Rukhsana Khan

Join a young girl and her family in this Step 2 reader as they celebrate Eid-al-fitr, a holiday that marks the end of the Islamic holy month of Ramadan. Perfect for readers ages 4-6. It's Eid-al-fitr—the last day of Ramadan, which means it is the last day for Rabia to fast with the rest of her family and she has never done it before. Rabia is so excited! She eats just before sunrise and then the day of fasting begins! Rabia gets to have her hands painted with henna, wear a new dress, and put her family's donation in the box at the mosque. It's a special Eid all around! Step 2 Readers use basic vocabulary and short sentences to tell simple stories, for children who recognize familiar words and can sound out new words with help.

von Betty Mahmoody, William Hoffer

"Imagine yourself alone and vulnerable, trapped by a husband you thought you trusted, and held prisoner in his native Iran; a land where women have no rights and Americans are despised. For one American woman, Betty Mahmoody, this nightmare became realitym and escape becoame only an impossible dream. Not Without My Daughter is the true story of one woman's desperate struggle to survive and to escape with her daughter from an alien and frightening culture." -- jacket flap.

von Lawrence Durrell

An expat schoolteacher has spent years in exile reflecting on his turmoiled love affair with Justine, a glamorous Egyptian wife. Returning to wartime Alexandria, he finds that his old friends have suffered dramatic changes of body, mind, and fortune - and someone whom he has never really known wishes to see him. His affair with Clea, a bisexual artist, not only changes the lovers, but transforms the dead, forever - and heralds a new beginning, just as Lawrence Durrell's intoxicating masterpiece ends.

von Ursula Rani Sarma

The script for the stage production of the bestselling Khaled Hosseini novel A Thousand Splendid Suns, as adapted by playwright Ursula Rani Sarma. Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever-escalating dangers around them--in their home, as well as in the streets of Kabul--they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, playwright Ursula Rani Sarma reimagines Hosseini's novel to show how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival. A stunning accomplishment, this reimagination of A Thousand Splendid Suns is a haunting, heartbreaking, compelling production about unlikely friendship and indestructible love. This adaptation was first performed by the American Conservatory Theater in San Francisco in February 2017.

von Robert Shea

The assassin Daoud ibn Abdallah strides amid his throngs of enemies, vowing to have Sophia Paloides as a slave to his wishes and fighting another powerful warrior for control of civilization