Empfehlungen basierend auf "Jeff Wall Picture for Women"

'The real-life children's fairy tale book so inspiring adults are reading it' I newspaper 'Absolutely beautiful - get one for yourself and one to inspire a woman in your life' Stylist 'In an ideal world, not only would mothers read this aloud to their daughters, but teachers would read it to schoolboys' Sunday Times What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Amelia Earhart to Michelle Obama. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.

Renaissance writer Laura Cereta (1469–1499) presents feminist issues in a predominantly male venue—the humanist autobiography in the form of personal letters. Cereta's works circulated widely in Italy during the early modern era, but her complete letters have never before been published in English. In her public lectures and essays, Cereta explores the history of women's contributions to the intellectual and political life of Europe. She argues against the slavery of women in marriage and for the rights of women to higher education, the same issues that have occupied feminist thinkers of later centuries.Yet these letters also furnish a detailed portrait of an early modern woman’s private experience, for Cereta addressed many letters to a close circle of family and friends, discussing highly personal concerns such as her difficult relationships with her mother and her husband. Taken together, these letters are a testament both to an individual woman and to enduring feminist concerns.

The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.This book presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

Wild rumors of a Devil Baby--a child who has miniature horns and a forked tail and appears in retribution for a husband's cruelty--at Hull-House brought a flood of curiosity-seekers to Jane Addams's door. To her surprise, many of the most adamant about seeing the Devil Baby were older, working-class, immigrant women.These women, usually rather withdrawn from the community, seemed to spring to life in response to this apocryphal story--and to be inspired to tell stories of their own. The tales they shared with Addams in the wake of the Devil Baby were more personal and revealing than any they had previously told her: stories of abusive mates, lost or neglectful children, and endless, ill-paid menial labor endured on behalf of loved ones. In response to these sometimes wrenching conversations, Addams wrote The Long Road of Woman's Memory, an extended musing on the role of memory and myth in women's lives.As Addams records the difficult recollections of these women she ponders the transformation of their experiences--so debilitating and full of anguish--into memories devoid of rancor and pain. She explores the catalytic function of cautionary tales in reviving older women's sense of agency. Through moving conversations with women who had lost sons on the battlefield, she emphasizes the importance of voicing a female perspective on war. The women's stories, graphically depicting the conditions in which they lived and labored and the purposefulness that sustained them, are gracefully woven together with Addams's insights on the functioning and purpose of memory.Seen in the context of Addams's personal connection with these diverse women and their stories, her larger efforts to bring about equity and social justice appear all the more courageous and vital. Charlene Haddock Seigfried's new introduction sets Addams's observations in the context of pragmatist and feminist traditions.

Blending the journalistic rigor of Masha Gessen with the call to action of We Should All Be Feminists, a searing denunciation of Putin’s Russia, revealing how modern Russia’s history of weaponizing sexual violence against women plays a crucial role in its strategy to retain political influence and dominanceOn March 22, 2023, the Swedish Academy organized a conference on threats to freedom of expression and democracy, featuring a roster of stellar speakers, including Arundhati Roy, Timothy Snyder, and Sofi Oksanen. Oksanen’s address—“Putin's War on Women”—generated such interest that the acclaimed Finnish writer used it as the basis for a larger, in-depth look at Putin’s threat to women. The result is Same River, Twice, a devastating expose that builds on the themes and arguments introduced in Oksanen’s urgent and incisive speech.During the Soviet occupation of Estonia, Oksanen's great aunt was arrested and brutally interrogated—a terrifying experience that permanently traumatized her, leaving her silent for the rest of her life. Same River, Twice uses this family story to illustrate the systematic crimes perpetrated by Russian soldiers and the Russian government for nearly a century. From the Russian military's entry into Berlin in 1945 to its modern invasion of Ukraine, Russia has continually employed violence against women when fighting its enemies—including using rape as an instrument of war. But as Oksanen reveals, such violence has never before been used on such a widespread scale. Life for women in Putin's Russia is little better; gender equality is in decline, women are silenced by the legal system, and rape is used to humiliate victims, especially women in media.Oksanen's sober analysis exposes how, under Putin, genocide and misogyny are inextricably linked: misogyny undergirds Russia’s international alliances, threatening the rights of women and minorities worldwide. As Oksanen ominously reminds us, “In Ukraine, sexual violence is an integral part of genocide. In domestic politics, misogyny is a tool used by the Kremlin to prevent women from rising to power. In international politics, it is a tool of Russian imperialism.”As the threats to democracy grow stronger around the globe, this powerful and timely book is a warning that must not be ignored.Translated from the Finnish by Owen F. Witesman

