Empfehlungen basierend auf "How To Live An Artful Life 366 Inspirations from Artists on how to Bring Creativity to Your Everyday"

Instant New York Times bestsellerThe long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

“One of my oldest crusades is against the distinction between thought and feeling, which is really the basis of all anti-intellectual views: the heart and the head, thinking and feeling, fantasy and judgment . . . and I don’t believe it’s true. . . . I have the impression that thinking is a form of feeling and that feeling is a form of thinking.”Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Now, more than three decades later, Yale University Press is proud to publish the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist."“I really believe in history, and that’s something people don’t believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I’ve read Nietzsche.”“There’s no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life.”

'The best book on the subject I've read. Quite brilliant' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.'Marvellous' Julian Fellowes'Terrifyingly clever ... Packed with intelligent argument' Evening Standard'The most important book about scriptwriting since William Goldman's Adventures in the Screen Trade' Peter Bowker, writer, Blackpool, Occupation, Eric and Ernie

'Art can amaze us into changing our minds. This remarkable book teaches us how' En DevlinArtists have learnt to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But it doesn't have to be this way.In his typically engaging style, Will Gompertz takes us into the minds of artists - from emerging stars to old masters - to show us how to look at and experience the world with their heightened powers of perception.In See What You're Missing we learn, for example, how Rembrandt can help us see ourselves, how David Hockney helps us to see nature, and how Frida Kahlo can help us see through pain. Each artist has their own unique way of looking, which when applied to our own lives stimulates our senses so we might know the intoxicating feeling of being truly alive.'Highly engaging and thought-provoking' Philip Hook, author of Breakfast at Sotheby's"Lucid and Revealing" Michael Prodger, The TimesWill Gompertz is the best teacher you never had' Guardian

On Writing Well, which grew out of a course that William Zinsser taught at Yale, has been praised for its sound advice, its clarity, and for the warmth of its style. It is a book for anybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does. Whether you want to write about people or places, science and technology, business, sports, the arts, or about yourself in the increasingly popular memoir genre, On Writing Well offers you both fundamental principles as well as the insights of a distinguished practitioner. How to Write a Memoir tells you how to write the story of your life. Everyone has a story - whether you're a professional writer or just want to validate your personal and family reminiscences, William Zinsser explains how to do it, and do it well.

For nearly 20 years, designers and non-designers alike have been introduced to the fundamental principles of great design by author Robin Williams. Through her straightforward and light-hearted style, Robin has taught hundreds of thousands of people how to make their designs look professional using four surprisingly simple principles.Now in its fourth edition, The Non-Designer’s Design Book offers even more practical design advice, including: A new chapter on the fundamentals of typography. More quizzes and exercises to train your Designer Eye. Updated projects for you to try. New visual and typographic examples to inspire your creativity.Whether you’re a Mac user or a Windows user, a type novice, or an aspiring graphic designer, you will find the instruction and inspiration to approach any design project with confidence.THIS ESSENTIAL GUIDE TO DESIGN WILL TEACH YOU: The four principles of design that underlie every design project. How to design with color. How to design with type. How to combine typefaces for maximum effect. How to see and think like a professional designer. Specific tips on designing newsletters, brochures, flyers, and other projects.

From a celebrated critic, a heartfelt and adventurous reflection on the art of writing about art "Essential for fans of Marcus and fruitful reading for anyone reflecting on the mysteries of art."--Kirkus Reviews (starred review) "Writers write. They can't help it. They can't not." In this spirited book, the revered cultural critic Greil Marcus explains his compulsion as a yearning for fun, for play, and, most of all, to discover--to feel the moment when a creation speaks in its own voice. Marcus reflects on over half a century spent honing the art of attention--from his California childhood, overshadowed by mystery and silence surrounding his father's death, to his discovery of the critic Pauline Kael, to a confrontation with a sixteenth-century painting in Venice. Through it all, he invites readers to join him in exploring the revolutionary power of art: what it is, why it captures us, and how it forces us to confront what we think we know and who we think we are. Art challenges us to see the world differently, Marcus argues, and the role of the critic is to enact this perspective. Funny and poignant, What Nails It is a tribute to the indispensable art of criticism by one of its greatest practitioners.

