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BONUS: This eBook includes downloadable videos and a Q&A with Nabeel Qureshi that are not found in the print edition.Having shared his journey of faith in the New York Times bestselling Seeking Allah, Finding Jesus, Nabeel Qureshi now examines Islam and Christianity in detail, exploring areas of crucial conflict and unpacking the relevant evidence.In this anticipated follow-up book, Nabeel reveals what he discovered in the decade following his conversion, providing a thorough and careful comparison of the evidence for Islam and Christianity--evidence that wrenched his heart and transformed his life.In Seeking Allah, Finding Jesus, Nabeel Qureshi recounted his dramatic journey, describing his departure from Islam and his decision to follow Christ. In the years that followed, he realized that the world's two largest religions are far more different than they initially appeared.No God but One: Allah or Jesus? addresses the most important questions at the interface of Islam and Christianity: How do the two religions differ? Are the differences significant? Can we be confident that either Christianity or Islam is true? And most important, is it worth sacrificing everything for the truth?Nabeel shares stories from his life and ministry, casts new light on current events, and explores pivotal incidents in the histories of both religions, providing a resource that is gripping and thought-provoking, respectful and challenging.Both Islam and Christianity teach that there is No God but One, but who deserves to be worshiped, Allah or Jesus?This eBook includes the full text of the book plus bonus content not found in the softcover! Bonuses include a Q&A with Nabeel Qureshi and downloadable videos that answer important questions about Islam and Christianity. Please note that some e-reader devices do not accommodate video play. You can still access the bonus videos by copying the web address provided into an internet browser on a device or computer that accommodates video content.

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called "the Koran in Persian." The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound.Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Fourteen Centuries Of Islamic Thought Have Produced A Legacy Of Interpretive Readings Of The Qu'ran Written Almost Entirely By Men. Now, With Qu'ran And Woman, Amina Wadud Provides A First Interpretive Reading By A Woman, A Reading Which Validates The Female Voice In The Qu'ran And Brings It Out Of The Shadows. Muslim Progressives Have Long Argued That It Is Not The Religion But Patriarchal Interpretation And Implementation Of The Qu'ran That Have Kept Women Oppressed. For Many, The Way To Reform Is The Reexamination And Reinterpretation Of Religious Texts. Qu'ran And Woman Contributes A Gender Inclusive Reading To One Of The Most Fundamental Disciplines In Islamic Thought, Qu'ranic Exegesis. Wadud Breaks Down Specific Texts And Key Words Which Have Been Used To Limit Women's Public And Private Role, Even To Justify Violence Toward Muslim Women, Revealing That Their Original Meaning And Context Defy Such Interpretations. What Her Analysis Clarifies Is The Lack Of Gender Bias, Precedence, Or Prejudice In The Essential Language Of The Qur'an. Despite Much Qu'ranic Evidence About The Significance Of Women, Gender Reform In Muslim Society Has Been Stubbornly Resisted. Wadud's Reading Of The Qu'ran Confirms Women's Equality And Constitutes Legitimate Grounds For Contesting The Unequal Treatment That Women Have Experienced Historically And Continue To Experience Legally In Muslim Communities. The Qu'ran Does Not Prescribe One Timeless And Unchanging Social Structure For Men And Women, Wadud Argues Lucidly, Affirming That The Qu'ran Holds Greater Possibilities For Guiding Human Society To A More Fulfilling And Productive Mutual Collaboration Between Men And Women Than As Yet Attained By Muslims Or Non-muslims.

A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian

While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.

The "Conference of the Birds" is a 12th-century Sufi allegory that has been described as the Islamic "Canterbury Tales". Written by an Iranian Sufi, Farid ud-Din Attar, who was a major influence on the work of Rumi, it is the story of the birds' quest for an ideal king, and an allegory for the Sufi (or mystical Islamic) path to enlightenment. Though hugely popular and influential in the Islamic world, it is still relatively unfamiliar in the West. In this edition, the poet Raficq Abdulla has reinterpreted key extracts to make the insight of Sufism accessible to a contemporary reader. Each page is decorated with illustrations taken from Persian manuscripts in the Oriental collection at the British Library. The poem uses the birds' journey to describe the stages of Sufi enlightenment, and each bird represents a human archetype. At the end of the tale, the birds discover tht what they are seeking is none other than in Sufism, enlightenment is unity with the Divine, and the way to God is inward, through one's own soul.

François Déroche, Translated From French By Malcom Debevoise. Includes Bibliographical References And Index. Electronic Reproduction. New York Available Via World Wide Web.

"After September 11, 2001, the Global War on Terror has made clear that Islam and Muslims are central to an imperial system of racism. Prior to 9/11, white supremacy has always had a violent relationship of dominance to Islam and Muslims. Racism against Muslims today borrows from centuries of white supremacy and is a powerful and effective tool to maintain the status quo. With Stones in Our Hands compiles writings by scholars and activists who are leading the struggle to understand and combat anti-Muslim racism. Through a bold call for a politics of the Muslim Left and the poetics of the Muslim International, this book offers a glimpse into the possibilities of social justice, decolonial struggle, and political solidarity. The essays in this anthology reflect a range of concerns that capture the contemporary moment such as anti-Muslim racism, the settler colonial occupation of Palestine, surveillance and policing, blackness and radical protest traditions, militarism and empire building, social movements, and political repression. The inaugural volume in the new series Muslim International, With Stones in Our Hands offers new ideas to achieve decolonization and global solidarity"--

The Prophet Muhammad initiated one of the most significant religious and cultural developments in human history, bringing the religion of Islam to the world. Adil Salahi's compelling biography traces the life of the Prophet Muhammad from his birth and childhood to the triumph of Islam and its hold on Arabia. The author sets this against a fascinating historical backdrop. His careful analysis of the Prophet's life is written with today's Muslim and non-Muslim readers in mind: Muslims will further their comprehension of their faith, and non-Muslims will come to understand the love Muslims have for their Prophet.

The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.