Empfehlungen basierend auf "Jefferson and the Rights of Man - Volume II"

In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity?The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail.Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

A riveting look inside a life of poverty, success, and the inner circles of political influence--from the foothills of Appalachia all the way to the White House.New York Times bestselling ghostwriter Nancy French is coming out of the shadows to tell her own incredible story.Nancy's family hails from the foothills of the Appalachians, where life was dominated by coal mining, violence, abuse, and poverty. Longing for an adventure, she married a stranger, moved to New York, and dropped out of college. In spite of her lack of education, she found success as a ghostwriter for conservative political leaders. However, when she was unwilling to endorse an unsuitable president, her allies turned on her and she found herself spiritually adrift, politically confused, and occupationally unemployable.Republicans mocked her, white nationalists targeted her, and her church community alienated her. But in spite of death threats, sexual humiliation, and political ostracization, she learned the importance of finding her own voice--and that the people she thought were her enemies could be her closest friends.A poignant and engrossing memoir filled with humor and personal insights, Ghosted is a deeply American story of change, loss, and ultimately love.

The New York Times bestselling authors of The Glass Ocean and The Forgotten Room return with a glorious historical adventure that moves from the dark days of two World Wars to the turbulent years of the 1960s, in which three women with bruised hearts find refuge at Paris’ legendary Ritz hotel.The heiress . . .The Resistance fighter . . .The widow . . .Three women whose fates are joined by one splendid hotelFrance, 1914. As war breaks out, Aurelie becomes trapped on the wrong side of the front with her father, Comte Sigismund de Courcelles. When the Germans move into their family’s ancestral estate, using it as their headquarters, Aurelie discovers she knows the German Major’s aide de camp, Maximilian Von Sternburg. She and the dashing young officer first met during Aurelie’s debutante days in Paris. Despite their conflicting loyalties, Aurelie and Max’s friendship soon deepens into love, but betrayal will shatter them both, driving Aurelie back to Paris and the Ritz— the home of her estranged American heiress mother, with unexpected consequences.France, 1942. Raised by her indomitable, free-spirited American grandmother in the glamorous Hotel Ritz, Marguerite “Daisy” Villon remains in Paris with her daughter and husband, a Nazi collaborator, after France falls to Hitler. At first reluctant to put herself and her family at risk to assist her grandmother’s Resistance efforts, Daisy agrees to act as a courier for a skilled English forger known only as Legrand, who creates identity papers for Resistance members and Jewish refugees. But as Daisy is drawn ever deeper into Legrand’s underground network, committing increasingly audacious acts of resistance for the sake of the country—and the man—she holds dear, she uncovers a devastating secret . . . one that will force her to commit the ultimate betrayal, and to confront at last the shocking circumstances of her own family history.France, 1964. For Barbara “Babs” Langford, her husband, Kit, was the love of her life. Yet their marriage was haunted by a mysterious woman known only as La Fleur. On Kit’s death, American lawyer Andrew “Drew” Bowdoin appears at her door. Hired to find a Resistance fighter turned traitor known as “La Fleur,” the investigation has led to Kit Langford. Curious to know more about the enigmatic La Fleur, Babs joins Drew in his search, a journey of discovery that that takes them to Paris and the Ritz—and to unexpected places of the heart. . . .

"A touching three-dimensional portrait of the Polish-born scientist and two-time Nobel Prize winner" (Kirkus) Madame Curie, the discoverer of radium and radioactivityOne hundred years ago, Marie Curie discovered radioactivity, for which she won the Nobel Prize in physics. In 1911 she won an unprecedented second Nobel Prize, this time in chemistry, for isolating new radioactive elements. Despite these achievements, or perhaps because of her fame, she has remained a saintly, unapproachable genius. From family documents and a private journal only recently made available, Susan Quinn at last tells the full human story. From the stubborn sixteen-year-old studying science at night while working as a governess, to her romance and scientific partnership with Pierre Curie-an extraordinary marriage of equals-we feel her defeats as well as her successes: her rejection by the French Academy, her unbearable grief at Pierre's untimely and gruesome death, and her retreat into a love affair with a married fellow scientist, causing a scandal which almost cost her the second Nobel Prize. In Susan Quinn's fully dimensional portrait, we come at last to know this complicated, passionate, brilliant woman.

The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. Its prime movers, the Vicomte de Valmont and the Marquise de Merteuil--gifted, wealthy, and bored--form an unholy alliance and turn seduction into a game. And they play this game with such wit and style that it is impossible not to admire them, until they discover mysterious rules that they cannot understand. In the ensuing battle there can be no winners, and the innocent suffer with the guilty.This new translation gives Laclos a modern voice, and readers will be able to judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about a world we still inhabit.

A Sunday Times History Book of the Year 2023 A Spectator Book of the Year 2023 The Irish Times No.1 Bestseller As taut as a fictional thriller Mail on Sunday Gripping, detailed and richly layered Guardian KILLING THATCHER is the gripping account of how the IRA came astonishingly close to killing Margaret Thatcher and to wiping out the British Cabinet - an extraordinary assassination attempt linked to the Northern Ireland Troubles and the most daring conspiracy against the Crown since the Gunpowder Plot. In this fascinating and compelling book, veteran journalist Rory Carroll retraces the road to the infamous Brighton bombing in 1984 - an incident that shaped the political landscape in the UK for decades to come. He begins with the infamous execution of Lord Mountbatten in 1979 - for which the IRA took full responsibility - before tracing the rise of Margaret Thatcher, her response to the Troubles in Ireland and the chain of events that culminated in the hunger strikes of 1981 and the death of 10 republican prisoners, including Bobby Sands. From that moment on Thatcher became an enemy of the IRA - and the organisation swore revenge. Opening with a brilliantly-paced prologue that introduces bomber Patrick Magee in the build up to the incident, Carroll sets out to deftly explore the intrigue before and after the assassination attempt - with the story spanning three continents, from pubs and palaces, safe houses and interrogation rooms, hotels and barracks. On one side, an elite IRA team aided by a renegade priest, US-raised funds and Libyas Qaddafi and on the other, intelligence officers, police detectives, informers and bomb disposal officers. An exciting narrative that blends true crime with political history, this is the first major book to investigate the Brighton attack.

Rebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.

This is the true story of the Battle of Trafalgar, Britain's most significant sea battle, as seen through the smoke-hazed gunports of the fighting ships. In an atmosphere of choking fumes from cannon and musket fire, amid noise so intense it was almost tangible, the crews of the British, French and Spanish ships did their best to carry out their allotted tasks. For over five hours they were in constant danger from a terrifying array of iron and lead missiles fired from enemy guns, as well as the deadly wooden splinters smashed from the ships' hulls by the cannon-balls. While the men manoeuvred the ships and kept the cannons firing, the women helped the surgeons tend the sick or helped the boys - the 'powder monkeys' - in the hazardous job of carrying gunpowder cartridges from the central magazine to the gun decks. Trafalgar set the seal on British naval supremacy, which became the mainspring for the growth of the British Empire, and in the short term not only prevented Napoleon from invading Britain, but also enabled Britain and its Continental allies to mount the campaign that would eventually defeat the French Emperor: without Trafalgar there would be no Waterloo.

The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more.Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.