Empfehlungen basierend auf "Inherent Vice"

A hit man defies the confines of a life sentence to avenge his sister's batterer.  An immaculately dressed man hires a street gang to extract his daughter from a Central American prison, for reasons as mysterious as they are deadly.  A two-bit graffiti artist with a taste for Nazi-ganda finds himself face-to-face with three punks out to make a mark of their own—literally—with a tattoo needle. From neo-noir master Andrew Vachss comes Everybody Pays, 38 white-knuckle rides into a netherworld of pederasts and prostitutes, stick-up kids and fall guys—where private codes of crime and punishment pulsate beneath a surface system of law and order, and our moral  compass spins frighteningly out of control. Here is the street-grit prose that has earned Vachss comparisons to Chandler, Cain, and Hammett--and the ingenious plot twists that transform the double-cross into an expression of retribution, the dark deed into a thing of beauty. Electrifying and enigmatic, Everybody Pays is a sojourn into the nature of evil itself—a trip made all the more frightening by its proximity to our front doorstep.

The cruel and bizarre slaying of a beautiful teen leads Detective Decker into the dark heart of an exotic subculture: the seamy, sometimes violent world of Southern California's rootless, affluent youth. But even the confession of a disturbed kid with cold "killer eyes" cannot soothe Decker's inner torment. For he knows in his gut this crime goes much deeper and higher than anyone expects -- and that true justice, brutal and complete, has yet to be done.

#1 NEW YORK TIMES BESTSELLER#1 USA TODAY BESTSELLERNotable Book of 2016 --Washington Post10 Favorite Books of 2016 -- Colette Bancroft, Tampa Bay Times10 Best Mysteries of 2016 -- Adam Woog, Seattle TimesDetective Harry Bosch must track down someone who may never have existed in the new thriller from #1 New York Times bestselling author Michael Connelly.Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves.Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it?Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story--and finds uncanny links to his own past--he knows he cannot rest until he finds the truth.At the same time, unable to leave cop work behind completely, he volunteers as an investigator for a tiny cash-strapped police department and finds himself tracking a serial rapist who is one of the most baffling and dangerous foes he has ever faced. Swift, unpredictable, and thrilling, The Wrong Side of Goodbye shows that Michael Connelly "continues to amaze with his consistent skill and sizzle" (Cleveland Plain Dealer).

In The Chase, Clive Cussler introduced an electrifying new hero, the tall, lean, no-nonsense detective Isaac Bell, who, driven by his sense of justice, travels early-twentieth-century America pursuing thieves and killers . . . and sometimes criminals much worse. It is 1907, a year of financial panic and labor unrest. Train wrecks, fires, and explosions sabotage the Southern Pacific Railroad's Cascades express line and, desperate, the railroad hires the fabled Van Dorn Detective Agency. Van Dorn sends in his best man, and Bell quickly discovers that a mysterious saboteur haunts the hobo jungles of the West, a man known as the Wrecker, who recruits accomplices from the down-and-out to attack the railroad, and then kills them afterward. The Wrecker traverses the vast spaces of the American West as if he had wings, striking wherever he pleases, causing untold damage and loss of human life. Who is he? What does he want? Is he a striker? An anarchist? A revolutionary determined to displace the ?privileged few? A criminal mastermind engineering some as yet unexplained scheme? Whoever he is, whatever his motives, the Wrecker knows how to create maximum havoc, and Bell senses that he is far from done'that, in fact, the Wrecker is building up to a grand act unlike anything he has committed before. If Bell doesn't stop him in time, more than a railroad could be at risk'it could be the future of the entire country. Filled with intricate plotting and dazzling set pieces, The Wrecker is one of the most entertaining thrillers in years.

New York Times bestselling author William Lashner returns with a brilliantly twisty tale that probes the dark side of the law -- and manUnlike the rest of you, I cheerfully admit to my own utter selfishness. I am self-made, self-absorbed, self-serving, self-referential, even self-deprecating, in a charming sort of way. In short, I am all the selfs except selfless. Yet every so often, I run across a force of nature that shakes my sublime self-centeredness to its very roots. Something that tears through the landscape like a tornado, leaving nothing but ruin and reexamination in its wake. Something like Bob.--Victor CarlA beautiful young woman is dead, her husband convicted of the murder. In seeking a new trial for the husband, defense attorney Victor Carl must confront not only a determined prosecutor and a police detective who might have set up his client, but also a strange little busybody named Bob.Bob has the aspiration, one could even say compulsion, to help those around him. And it usually works out well for all concerned, except when it ends in blood. But Victor doesn’t know that . . . yet.Thanks to Bob, Victor is suddenly dressing better, dating a stunning woman, and both his economic prospects and his teeth are gleaming. It’s all good, until Victor finds a troubling connection between Bob and the murdered wife. Is Bob a kind of saint or is this obsessive Good Samaritan, in reality, a murderer?Filled with the keen wit, deep poignancy, twisting suspense, and dark realism that has entranced readers, impressed reviewers, and made William Lashner’s previous novels bestsellers, Falls the Shadow is a riveting novel sure to leave readers eager for more.

Off the coast of Cape Cod, a Japanese bluefin tuna buyer is found dead on another man's boat, a harpoon shot through his chest. The dead man's grandfather, a Japanese fishing tycoon, seeks out part-time private investigator Aristotle "Soc" Socarides to find those responsible for his grandson's death. Soc is desirable because he's also a part-time fisherman; because the man also knows that Soc is deeply in need of funds to repair his dilapidated fishing boat, he knows Soc'll accept. Soc can't shake an uneasy feeling about the way the old Japanese man found him and the way he persuaded Soc to take the job: "It was almost as if he knew me better than I knew myself." This realization should trigger a warning light in Soc's head. Maybe it does. But now Soc is curious. And he still needs the money. What starts out as a simple inquiry into a young man's death to secure the peace of mind of an old man mushrooms into an excavation of the bluefin-fishing community. As Paul Kemprecos's Shamus Award-winning p.i. is about to find out, it is a small, close-knit but competitive group, where the fact that a single tuna has a ten- to twenty-thousand-dollar price tag may inspire men to do evil.

