Empfehlungen basierend auf "I Don't Know How She Does It The Life of Kate Reddy, Working Mother"

The extraordinary #1 bestseller - a word-of-mouth literary phenomenon'Do not read this book in public: it will make you cry' Anne Enright'Every line pulses with the pain and joy and complexity of an extraordinary life' Mark O'Connell'I am afraid of being the disruptive woman. And of not being disruptive enough. I am afraid. But I am doing it anyway.'In this dazzling debut, Emilie Pine speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Courageous, humane and uncompromising, she writes with radical honesty on birth and death, on the grief of infertility, on caring for her alcoholic father, on taboos around female bodies and female pain, on sexual violence and violence against the self. Devastatingly poignant and profoundly wise - and joyful against the odds - Notes to Self offers a portrait not just of its author but of a whole generation.

Compiles the writings of the mystic Anna, who reflects on topics including organized religion, the Bible, and her relationships with her absent mother, with the compiler, Fynn, and with the Being she calls Mister God

WINNER OF THE PULITZER PRIZE FOR NONFICTION 2020WINNER OF THE WINDHAM-CAMPBELL PRIZE FOR NONFICTION 2020FINALIST FOR THE PEN / JEAN STEIN BOOK AWARD 2020'Profound and unforgettable' Sally Rooney'A classic . . . I have long thought of Boyer as a genius' Patricia Lockwood'An outraged, beautiful, and brilliant work of embodied critique' Ben Lerner'Some of the most perceptive and beautiful writing about illness and pain that I have ever read' Hari KunzruBlending memoir with critique, an award-winning poet and essayist's devastating exploration of sickness and health, cancer and the cancer industry, in the modern worldA week after her 41st birthday, Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living payslip to payslip, the condition was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.In The Undying - at once her harrowing memoir of survival, and a 21st-century Illness as Metaphor - Boyer draws on sources from ancient Roman dream diarists to cancer vloggers to explore the experience of illness. She investigates the quackeries, casualties and ecological costs of cancer under capitalism, and dives into the long line of women writing about their own illnesses and deaths, among them Audre Lorde, Kathy Acker and Susan Sontag.Genre-bending, devastating and profoundly humane, The Undying is an unmissably insightful meditation on cancer, the cancer industry and the sicknesses and glories of contemporary life.

A groundbreaking novel exploring the intersection between race, class and mental health in the UK'A strong and humane work of fiction' Jackie Kay'That is the glory of being a mental patient. Nothing is impossible.'It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song.After several months of uninterrupted routine, she is joined by another young black woman - Merle - who is full of silences and fear.Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed.In this tender, deeply-moving depiction of mental health, Roy creates a striking portrait of two women finding strength in their shared vulnerability, as they navigate a system that fails to protect them. Life-affirming and fearlessly hopeful, this is an unforgettable story.'This is a novel of daring - enjoyable, surprising and original.' Bernardine Evaristo'A striking commentary' Scotsman'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash'A joy' Pride'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue

FINALIST FOR THE 2023 PULITZER PRIZE FOR MEMOIR 'An exquisite exploration of disability, identity and the human capacity to do (and be) more than we've ever dreamed' Time 'Gorgeously, vividly alive' New York Times 'Challenges the unspoken social taboos about the disabled body, unpacking myths of beauty and our complicity in upholding those myths' Lit Hub Born with sacral agenesis, a visible congenital disability that affects her stature and gait, Chloé Cooper Jones had always found solace in what she thought of as 'the neutral room' - a dissociative space in her mind that offered her solace and self-protection, but also kept her isolated. When she became pregnant (disproving her doctor, who had assumed it impossible), something necessary in her started to crack, forcing her to reckon with her defensive positionality to the world and the people in it. This prompted an odyssey across time and space as Chloé - while at museums, operas, concerts and sporting events, and in the presence of awe-inspiring nature - reconsidered the consciousness-shifting power of beauty. A book of the year for the New York Times, Washington Post, Los Angeles Times, USA Today, Time, BuzzFeed, Lit Hub, Electric Literature, Vulture, Publishers Weekly, Booklist and New York Public Library

