Empfehlungen basierend auf "Humanity: A Moral History of the Twentieth Century"

From the Ice Age to the Cold War and beyond, from Reykjavik to Riga, from Archimedes to Einstein, Alexander to Yeltsin, here between the covers of a single volume Norman Davies tells the story of Europe, East and West, from prehistory to the present day. The book's absorbing narrative lays down the chronological and geographical grid on which the dramas of European history have been played out. It zooms in from the distant focus of Chapter One, which explores the first five million years of the continent's evolution, to the close focus of the last two chapters, which cover the twentieth century at roughly one page per year. In between, Norman Davies presents a huge and sweeping canvas packed with fascinating detail, analysis, and anecdote. Alongside Europe's better-known stories - human, national, and continental - he brings into focus areas often ignored or misunderstood, remembering the stateless nation as well as the nation-state. Minority communities, from heretics and lepers to Jews, Romanies, and Muslims have not been forgotten. This masterly history reveals not only the rich variety of Europe's past but also the many and rewarding prisms through which it can be viewed. Each chapter contains a selection of telephoto `capsules', illustrating narrower themes and topics that cut across the chronological flow. Davies then concludes with a wide-angle `snapshot' of the whole continent as seen from one particular vantage point. The overall effect is stunning: a kind of historical picture album, with panoramic tableaux interspersed by detailed insets and close-ups. Never before has such an ambitious history of Europe been attempted. In range and ambition, the originality of its structure and glittering style, Norman Davies's Europe represents one of the most important and illuminating history books to be published by Oxford. Time Capsules 201 fascinating articles interspersed throughout the narrative focus on incidents or topics as various as The Iceman of the Alps, Erotic Graffiti at Pompeii, Stradivarius, and Psychoanalysing Hitler. Each capsule can be tasted as a separate self-contained morsel; or can be read in conjunction with the narrative into which it is inserted. Snapshots 12 panoramic overviews across the changing map of Europe freeze the frames of the chronological narrative at moments of symbolic importance, such as Knossos 1628 BC, Constantinople AD 330, and Nuremberg 1945. A fully illustrated history Incorporates over 100 superbly detailed maps and diagrams, and 32 pages of black and white plates.

Synthesizing exceptional cartography and impeccable scholarship, the Atlas of World History traces 12,000 years of history with 450 full-color maps and over 200,000 words of text. Its outstanding features include:* More than 200 illustrations and tables* Longer essays on worldwide trends, political developments, and military conflicts, highlighting the most significant socioeconomic, cultural, and religious themes for five pivotal historical periods* Devotion to the rich past of Africa, Asia, and the Americas* Cross-references and an 8,000-entry index with alternative name forms permitting movement through regions and time periods with the utmost of easeThe Atlas of World History is sure to appeal to a wide audience of history and geography buffs and scholars, as well as students.

Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year“Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal“Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston GlobeAlmost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy.Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.

A sweeping and comprehensive history of Venice--from its formation in the early Middle Ages to the present day--that traces its evolution as a city, city-state, regional power, and overseas empire.No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations.This comprehensive account reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera.This richly illustrated volume offers a stunning portrait of this most singular of cities.

"A stunning five-century study of civilization's cultural retreat." — William Safire, New York TimesHighly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500.Barzun describes what Western Man wrought from the Renaissance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have been forgotten or obscured. His compelling chapters—such as "Puritans as Democrats," "The Monarchs' Revolution," and "The Artist Prophet and Jester"—show the recurrent role of great themes throughout the era.The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the normal close of great periods and a necessary condition of the creative novelty that will burst forth—tomorrow or the next day.Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.

"[A] joyously peculiar book." -- The New York Times‘Bjarnason’s intriguing book might be about a cold place, but it’s tailor-made to be read on the beach.’ –New StatesmanThe untold story of how one tiny island in the middle of the Atlantic has shaped the world for centuries.The history of Iceland began 1,200 years ago, when a frustrated Viking captain and his useless navigator ran aground in the middle of the North Atlantic. Suddenly, the island was no longer just a layover for the Arctic tern. Instead, it became a nation whose diplomats and musicians, sailors and soldiers, volcanoes and flowers, quietly altered the globe forever. How Iceland Changed the World takes readers on a tour of history, showing them how Iceland played a pivotal role in events as diverse as the French Revolution, the Moon Landing, and the foundation of Israel. Again and again, one humble nation has found itself at the frontline of historic events, shaping the world as we know it, How Iceland Changed the World paints a lively picture of just how it all happened.

