Empfehlungen basierend auf "If Walls Could Talk: An Intimate History of the Home"

In celebration of the 100th anniversary of its publication, a beautifully illustrated annotation of The Wizard of Oz, complete with an exact reproduction of the original 1900 edition. The Wonderful Wizard of Oz is the quintessential American fairy tale. Michael Patrick Hearn, the world's leading Oz scholar, now provides a fascinating new annotation that not only reacquaints readers with the Tin Woodman, Scarecrow, and Cowardly Lion, but also illuminates the colorful background of this treasured American classic. This edition explores numerous contemporary references, provides character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W.W. Denslow, as well as 25 previously unpublished illustrations. There is a bibliography of L. Frank Baum's published work, every notable "Oz" edition, and the stage and cinematic productions from 1939's The Wizard of Oz, to the 1974 Broadway hit, The Wiz. A beautiful, awe-inspiring work, The Annotated Wizard of Oz is an enduring tribute to the timeless joy of The Wizard of Oz, and a classic to rival Baum's own.

'This riveting behind-the-scenes story of the clothes on our backs is a must-read for clotheshorses everywhere' Harper's Bazaar'Extraordinary . . . fascinating . . . a wonderful way into history, quite often through the voices of people who don't have a say in history' Cerys MatthewsLinen, Cotton, Silk, Synthetics, through the stories of these five fabrics, Sofi Thanhauser illuminates the world we inhabit in a startling new way, travelling from China to Cumbria to reveal the craft, labour and industry that create the clothes we wear.From the women who transformed stalks of flax into linen to clothe their families in nineteenth century New England to those who earn their dowries in the cotton-spinning factories of South India today, this book traces the origins of garment-making through time and around the world. Exploring the social, economic and environmental impact of our most personal possessions, Worn looks beyond care labels to show how clothes reveal the truth about what we really care about.'A must-read . . . combines remarkable research with heartfelt care' Clare Hunter

Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

Imagine you could get into a time machine and travel back to the 14th century. This text sets out to explain what life was like in the most immediate way, through taking the reader to the Middle Ages, and showing everything from the horrors of leprosy and war to the ridiculous excesses of roasted larks and haute couture.

A timely survey of this significant British artist and the complexities surrounding his work and reputation todayFamed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858–1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke’s depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke’s repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body—especially the young body—both then and now.Published in association with Watts GalleryExhibition Schedule: Watts Gallery, Surrey(June 7–September 12, 2021)Falmouth Art Gallery, Cornwall(September 18–November 20, 2021)

An abused child, yet confident of her destiny to reign, a woman in a man's world, passionately sexual—though, as she maintained, a virgin—Elizabeth I is famed as England's most successful ruler. David Starkey's brilliant new biography concentrates on Elizabeth's formative years—from her birth in 1533 to her accession in 1558—and shows how the experiences of danger and adventure formed her remarkable character and shaped her opinions and beliefs.From princess and heir-apparent to bastardized and disinherited royal, accused traitor to head of the princely household, Elizabeth experienced every vicissitude of fortune and extreme of condition—and rose above it all to reign during a watershed moment in history. A uniquely absorbing tale of one young woman's turbulent, courageous, and seemingly impossible journey toward the throne, Elizabeth is the exhilarating story of the making of a queen.

NEW YORK TIMES BESTSELLER • For the first time in decades comes a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country.“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated PressIn 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country.The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.Praise for The Tudors“A rich and vibrant tapestry.”—The Star-Ledger“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated Press“Energetic and comprehensive . . . [a] sweeping history of the gloriously infamous Tudor era . . . Unlike the somewhat ponderous British biographies of the Henrys, Elizabeths, and Boleyns that seem to pop up perennially, The Tudors displays flashy, fresh irreverence [and cuts] to the quick of the action.”—Kirkus Reviews“[A] cheeky, nuanced, and authoritative perspective . . . brims with enriching background discussions.”—Publishers Weekly“[A] lively new history.”—Bloomberg

Beatrix Potter's books are adored by millions, but they were just one aspect of an extraordinary life. This captivating biography brings us the passionate, unconventional woman behind the beloved stories: a gifted artist and shrewd businesswoman; a pioneering scientific researcher; a powerful landowner who conserved acres of Lakeland countryside; a daughter who defied her parents with her first tragically short engagement and who, finally was given a second chance of love and happiness.

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. This is the only critical edition of the work available, with Notes that explain contemporary artistic and literary allusions and define the slang of the time.

Published in 1994 to worldwide acclaim, the first edition of Jancis Robinson's seminal volume immediately attained legendary status, winning every major wine book award including the Glenfiddich and Julia Child/IACP awards, as well as writer and woman of the year accolades for its editor on both sides of the Atlantic. Combining meticulously-researched fact with refreshing opinion and wit, The Oxford Companion to Wine presents almost 4,000 entries on every wine-related topic imaginable, from regions and grape varieties to the owners, connoisseurs, growers, and tasters in wine through the ages; from viticulture and oenology to the history of wine, from its origins to the present day. More than 180 esteemed contributors (including 58 new to this edition) range from internationally renowned academics to some of the most famous wine writers and wine specialists in the world. Now exhaustively updated, this fourth edition incorporates the very latest international research to present 300 new entries on topics ranging from additives and wine apps to WSET and Zelen. Over 60 per cent of all entries have been revised; and useful lists and statistics are appended, including a unique list of the world's controlled appellations and their permitted grape varieties, as well as vineyard area, wine production and consumption by country. Illustrated with almost 30 updated maps of every important wine region in the world, many useful charts and diagrams, and 16 stunning colour photographs, this Companion is unlike any other wine book, offering an understanding of wine in all of its wider contexts—notably historical, cultural, and scientific—and serving as a truly companionable point of reference into which any wine-lover can dip and browse.