Empfehlungen basierend auf "In the Land of the Postscript The Complete Short Stories of Chava Rosenfarb"

“Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — TimeA literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel. . . a world-class masterpiece of astonishing brutality, originality, and force,” (Michael Korda, The Daily Beast). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the Holocaust.A former Nazi officer, Dr. Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

#1 New York Times Bestseller and #1 International Bestseller • Now a Peacock Original Series starring Harvey Keitel and Melanie LynskeyThis beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.”—Graeme Simsion, internationally bestselling author of The Rosie ProjectIn April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

The memoir that inspired Roman Polanski's Oscar-winning film, which won the Cannes Film Festival's most prestigious prize―the Palme d'Or.Named one of the Best Books of 1999 by the Los Angeles TimesOn September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside―so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air.Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.

"This learned volume is about as chilling as historiography gets." ―Walter Laqueur, The New Republic" . . . a one-volume study of Auschwitz without peer in Holocaust literature." ―Kirkus Reviews" . . . a comprehensive portrait of the largest and most lethal of the Nazi death camps . . . serves as a vital contribution to Holocaust studies and a bulwark against forgetting." ―Publishers WeeklyMore than a million people were murdered at Auschwitz, of whom 90 percent were Jews. Here leading scholars from around the world provide the first comprehensive account of what took place at Auschwitz.

During World War II, Nazi doctor Josef Mengele subjected some 3,000 twins to medical experiments of unspeakable horror; only 160 survived. In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

In a raw and unflinching memoir, Eli Sharabi, a survivor of 491 days in Hamas captivity, recounts the harrowing ordeal of his abduction from Kibbutz Be'eri on October 7th, 2023, the loss of his wife and daughters, and his unyielding resolve to survive. "I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I'm getting out of here. I have to. I'm getting out of here. I'm coming home."--Eli Sharabi On October 7, 2023, Hamas terrorists stormed Kibbutz Be'eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out his front door while his family watched in horror, Sharabi was plunged deep into the suffocating darkness of Gaza's tunnels. As war raged above him, he endured a grueling 491 days in captivity, all the while holding onto the hope that he would one day be reunited with his loved ones. Eli Sharabi's story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit's refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man's unrelenting decision to choose life, time and time again. In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel's history, Sharabi offers a searing firsthand account of survival under unimaginable conditions--starvation, isolation, physical beatings, and psychological abuse at the hands of his captors. Compared to Elie Wiesel's Night and Laura Hillenbrand's Unbroken, Hostage is a profound witness to history, so it shall be neither forgotten nor erased.

Solzhenitsyn's gripping epic masterpiece, the searing record of four decades of Soviet terror and oppression, in one abridged volume, authorized by the author

The twentieth century has seen both the greatest triumph of Jewish history and its greatest tragedy: the birth of the nation of Israel, and the state-sponsored genocide of the Holocaust. A People Apart is the first study to examine the role played by the Jews themselves, across the whole of Europe, during the century and a half leading up to these events. David Vital explores the Jews' troubled relationship with Europe, documenting the struggles of this 'nation without a territory' to establish a place for itself within an increasingly polarized and nationalist continent. He examines the clash within the Jewish community between politically neutral traditionalists and a new group of activists, whose unprecedented demands for national and political self-determination were stimulated both by increasing civil emancipation and the mounting effort to drive the Jews out of Europe altogether. Controversially, Professor Vital concludes that the history of the Jewish people was indeed in crucial respects although certainly not all of their own making; at times by their own autonomous action and choice; at others by inaction and default. This powerful and stimulating new analysis represents a watershed in our understanding of the history of the Jews in Europe, and therefore in the whole history of the continent.

A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau.On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.

This insightful volume offers a radical reassessment of the infamous “Gulag Archipelago” by exploring the history of Vorkuta, an arctic coal-mining outpost originally established in the 1930s as a prison camp complex. Author Alan Barenberg’s eye-opening study reveals Vorkuta as an active urban center with a substantial nonprisoner population where the borders separating camp and city were contested and permeable, enabling prisoners to establish social connections that would eventually aid them in their transitions to civilian life. With this book, Barenberg makes an important historical contribution to our understanding of forced labor in the Soviet Union and its enduring legacy.