A brilliant new history that dramatically reassesses how far the Viking world extended.Dr Cat Jarman exposes the unexpected routes that Viking travel and trade took - and how these kings of the river were frequent travellers of the Middle East and the Silk Road.One June day late in the eighth century, Norse seafarers arrived at the English island of Lindisfarne. They waged a savage attack on its unsuspecting abbey, and with this, the Age of the Vikings was born. These roving pillagers spent the next few hundred years raiding and trading a path across Northern and Western Europe. Except, that's not quite true. It's just a convenient place to start the story - a story that has seen radical new discoveries over the past few years.Dr Cat Jarman works on the cutting edge of bioarchaeology, using forensic techniques to research the paths of Vikings who came to rest in British soil. By examining teeth that are now over one thousand years old, she can determine childhood diet, and thereby where a specimen was likely born. With radiocarbon dating, she can ascertain a death date down to the range of a few years.In 2012, a carnelian bead came into her temporary possession. River Kings sees her trace its path back to eighth-century Baghdad, discovering along the way that the Vikings' route was far more varied than we might think, that with them came people from the Middle East, not just Scandinavia, and that the reason for all this unexpected integration between the Eastern and Western worlds may well have been a slave trade running through the Silk Road, and all the way to Britain.River Kings is a major reassessment of the Vikings, and of the medieval world as we know it.

A contemporary study of the early American nation and its evolving democracy, from a French aristocrat and sociologistIn 1831 Alexis de Tocqueville, a young French aristocrat and ambitious civil servant, set out from post-revolutionary France on a journey across America that would take him 9 months and cover 7,000 miles. The result was Democracy in America, a subtle and prescient analysis of the life and institutions of 19th-century America. Tocqueville looked to the flourishing deomcratic system in America as a possible model for post-revolutionary France, believing that the egalitarian ideals it enshrined reflected the spirit of the age and even divine will. His study of the strengths and weaknesses of an evolving democratic society has been quoted by every American president since Eisenhower, and remains a key point of reference for any discussion of the American nation or the democratic system.This new edition is the only one that contains all Tocqueville's writings on America, including the rarely-translated Two Weeks in the Wilderness, an account of Tocqueville's travels in Michigan among the Iroquois, and Excursion to Lake Oneida.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This is the story of John Draper, Andrew White, and the conflict thesis: a centuries-old misconception that religion and science are at odds with one another. Renowned scientist John William Draper (1811-1882) and celebrated historian-politician Andrew Dickson White (1832-1918) were certain that Enlightened Science and Dogmatic Christianity were mortal enemies--and they said as much to anyone who would listen. More than a century later, their grand and sweeping version of history dominates our landscape; Draper and White's "conflict thesis" is still found in countless textbooks, lecture series, movies, novels, and more. Yet, as it would later be discovered, they were mistaken. Their work has been torn to shreds by the experts, who have declared it totally at odds with reality. So how, if this is the case, does their wrongheaded narrative still live on? Who were these two men, and what, exactly, did they say? What is it about their God-versus-Science "conflict thesis" that convinced so many? And what--since both claimed to love Science and love Christ--were they actually trying to achieve in the first place? In this book, physicist David Hutchings and historian of science and religion James C. Ungureanu dissect the work of Draper and White. They take readers on a journey through time, diving into the formation and fallacy of the conflict thesis and its polarizing impact on society. The result is a tale of Flat Earths, of anesthetic, and of autopsies; of Creation and Evolution; of laser-eyed lizards and infinite worlds. It is a story of miracles and mathematicians; souls and Great Libraries; the Greeks, the scientific method, the Not-So-Dark-After-All Ages... and, of course, of popes and unicorns.

The idea that religion has a dangerous tendency to promote violence is part of the conventional wisdom of Western societies, and it underlies many of our institutions and policies, from limits on the public role of religion to efforts to promote liberal democracy in the Middle East. William T. Cavanaugh challenges this conventional wisdom by examining how the twin categories of religion and the secular are constructed. A growing body of scholarly work explores how the category 'religion' has been constructed in the modern West and in colonial contexts according to specific configurations of political power. Cavanaugh draws on this scholarship to examine how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence. He argues three points: 1) There is no transhistorical and transcultural essence of religion. What counts as religious or secular in any given context is a function of political configurations of power; 2) Such a transhistorical and transcultural concept of religion as non-rational and prone to violence is one of the foundational legitimating myths of Western society; 3) This myth can be and is used to legitimate neo-colonial violence against non-Western others, particularly the Muslim world.