Empfehlungen basierend auf "Kal Ma' lil-Shukulata (Como agua para chocolate - Like Water for Chocolate)"

"Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should." —Michael Dirda, The Washington Post“Wondrous...masterful...The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly, Editor's Choice“This is one gorgeous read.” —Stephen King"I still remember the day my father took me to the Cemetary of Forgotten Books for the first time..."Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets—an epic story of murder, madness, and doomed love.

From the bestselling author of the National Book Award Finalist The Lesbiana's Guide to Catholic School comes a revenge story told with nuance, heart, and the possibility of healing. An ideal next read for fans of Laurie Halse Anderson. Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers--despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen. Luis's attention soon turns to something more, and they have sex at a party--while Ari didn't say no, she definitely didn't say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning--thanks, she's sure, to Luis's ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won't say no. Then Ari finds a mysterious note in her locker that eventually leads her to a group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she'll have to come to terms with the truth of what he did to her that night--and risk everything to see justice done.

Told in an irresistible, heartrending voice, Bad Habit takes us deep into the lives of the residents of a godforsaken Madrid neighbourhood ironically named after a holy saint.An unnamed young trans woman grows up in a working class suburb that has no place for her. She discovers community and kinship in downtown Madrid, amid a lively party scene animated by junkies, pop divas, and fallen angels. But with each step she takes forward, she finds herself confronted by a violence she does not yet know how to counter; in this thrilling and yet often terrifying world each choice can truly be a matter of life and death.Blistering and compassionate, Bad Habit by Alana S Portero is translated by Mara Faye Lethem, and deftly illuminates the ties between gender and class, the search for identity, and the power of sisterhood. Shimmering in its lyrical beauty and vivid in its realism, Bad Habit is a mesmerising story of self-realisation that speaks to the outsider in all of us.

'The best kind of book: the one you didn't know you were craving until it appeared . . . self-interrogative, intricately perceptive. I absolutely inhaled it' JIA TOLENTINO 'A very richly interesting exploration of a complex subject. Begoña Gómez Urzaiz tells the stories with such intelligence and wit and generosity' TESSA HADLEY When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell ... what do these vastly different women have in common? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society's judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women. 'The best book I've read on the implications of motherhood and its opposites after Sheila Heti's Motherhood' CLAUDIA DURASTANTI

"Sentimental and ferocious, upsetting and tender, firmly magic-realist yet utterly modern. . . Sáenz is a writer with greatness in him." —San Diego Union TribuneWith Carry Me Like Water, Benjamin Alire Sáenz unfolds a beautiful story about hope and forgiveness, unexpected reunions, an expanded definition of family, and, ultimately, what happens when the disparate worlds of pain and privilege collide.Diego, a deaf-mute, is barely surviving on the border in El Paso, Texas. Diego's sister, Helen, who lives with her husband in the posh suburbs of San Francisco, long ago abandoned both her brother and her El Paso roots. Helen's best friend, Lizzie, a nurse in an AIDS ward, begins to uncover her own buried past after a mystical encounter with a patient.This immensely moving novel confronts divisions of race, gender, and class, fusing together the stories of people who come to recognize one another from former lives they didn't know existed— or that they tried to forget.

The great novel of the PhilippinesIn more than a century since its appearance, José Rizal's Noli Me Tangere has become widely known as the great novel of the Philippines. A passionate love story set against the ugly political backdrop of repression, torture, and murder, "The Noli," as it is called in the Philippines, was the first major artistic manifestation of Asian resistance to European colonialism, and Rizal became a guiding conscience—and martyr—for the revolution that would subsequently rise up in the Spanish province.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them togetherThey refer to themselves as “las Madres,” a close-knit group of women who, with their daughters, have created a family based on friendship and blood ties.Their story begins in Puerto Rico in 1975 when fifteen-year-old Luz, the tallest girl in her dance academy and the only Black one in a sea of petite, light-skinned, delicate swans, is seriously injured in a car accident. Tragically, her brilliant, multilingual scientist parents are both killed in the crash. Now orphaned, Luz navigates the pressures of adolescence and copes with the aftershock of a brain injury, when two new friends enter her life, Ada and Shirley. Luz’s days are consumed with aches and pains, and her memory of the accident is wiped clean, but she suffers spells that send her mind to times and places she can’t share with others.In 2017, in the Bronx, Luz’s adult daughter, Marysol, wishes she better understood her. But how can she when her mother barely remembers her own life? To help, Ada and Shirley’s daughter, Graciela, suggests a vacation in Puerto Rico for the extended group, as an opportunity for Luz to unearth long-buried memories and for Marysol to learn more about her mother’s early life. But despite all their careful planning, two hurricanes, back-to-back, disrupt their homecoming, and a secret is revealed that blows their lives wide open. In a voice that sings with warmth, humor, friendship, and pride, celebrated author Esmeralda Santiago unspools a story of women’s sexuality, shame, disability, and love within a community rocked by disaster.

Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves. A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity.  Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions. 

“A deeply reported, razor smart, up-close account of the Great Drug War . . . Absolutely courageous in its fairness and search for answers.” —William Booth, Washington Post Bureau Chief for Mexico, Central America, and the Caribbean   The city of Juárez is ground zero for the drug war that is raging across Mexico and has claimed close to 60,000 lives since 2007. Almost a quarter of the federal forces that former President Felipe Calderón deployed in the war were sent to Juárez, and nearly twenty percent of the country’s drug-related executions have taken place in the city, a city that can be as unforgiving as the hardest places on earth. It is here that the Mexican government came to turn the tide. Whatever happens in Juárez will have lasting repercussions for both Mexico and the United States.   Ricardo Ainslie went to Juárez to try to understand what was taking place behind the headlines of cartel executions and other acts of horrific brutality. In The Fight to Save Juárez, he takes us into the heart of Mexico’s bloodiest city through the lives of four people who experienced the drug war from very different perspectives—Mayor José Reyes Ferriz, a mid-level cartel player’s mistress, a human rights activist, and a photojournalist. Ainslie also interviewed top Mexican government strategists, including members of Calderón’s security cabinet, as well as individuals within US law enforcement. The dual perspective of life on the ground in the drug war and the “big picture” views of officials who are responsible for the war’s strategy, creates a powerful, intimate portrait of an embattled city, its people, and the efforts to rescue Juárez from the abyss.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.