Then It Was Done. After Staying Silent, I’d Had My Say. At No Time Did I Feel Worked Up Or Hotly Angry. I Felt Strong, Measured, Controlled. Yet Emotion Did Play Its Role In The Energy Of The Speech. The Frustration That Sexism And Misogyny Could Still Be So Bad In The Twenty-first Century. The Toll Of Not Pointing It Out. On 9 October 2012, Prime Minister Julia Gillard Stood Up And Proceeded To Make All Present In Parliament House That Day Pay Attention – And Left Many Of Them Squirming In Their Seats. The Incisive ‘misogyny Speech’, As Her Words Came To Be Known, Continues To Energise And Motivate Women Who Need To Stare Down Sexism And Misogyny In Their Own Lives. With Contributions From Mary Beard, Jess Hill, Jennifer Palmieri, Katharine Murphy And Members Of The Global Institute For Women’s Leadership, Julia Gillard Explores The History And Culture Of Misogyny, Tools In The Patriarchy’s Toolbox, Intersectionality, And Gender And Misogyny In The Media And Politics. Kathy Lette Looks At How The Speech Has Gained A New Life On Tiktok, As Well As Inspiring Other Tributes And Hand-made Products, And We Hear Recollections From Wayne Swan, Anne Summers, Cate Blanchett, Brittany Higgins And Others Of Where They Were And How They First Encountered The Speech. While Behaviours May Have Improved Since The Misogyny Speech, There Remains A Way To Go And Julia Gillard Explores The Roadmap For The Future With Next-generation Feminists Sally Scales, Chanel Contos And Caitlin Figueiredo To Motivate Us With That Rallying Cry: Not Now, Not Ever! Proceeds From The Book Will Go To The Global Institute For Women’s Leadership (giwl).

Feel empowered with your finances and discover the route to economic equality in this astonishing dissection of the gender wealth gap'Uncovers the realities of money in the modern world' Stylist'This book will open your eyes' 5***** Reader Review'Goes beyond talks of glass ceilings and gender pay gaps' Dazed'Shocking and brilliant' 5***** Reader Review________Did you know?Nearly 70% of Britain's homeless are women.There are more men called Dave running the UK's top 100 companies than there are women altogether.Women outperform men educationally at every level from high school to PhD - but still get paid less.In this astonishing dissection of the gender wealth gap, financial journalist Annabelle Williams explains why so few women rank among the super-rich and why women are the majority of those in poverty.From the personal - feeling financially confident and liberated - to the political - demanding systemic support and representation - this ground-breaking exposé will empower your financial decisions and arm you with the knowledge needed to demand equality.________'It is refreshing to see Williams challenge well-worn sexist myths' i'Annabelle Williams uncovers the realities of money in the modern world, and what exactly we can do about the fact that women are poorer than men' Stylist'Goes beyond talks of glass ceilings and gender pay gaps to a more nuanced look at the institutional oppression faced by women on a daily basis' Dazed

Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

In this first digital original novella set in the world of the Front Lines series, Michael Grant showcases the real-life female journalists of World War II who became the first women war correspondents in history.   When fierce reporter Anne “Spats” Patrone joins the front lines, she gains access to the female soldiers of Second Squad, Fifth Platoon, Company A, 119th Division, including Rio Richlin. During her journalistic investigation on the front lines she will discover that women are capable of much more than fighting. But what starts out as a pursuit for a story turns deadly when Germans attack. Will Spats make it out alive?

FINALIST FOR THE NATIONAL BOOK AWARDNAMED ONE OF THE 10 BEST BOOKS OF 2025 BY THE WASHINGTON POSTNAMED ONE OF THE 100 NOTABLE BOOKS OF 2025 BY THE NEW YORK TIMESNAMED ONE OF THE BEST BOOKS OF FALL 2025 BY ELLEONE OF CHICAGO PUBLIC LIBRARY'S MUST-READ BOOKS OF 2025 Acclaimed journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy.In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow—only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up—doctors, engineers, scientists—seemed to have been replaced by women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to becoming a bastion of conservative Christian values?In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin’s lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, the wife of opposition leader Alexey Navalny, Ioffe chronicles one of the most audacious social experiments in history and documents how it failed the very women it was meant to liberate—and how that failure paved the way for the revanche of Vladimir Putin.Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe reveals what it means to live through the cataclysms of revolution, war, idealism, and heartbreak—and how the story of Russia today is inextricably tied to the sacrifices of its women.