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Lao-tzu’s Te-Tao Ching has been treasured for thousands of years for its poetic statement of life’s most profound and elusive truths. Although the Te-Tao Ching is widely read, the author’s enigmatic style and the less than perfect condition of the Chinese originals make many of its brief poems difficult to understand. So readers of find literature hailed the discovery, in 1973, of two copies of the Te-Tao Ching which had been buried in 168 B.C.These manuscripts are more than five centuries older than any others known, and they correct many defects of later versions: their grammar and vocabulary frequently make the classic easier to understand; lost lines are restored (as many as three in some poems); some sections follow a more logical sequence.Such differences make it necessary to reevaluate traditional interpretations of the Te-Tao Ching, and Professor Henricks has done this in an extensive commentary to his excellent new translation. In addition, Professor Henricks has provided an introduction that explains the basics of Taoism and discusses the many other important finds from Ma-want-tui.

After two volumes mainly introductory, Dr Needham now embarks upon his systematic study of the development of the natural sciences in China. The Sciences of the Earth follow: geography and cartography, geology, seismology and mineralogy. Dr Needham distinguishes parallel traditions of scientific cartography and religious cosmography in East and West, discussing orbocentric wheel-maps, the origins of the rectangular grid system, sailing charts and relief maps, Chinese survey methods, and the impact of Renaissance cartography on the East. Finally-and here Dr Needham's work has no Western predecessors-there are full accounts of the Chinese contribution to geology and mineralogy.

A dark, magical realist debut family saga that moves through the Japanese occupation of Manchuria, the Cultural Revolution, and the present day to explore the effects of intergenerational trauma, the legacy of colonialism, and the inescapability of fate. Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call—there is a man on the porch of her childhood home, and he’s asking for her. This man isn’t the Ba Qianze remembers: he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy. While Qianze wrestles with what she owes this near-stranger, Ba begins telling stories of his past. From his bloody days as a Red Guard during the Cultural Revolution to his mother’s youth under Japanese occupation, he circles around the prophecy he came to deliver. Qianze has always longed to know more about her family history, but as Ba reveals a past far darker than she could have imagined, she finds herself plagued by strange visions—fox spirits trail her on her evening commute, a terrifying jackalope stalks her nightmares, and the looming prophecy slinks ever closer. Spanning decades and continents, A Beast Slinks Towards Beijing employs a combination of stunningly rendered folklore and atmospheric prose to examine the legacy of colonialism through the eyes of three generations. Alice Evelyn Yang’s debut novel is a story of family and forgiveness, of folklore and fate, that will leave you unsettled and undone.

A compelling, expansive history of the relationship between China and Russia, from the seventeenth century to the presentRussia and China, the largest and most populous countries in the world, respectively, have maintained a delicate relationship for four centuries. In addition to a four-thousand-kilometer border, they have periodically shared a common outlook on political and economic affairs. But they are, in essence, profoundly different polities and cultures, and their intermittent alliances have proven difficult and at times even volatile.Philip Snow provides a full account of the relationship between these two global giants. Looking at politics, religion, economics, and culture, Snow uncovers the deep roots of the two nations' alignment. We see the shifts in the balance of power, from the wealth and strength of early Qing China to the Tsarist and Soviet ascendancies, and episodes of intense conflict followed by harmony. He looks too at the experiences and opinions of ordinary people, which often vastly differed from those of their governments, and considers how long the countries' current amicable relationship might endure.

Set in a mythical, medieval China where folklore and history are indistinguishable, a dead monk, an ancient and now missing manuscript, and a ghostly murderer entice the venerable Master Li and his faithful companion Number Ten Ox into the Valley of Sorrows for a deadly and uproarious confrontation with the long-dead Laughing Prince.

This text had a major impact in its original Chinese version. Reviewed in the Far East Economic Review as 'one of the richest portraits of the Chinese countryside published in the reform era', it charts a long journey through the hinterland region of the Yellow River undertaken by the author between 1994 and 1996. It examines in exhaustive detail the lives and work of peasants, Party and local government officials, providing a wealth of data on the nature of life in post-reform rural China. The author argues that global integration is but the latest 'great leap forward' in a succession of reforms over a hundred years.

Anthony C. Yu's translation of The Journey to the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China's most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu's elegant rendering, also a delight for any reader. -- Provided by publisher.

"It was while jogging along the beach just east of the Paradise Cove pier that Artie Wu tripped over a dead pelican, fell, and met the man with six greyhounds."- from Chinaman's ChanceThus begins what may be the most popular of Ross Thomas's unique stories. The combination of Wu, pretender to the Imperial throne of China, and Quincy Durant, who has his own colorful past, makes for a heady experience. After starting with the deceased pelican on a California beach, the plot mixes in the disappearance of a large sum of money that should have been buried in Vietnam, and the search for the missing member of a trio of singing sisters from the Ozarks. Only Thomas could have stirred this concoction with the style, humor, and suspense that captures the reader at the very beginning and doesn't let go until the last word.

Veteran The first Shentso-Pao treasure from the northern country of Bei-Jia was stolen from Miaka, and the only treasure left is in the western country of Xi-Lang--and both Miaka and her friend-turned-mortal-enemy Yui are intent on getting the treasure for themselves! But Xi-Lang isn't a frozen wasteland of forgotten dreams and ghosts like Bei-Jia. It's a vibrant, living desert country, whose inhabitants are veterans of the last clash between priestesses and gods!

Just over a thousand years ago, the Song dynasty emerged as the most advanced civilization on earth. Within two centuries, China was home to nearly half of all humankind. In this concise history, we learn why the inventiveness of this era has been favorably compared with the European Renaissance, which in many ways the Song transformation surpassed.With the chaotic dissolution of the Tang dynasty, the old aristocratic families vanished. A new class of scholar-officials—products of a meritocratic examination system—took up the task of reshaping Chinese tradition by adapting the precepts of Confucianism to a rapidly changing world. Through fiscal reforms, these elites liberalized the economy, eased the tax burden, and put paper money into circulation. Their redesigned capitals buzzed with traders, while the education system offered advancement to talented men of modest means. Their rationalist approach led to inventions in printing, shipbuilding, weaving, ceramics manufacture, mining, and agriculture. With a realist’s eye, they studied the natural world and applied their observations in art and science. And with the souls of diplomats, they chose peace over war with the aggressors on their borders. Yet persistent military threats from these nomadic tribes—which the Chinese scorned as their cultural inferiors—redefined China’s understanding of its place in the world and solidified a sense of what it meant to be Chinese.The Age of Confucian Rule is an essential introduction to this transformative era. “A scholar should congratulate himself that he has been born in such a time” (Zhao Ruyu, 1194).