When Ruth Picardie died from complications following the misdiagnosis of breast cancer in September 1997, leaving a young husband and two-year-old twins, thousands mourned who'd never met her. Ruth's column in "The Observer" recorded with scalding honesty the progress of her illness and her feelings about living with terminal cancer. "Before I Say Goodbye" brings together these pieces, Ruth's e-mail correspondence with friends, selected letters from readers, and accounts of Ruth's last days by her sister, Justine, and husband Matt.

"One summer day, nine-year-old Keira Ball was in a terrible car accident and suffered catastrophic brain injuries. As the rest of her body began to shut down, her heart continued to beat. In an act of extraordinary generosity, Keira's parents and siblings immediately agreed that she would have wanted to be an organ donor. Meanwhile nine-year-old Max Johnson had been in a hospital for nearly a year, valiantly fighting the virus that was causing his young heart to fail. When Max's parents received the call they had been hoping for, they knew it came at a terrible cost to another family-in what Clarke calls "the brutal arithmetic of transplant surgery." The act of Keira's heart resuming its rhythm inside Max's body was a medical miracle. But this was only part of the story. While waiting on the transplant list, Max had become the hopeful face of a campaign to change the UK's laws around organ donation. Following his successful surgery, Keira's mother saw the little boy beaming on the front page of the newspaper and knew it was the same boy whose parents had recently sent her an anonymous letter overflowing with gratitude for her daughter's heart. The two mothers began to exchange messages and eventually decided to meet"--Provided by publisher.

NEW YORK TIMES BESTSELLER • A deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the founder of The Isolation Journals and a subject of the Netflix documentary American SymphonyONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist“I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review  “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

WINNER OF THE WOMEN'S PRIZE FOR NON-FICTION 2025 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2024 BOOK OF THE YEAR IN THE SPECTATOR, NEW STATESMAN, NEW SCIENTIST, AND PROSPECT 'What a book . . . The perfect book' Chris Evans on Virgin Radio 'Profoundly moving and at the same time wildly inspiring' Rob Delaney 'Rachel Clarke's finest book yet' Financial Times 'The best narrative non-fiction I've read in years. Rachel Clarke has written a profound piece of investigative journalism and wrapped it up in poetry' Christie Watson 'This is THE MOST BEAUTIFUL and riveting book: written with such humanity, empathy and knowledge, such tact and drama and eloquence. Vital reading, lifelong revelation' Laura Cumming This is the unforgettable story of how one family's grief transformed into a lifesaving gift. With tremendous compassion and clarity, Dr Rachel Clarke relates the urgent journey of a young girl's heart and explores a history of remarkable medical innovations , stretching back over a century and involving the knowledge and dedication not just of surgeons but of countless physicians, immunologists, nurses and scientists. FROM THE AUTHOR OF THE SUNDAY TIMES BESTSELLER DEAR LIFE AND BREATHTAKING, A MAJOR TV DRAMA

Award-winning psychoanalyst Dr. Galit Atlas draws on her patients' stories--and her own life experiences--to shed light on how generational trauma affects our lives in this "intimate, textured, compassionate" book (Jon Kabat-Zinn, author of The Healing Power of Mindfulness). The people we love and those who raised us live inside us; we experience their emotional pain, we dream their memories, and these things shape our lives in ways we don't always recognize. Emotional Inheritance is about family secrets that keep us from living to our full potential, create gaps between what we want for ourselves and what we are able to have, and haunt us like ghosts. In this transformative book, Galit Atlas entwines the stories of her patients, her own stories, and decades of research to help us identify the links between our life struggles and the "emotional inheritance" we all carry. For it is only by following the traces those ghosts leave that we can truly change our destiny.