Empfehlungen basierend auf "Indignity A Life Reimagined"

#1 New York Times Bestseller and #1 International Bestseller • Now a Peacock Original Series starring Harvey Keitel and Melanie LynskeyThis beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.”—Graeme Simsion, internationally bestselling author of The Rosie ProjectIn April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

INSTANT NEW YORK TIMES BESTSELLERIn this life-affirming intergenerational memoir, Lily Ebert, a Holocaust survivor, and her great-grandson, Dov Forman, come together to share her story—an unforgettable tale of resilience and resistance.On Yom Kippur, 1944, fighting to stay alive as a prisoner in Auschwitz, Lily Ebert made a promise to herself. She would survive the hell she was in and tell the world her story, for everyone who couldn’t. Now, at ninety-eight, this remarkable woman—and TikTok sensation, thanks to the help of her eighteen-year-old great-grandson—fulfills that vow, relaying the details of her harrowing experiences with candor, charm, and an overflowing heart.In these pages, she writes movingly about her happy childhood in Hungary, the death of her mother and two youngest siblings on their arrival at Auschwitz, and her determination to keep her two other sisters safe. She describes the inhumanity of the camp and the small acts of defiance that gave her strength. Lily lost so much, but she built a new life for herself and her family, first in Israel and then in London.Dov knows that it is up to younger people like him to keep Lily’s promise. He and Lily bridge the generation gap to share her experience, reminding us of the joy that accompanies the solemn responsibility of keeping the past—and our stories—alive.

Inspired by the trial of a bureaucrat who helped cause the Holocaust, this radical work on the banality of evil stunned the world with its exploration of a regime's moral blindness and one man's insistence that he be absolved all guilt because he was 'only following orders'.

“To me, hard times are like hide-and-seek - where is the solution, where is the hope? We can never give up looking for these things because they are just waiting to be found.”Gidon Lev arrived at the Nazi concentration camp of Theresienstadt in the former Czechoslovakia as prisoner number 885. He was six years old. Liberated when he was just ten years old, Gidon is one of only a handful of children who survived the camp. He lost 26 members of his family in the Holocaust, including his father, grandfather, and great-grandparents. After decades of silence, Gidon first told his story to a group of German high school students. Now, Gidon has spoken to celebrities and diplomats all over the world and taken social media by storm - all with his signature candor, charm, and wisdom. Let’s Make Things Better is the calling card of an indomitable spirit—sharing timeless truths, from reconciling with the past, standing up to hate, living for the moment, bringing people together, and finding hope for the future in an increasingly uncertain world. Ultimately, Gidon’s lesson for all of us is that we have opportunities, large and small, every day to make things better now and to leave the world a better place when we are gone. This astonishingly simple power is available to all of us, and Gidon Lev's life is a lesson about how to do it, even in the face of extraordinary adversity.

“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”  Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation.  Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals.  Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post

In Then - Morris Gleitzman's heartbreaking children's novel set during the Nazi occupation of Poland during the Second World War - Jewish orphan Felix and his best friend Zelda have been captured and are on the way to a concentration camp, unless they manage to escape . . . A little hope goes a long way. I had a plan for me and Zelda. Pretend to be someone else. Find new parents, be safe forever. Then the Nazis came. My name is Felix. This is my story. Then is the second in a series of children's novels by Morris Gleitzman that began with Once about Felix, a Jewish orphan caught in the middle of the Holocaust. The other books in the sequence, Once, Then, After, Soon, Maybe and Now are also available from Puffin.

@Essays on Karl Jaspers, Rosa Luxemburg, Pope John XXIII, Isak Dinesen, Bertolt Brecht, Randall Jarrell, and others whose lives and work illuminated the early part of the century. Index.@@

Many decades have passed since the Palestinian national movement began its political and military struggle. In that time, poignant memorials at massacre sites, a palimpsest of posters of young heroes and martyrs, sorrowful reminiscences about lost loved ones, and wistful images of young men and women who fought as guerrillas, have all flourished in Palestinian refugee camps in Lebanon and in the Occupied Palestinian Territories. Heroes and Martyrs of Palestine tells the story of how dispossessed Palestinians have commemorated their past, and how through their dynamic everyday narrations, their nation has been made even without the institutional memory-making of a state. Bringing ethnography to political science, Khalili invites us to see Palestinian nationalism in its proper international context and traces its affinities with Third Worldist movements of its time, while tapping a rich and oft-ignored seam of Palestinian voices, histories, and memories.

Long before Rwanda and Bosnia and the Holocaust, the first genocide of the twentieth century occurred in Turkish Armenia in 1915. The essays in this collection examine how Americans learned of this catastrophe and tried to help its victims. Knowledge and compassion, however, were not enough to stop the killings, and a terrible precedent was born in 1915. The Armenian genocide has haunted the U.S. and other Western countries throughout the twentieth century.