Empfehlungen basierend auf "Just William's Luck"

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

“[Erma Bombeck] is marvelously funny, direct as a hypodermic, a virtuoso in the field of suburban living.”—VogueIt’s the exposé to end all exposés—the truth about the suburbs: where they planted trees and crabgrass came up, where they planted the schools and taxes came up, where they died of old age trying to merge onto the freeway and where they finally got sex out of the schools and back into the gutters.

A New York Times Book Review Editors’ Choice: There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it.If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.

Also known as Dulcimer Street, Norman Collins's London Belongs to Me is a Dickensian romp through working-class London on the eve of the Second World War. This Penguin Modern Classics edition includes an introduction by Ed Glinert, author of The London Compendium. It is 1938 and the prospect of war hangs over every London inhabitant. But the city doesn't stop. Everywhere people continue to work, drink, fall in love, fight and struggle to get on in life. At the lodging-house at No.10 Dulcimer Street, Kennington, the buttoned-up clerk Mr Josser returns home with the clock he has received as a retirement gift. The other residents include faded actress Connie; tinned food-loving Mr Puddy; widowed landlady Mrs Vizzard (whose head is turned by her new lodger, a self-styled 'Professor of Spiritualism'); and flashy young mechanic Percy Boon, whose foray into stolen cars descends into something much, much worse... Norman Collins (1907-1982) was a British writer, and later a radio and television executive, who was responsible for creating Woman's Hour on BBC Radio 4, and became one of the major figures behind the establishment of the Independent Television (ITV) network in the UK. In all Norman Collins wrote 16 novels and two plays, including London Belongs to Me (1945), The Governor's Lady (1968) and The Husband's Story (1978). If you enjoyed London Belongs to Me, you might like Sam Selvon's The Lonely Londoners, also available in Penguin Modern Classics. 'One of the great city novels: a sprawling celebration of the comedy, the savagery, the eccentricity and the quiet heroism at the heart of ordinary London life' Sarah Waters, author of The Night Watch

When J. the narrator, George, Harris and Montmorency the dog set off on their hilarious misadventures, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts, imaginary illnesses, butter pats and tins of pineapple chunks. Denounced as vulgar by the literary establishment, Three Men in a Boat nevertheless caught the spirit of the times. The expansion of education and the increase in office workers created a new mass readership, and Jerome's book was especially popular among the 'clerking classes' who longed to be 'free from that fretful haste, that vehement striving, that is every day becoming more and more the bane of nineteenth-century life.'So popular did it prove that Jerome reunited his heroes for a bicycle tour of Germany. Despite some sharp, and with hindsight, prophetic observations of the country, Three Men on the Bummel describes an equally picaresque journey constrained only 'by the necessity of getting back within a given time to the point from which one started'.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

My Brother's Famous Bottom: another hilarious triumph from Jeremy Strong! From The Hundred-Mile-an-Hour Dog to karate princesses and hot cross bottoms, there's a Jeremy Strong story to suit every child's sense of humour. Jeremy's readers range from 7 to teen, perfect for fans of Roald Dahl and Andy Stanton. 'That's the one!' she cried. 'That's the bottom I'm after. Darling, you have the most gorgeous bottom!' Nicholas's dad has a plan to make some fast cash. Nappies! Some disposable-nappy people are looking for a beautiful botty for their new advert - and all Nicholas's baby brother has to do is pass the audition. What could possibly go wrong? Award-winning Jeremy Strong has written many wacky books for children aged 7-teen, including My Dad's Got an Alligator and My Brother's Famous Bottom. Most of which are illustrated by Nick Sharratt, who also illustrates for Jacqueline Wilson! The Hundred-Mile-An-Hour Dog is back causing more chaos and getting into more trouble inReturn of the Hundred-Mile-An-Hour Dog, Lost! The Hundred-Mile-An-Hour Dog, Wanted! The Hundred-Mile-An-Hour Dog, Christmas Chaos for the Hundred-Mile-An-Hour Dog and The Hundred-Mile-An-Hour Dog Goes for Gold- guaranteed to have you laughing your socks off! Join Jeremy's Krazy Klub at jeremystrong.co.uk

Comic novel explores the reactions of a small town to a false engagement notice in the local paper. Winner of the 1954 Stephen Leacock memorial medal. 1980, c1954.

A LITTLE KNOWN HISTORIAL FACT- At the end of the Second World War many of our boys sustained severe attacks of entertainment at the hands of Lance-Corporal Milligan and his jazz band. Outbreaks occurred in Rome, Venice, Vienna and Krumpendorf (that well-known groin disease), and no soldier escaped the tortures that were inflicted by the Combined Services Entertainment. But while Tommy suffered, Milligan, newly demobbed, became more and more spazonkled, nay, spazonkified with Toni, the beautiful ballerina. Honestly. He's got the photographs to prove it. In Italy, in love and in civvies, could Milligan forget his native Catford? You bet your life he could! 'Desperately funny, vivid, vulgar' - Sunday Times 'He's a very funny writer' - The Times Educational Supplement 'Spike who?' - Catford Times

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.