The New York Times hails David Mark's work as "in the honorable tradition of Joseph Wambaugh and Ed McBain"; in Taking Pity, Detective Sergeant Aector McAvoy returns for another darkly enthralling installment of this internationally acclaimed series. It's been three months since Detective Sergeant Aector McAvoy returned home, or what was left of it after a horrific tragedy. All that remained was charred masonry, broken timbers, and dried blood--a crude reminder of the home invasion and explosion that tore his house and family apart. McAvoy's wife and daughter are safe, he's been assured; he just wishes he knew where they were. As McAvoy wrestles with his guilt, self-hatred, and helplessness, trouble persists in stormy Hull. Organized crime emerges as the city's latest threat, with two warring factions leaving plenty of bodies for Detective Superintendent Trish Pharaoh and her unit to clean up. Now more than ever, Pharaoh needs her sergeant to return to work and be a policeman again. She gives McAvoy a case that's supposed to ease him back into the game: a re-investigation of a rural quadruple murder that was put to bed fifty years ago. But what was supposed to be a cut-and-dry job quickly unravels as McAvoy digs up new evidence and witness testimonies, steering him closer to some of the most notorious criminals in northern England. Fast-paced, noir-ish and fresh off the heels of Sorrow Bound's violent finale, Taking Pity is the latest page-turning installment in the gripping Detective McAvoy series. Hailed by The New York Times as being "in the honorable tradition of Joseph Wambaugh and Ed McBain," David Mark's police procedurals are smart, dark, and above all, wholly captivating.

The New York Times–bestselling author’s richly imagined work of historical fiction: a powerful tale of the Old West from the acknowledged master of crime fiction.I had an eight-gauge shotgun that I’d taken with me when I left Wells Fargo. It didn’t take too long for things to develop. I sat in the tall lookout chair in the back of the saloon with the shotgun in my lap for two peaceful nights. On my third night it was different. I could almost smell trouble beginning to cook . . . .”After the bloody confrontation in Appaloosa, Everett Hitch heads into the afternoon sun and ends up in Resolution, an Old West town so new the dust has yet to settle. It’s the kind of town that doesn’t have much in the way of commerce, except for a handful of saloons and some houses of ill repute. Hitch takes a job as lookout at Amos Wolfson’s Blackfoot Saloon and quickly establishes his position as protector of the ladies who work the backrooms—as well as a man unafraid to stand up to the enforcer sent down from the O’Malley copper mine.Though Hitch makes short work of hired gun Koy Wickman, tensions continue to mount, so that even the self-assured Hitch is relieved by the arrival in town of his friend Virgil Cole. When greedy mine owner Eamon O’Malley threatens the loose coalition of local ranchers and starts buying up Resolution’s few businesses, Hitch and Cole find themselves in the middle of a makeshift war between O’Malley’s men and the ranchers. In a place where law and order don’t exist, Hitch and Cole must make their own, guided by their sense of duty, honor, and friendship.

A CLASSIC NOVEL BY THE MASTER OF HARD-BOILED CRIME, THE HIGH WINDOW IS RAYMOND CHANDLER'S THIRD STORY FEATURING LACONIC PI PHILIP MARLOWE. 'He lay crumpled on his back. Very lonely, very dead. The safe door was wide open. A metal drawer was pulled out. It was empty now. There may have been money in it once.'Los Angeles PI Philip Marlowe's on a case: his client, a dried-up husk of a woman, wants him to recover a rare gold coin called a Brasher Doubloon, missing from her late husband's collection. That's the simple part. It becomes more complicated when Marlowe finds that everyone who handles the coin suffers a run of very bad luck: they always end up dead. That's also unlucky for a private investigator, because leaving a trail of corpses around LA puts cops' noses seriously out of joint. If Marlowe doesn't wrap this one up fast, he's going to end up either in jail or in a wooden box in the ground . . . 'Chandler's books should be read and judged, not as escapist literature, but as works of art' W.H. Auden 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess

"Can it still be hurricane season? Must be, because here come Serge A. Storms and his perpetually stoned bro, Coleman, in Tim Dorsey's gonzo crime caper." -The New York Times Book Review The "compulsively irreverent and shockingly funny" (Boston Globe) Tim Dorsey returns with an insanely entertaining tale in which the inimitable Serge A. Storms sees dead people and investigates a creepy urban myth that may be all too real. Though another devastating hurricane is raking Florida, its awesome power can't deter the Sunshine State's most loyal son, Serge A. Storms, from his latest scenic road trip: a cemetery tour. With his best bro Coleman riding shotgun, Serge hits the highway in his gold '69 Plymouth Satellite, putting pedal to the metal on a grand tour of the past. Beginning in Key West, the sunshine boys' odyssey includes a forgotten mass grave in Palm Beach County holding the remains of African Americans killed by the Great Hurricane of 1928, and the resting place of one world-famous television dolphin (RIP Flipper) from the 1960s. But one deadland--a haunted old sugar field--holds more than just the bones of those who've passed. For years, local children have whispered about a boogeyman hiding among the stalks. Could it be the same maniac known as Naked Florida Man, who's been raising hell all over the place? There are few things Serge loves more than solving a good mystery and bestowing justice on miscreants who sully his beloved home's good name. With his partner Bong Man, Florida's psycho superhero will find the truth in this hilariously violent delight--packed with history, lore, and plenty of motel antics--from the insanely ingenious Tim Dorsey.