Empfehlungen basierend auf "I Can See You"

THE TRAVELLING VAMPIRE SHOW is coming to town and Dwight, Rusty and Slim are determined to go. But it's for over 18s only. They decide to go and watch the crew set up anyway, hoping to catch a glimpse of Valeria, billed as 'the only known vampire in captivity'. But when the three teenagers break the rules, they run into big trouble.DREADFUL TALES Shane Malone sits sweltering in front of his computer, trying to write an anthology in which every chilling tale must end in the death of a twenty-two-year-old woman in her apartment. But the deafening music from next door is not helping. He furiously bangs on his neighbour's door and discovers she's a twenty-two-year-old woman who will not be argued with. Shane is about to find out that life really can imitate art.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Welcome to the Hall of Horrors, HorrorLand's Hall of Fame for the truly terrifying.It's Halloween and Monica Anderson is out Trick-or-Treating with her younger brother. They knock on the door of an old, creepy house and are met by a strange woman who pleads for their help. Every year she must battle for the control of five sacred masks with the evil Dr. Screem. These artifacts have the power to manipulate the world around them. Monica doesn't want to help at first but then Screem bursts in and steals the masks. This sets her and her brother off on a Halloween mission that will change their lives forever!

Neil Gaiman'sperennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.Bod is an unusual boy who inhabits an unusual place—he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book, " a Horn Book Honor, and Audio Book of the Year. Don't miss this modern classic—whether shared as a read-aloud or read independently, it's sure to appeal to readers ages 8 and up.

At once provocative, terrifying, and darkly subversive, Dread Nation is Justina Ireland's stunning vision of an America both foreign and familiar—a country on the brink, at the explosive crossroads where race, humanity, and survival meet. Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg, Pennsylvania—derailing the War Between the States and changing the nation forever. In this new America, safety for all depends on the work of a few, and laws like the Native and Negro Education Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It's a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations. But that’s not a life Jane wants. Almost finished with her education at Miss Preston's School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems.

Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses. His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock

Charlie Asher is a pretty normal guy with a normal life, married to a bright and pretty woman who actually loves him for his normalcy. They're even about to have their first child. Yes, Charlie's doing okay—until people start dropping dead around him, and everywhere he goes a dark presence whispers to him from under the streets. Charlie Asher, it seems, has been recruited for a new position: as Death. It's a dirty job. But, hey! Somebody's gotta do it.

Packed full of the scariest things on Earth!What if you had to fight a great white shark? Or cross a wobbly wooden bridge? Or what if you were caught in a storm--and it looked like it was raining blood? You can hear about all of these terrifying things in 100 SCARIEST THINGS ON THE PLANET. If you've ever wondered about alien encounters, deadly creatures, and real-life monsters, then you'll love this compendium of all things scary! With interesting facts, side panels, and scariness ratings, children will enjoy reading about all the things that keep them up at night and learning the truth behind their favorite fears. And, best of all, they're sure to find new things to scream about!

When a baby escapes a murderer intent on killing the entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead.

Nathan is just getting started with his training for secret organization BUM when greasy green globs of goop start oozing from every faucet in town. Gross! When BUM asks Nathan to investigate, he and his friends Abigail and Mookie follow the trail to the smelliest place they can imagine—deep in the heart of the sewers of East Craven. And what they encounter there may end Nathan’s career as a zombie spy before it has even begun….