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An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction―now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life―infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories―including “The Life You Save May Be Your Own,” “Good Country People,” and “The Displaced Person,” among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.

This volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality. A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism.

When Christmas comes for the four March girls, there is no money for expensive presents and they give away their Christmas breakfast to a poor family. But there are no happier girls in America than Meg, Jo, Beth, and Amy. They miss their father, of course, who is away at the Civil War, but they try hard to be good so that he will be proud of his 'little women' when he comes home. This heart-warming story of family life has been popular for more than a hundred years.

This volume combines two inspirational, witty and urbane essays from one of literature's pre-eminent voices; collectively they constitute a brilliant and lucid attack on sexual inequality. Based on a lecture given at Cambridge and first published in 1929, 'A Room of One's Own' interweaves Woolf's personal experience as a female writer with themes ranging from Austen and Bronte to Shakespeare's gifted (and imaginary) sister. 'Three Guineas', Woolf's most impassioned polemic, came almost a decade later and broke new ground by challenging the very notions of war and masculinity.

Paperback. Pages: 192 Language: English Publisher: Flamingo An essential and definitive collection of the Nobel Prize for Literature winners finest essays. reviews. reminiscences and interviews from the 1950s. 1960s and 1970s.The novelist talks as an individual to individuals. in a . small personal voice In an age of committee art. public art. people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and. with confidence because of the knowledge of being needed. the warmth and humanity. and love of people which is essential for a great age of literature.In this collection of her non-fiction. Lessings own life and work are the subject of a number of pieces. as are fellow writers such as Isak Dinesen and Kurt Vonnegut . There are essays on Malcolm X and Sufism. discussions of the responsibility of the artist. thoughts on her...

Fifteen-year-old Laura lives apart from her family for the first time, teaching school in a claim shanty twelve miles from home. She is very homesick, but keeps at it so that she can help pay for her sister Mary's tuition at the college for the blind. During school vacations Laura has fun with her singing lessons, going on sleigh rides, and best of all, helping Almanzo Wilder drive his new buggy. Friendship soon turns to love for Laura and Almanzo in the romantic conclusion of this Little House book.

A hilarious and touching new installment of Armistead Maupin's beloved Tales of the City series Twenty years have passed since Mary Ann Singleton left her husband and child in San Francisco to pursue her dream of a television career in New York. Now a pair of personal calamities has driven her back to the city of her youth and into the arms of her oldest friend, Michael "Mouse" Tolliver, a gardener happily ensconced with his much-younger husband. Mary Ann finds temporary refuge in the couple's backyard cottage, where, at the unnerving age of fifty-seven, she licks her wounds and takes stock of her mistakes. Soon, with the help of Facebook and a few old friends, she begins to reengage with life, only to confront fresh terrors when her checkered past comes back to haunt her in a way she could never have imagined. After the intimate first-person narrative of Maupin's last novel, Michael Tolliver Lives, Mary Ann in Autumn marks the author's return to the multicharacter plotlines and darkly comic themes of his earlier work. Among those caught in Mary Ann's orbit are her estranged daughter, Shawna, a popular sex blogger; Jake Greenleaf, Michael's transgendered gardening assistant; socialite DeDe Halcyon-Wilson; and the indefatigable Anna Madrigal, Mary Ann's former landlady at 28 Barbary Lane. More than three decades in the making, Armistead Maupin's legendary Tales of the City series rolls into a new age, still sassy, irreverent, and curious, and still exploring the boundaries of the human experience with insight, compassion, and mordant wit.

These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.

The second volume of Doris Lessing's extraordinary autobiography covers the years 1949-62, from her arrival in war-weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook. She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.

Boston's Little House Girl Meet Charlotte Tucker, the little girl who would grow up to be Laura Ingalls Wilder's grandmother. Eleven-year-old Charlotte can't imagine living anywhere but Tide Mill Lane. She is delighted when a school for young ladies opens nearby. The prospect of a new baby brother and the reappearance of a long-lost relative combine to complete Charlotte's world. But a new dam connecting Roxbury and Boston turns Tide Mill Lane into a noisy, messy construction site, and Charlotte's parents worry about what this will mean for their family. Across the Puddingstone Dam is the fourth book in The Charlotte Years, an ongoing series about another spirited girl from America's most beloved pioneer family.