Investigations of failure as a key concern--as theme, strategy, and world view--of recent art. Amid the global uncertainties of our times, failure has become a central subject of investigation in recent art. Celebrating failed promises and myths of the avant-garde, or setting out to realize seemingly impossible tasks, artists have actively claimed the space of failure to propose a resistant view of the world. Here success is deemed overrated, doubt embraced, experimentation encouraged, and risk considered a viable strategy. The abstract possibilities opened up by failure are further reinforced by the problems of physically realizing artworks--wrestling with ideas, representation, and object-making. By amplifying both theoretical and practical failure, artists have sought new, unexpected ways of opening up endgame situations, ranging from the ideological shadow of the white cube to unfulfilled promises of political emancipation. Between the two subjective poles of success and failure lies a space of potentially productive operations where paradox rules and dogma is refused. This collection of writings, statements, mediations, fictions, polemics, and discussions identifies failure as a core concern in cultural production. Failure identifies moments of thought that have eschewed consensus, choosing to address questions rather than answers. Artists surveyed include Bas Jan Ader, Francis Alÿs, John Baldessari, Chris Burden, Phil Collins, Martin Creed, David Critchley, Fischli & Weiss, Ceal Floyer, Isa Genzken, Dominique Gonzalez-Foerster, Félix González-Torres, Wade Guyton, International Necronautical Society, Ray Johnson, Mike Kelley, Martin Kippenberger, Michael Krebber, Bruce Nauman, Simon Patterson, Janette Parris, Yvonne Rainer, Robert Rauschenberg, Dieter Roth, Allen Ruppersberg, Roman Signer, Annika Ström, Paul Thek, William WegmanWriters include Giorgio Agamben, Samuel Beckett, Daniel Birnbaum, Bazon Brock, Johanna Burton, Emma Cocker, Gilles Deleuze, Russell Ferguson, Ann Goldstein, Jörg Heiser, Jennifer Higgie, Richard Hylton, Jean-Yves Jouannais, Lisa Lee, Stuart Morgan, Hans-Joachim Müller, Karl Popper, Edgar Schmitz, Coosje van Bruggen

Beyond a mere introduction to great art, Van Gogh Has a Broken Heart is about loving to learn what art has to teach us about the wonder and struggle of being alive. Did you know that: Vincent van Gogh's attempt to start an artist's colony with Paul Gauguin lasted only nine weeks, ending in his infamous "ear episode"? Pablo Picasso was a prime suspect in the disappearance of the Mona Lisa? Artemisia Gentileschi was tortured with thumbscrews to verify her testimony at her own rapist's trial? Norman Rockwell's critics said his work would never be accepted as "high art"--and he agreed? These stories--and many more--shaped the work these artists left behind. In their art are lessons common to the human experience about the wonder and struggle of being alive: dreams lost, perspectives changed, and humility derived through suffering.?? In Van Gogh Has a Broken Heart, Russ Ramsey digs into these artists' stories for readers who may be new to art, as well as for lifelong students of art history, to mine the transcendent beauty and hard lessons we can take from their masterpieces and their lives. Each story from some of the history's most celebrated artists applies the beauty of the gospel in a way that speaks to the suffering and hope we all face.

This volume aims at cultivating and enlightening our philanthropic imagination. It addresses us all as present and future philanthropists, as human beings who give, serve, and seek to promote the well being of others. It suggests that we are continually confronted with choices about giving, and offers a collection of writings intended to help us reflect more seriously on these choices, and to make philanthropic acts, when they are undertaken, more meaningful. The readings contained in The Philanthropic Imagination come from a variety of cultures, time periods, and genres. They represent classical works of literature, philosophy, and religion, but also contemporary and popular writings. Selections are drawn from the works of Aristotle, Shakespeare, Dostoevsky, C. S. Lewis, Alexis de Tocqueville, Martin Luther King, P. G. Wodehouse, Sholom Aleichem, and Shel Silverstein, among others. They are organized by the specific question they address: When, why, how, to whom, and what should we give? Amy Kass provides a general introduction to the book, as well as introductions to each selection. The introductions offer context for each reading and questions to guide reflection, but they do not supply uniform answers. The answers must come from the reader.