Empfehlungen basierend auf "How to End a Story Diaries 1995–1998"

The New York Times BestsellerNational Book Critics Circle Award FinalistLambda Literary Award winnerFrom Roxane Gay, the New York Times bestselling author of Bad Feminist, a memoir in weight about eating healthier, finding a tolerable form of exercise, and exploring what it means to learn, in the middle of your life, how to take care of yourself and how to feed your hunger.New York Times bestselling author Roxane Gay has written with intimacy and sensitivity about food and bodies, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she casts an insightful and critical eye on her childhood, teens, and twenties—including the devastating act of violence that acted as a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn’t yet been told but needs to be.

NATIONAL BESTSELLER • NEW YORK TIMES EDITORS’ CHOICE • A “profound and beautiful” (Marilynne Robinson) account of joy and sorrow from one of the great writers of our time, The New Yorker’s Kathryn Schulz, winner of the Pulitzer Prize“I will stake my reputation on you being blown away by Lost & Found.”—Anne Lamott, author of Dusk, Night, Dawn and Bird by BirdLONGLISTED FOR THE NATIONAL BOOK AWARD • FINALIST FOR THE NATIONAL JEWISH BOOK AWARD • FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE ANDREW CARNEGIE MEDALONE OF THE TEN BEST BOOKS OF THE YEAR: PeopleONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Oprah Daily, The Washington Post, The Boston Globe, Esquire, Vulture, She Reads, Book Riot, Publishers WeeklyOne spring morning, Kathryn Schulz went to lunch with a stranger and fell in love. Having spent years looking for the right relationship, she was dazzled by how swiftly everything changed when she finally met her future wife. But as the two of them began building a life together, Schulz’s beloved father—a charming, brilliant, absentminded Jewish refugee—went into the hospital with a minor heart condition and never came out. Newly in love yet also newly bereft, Schulz was left contending simultaneously with wild joy and terrible grief.Those twin experiences form the heart of Lost & Found, a profound meditation on the families that make us and the families we make. But Schulz’s book also explores how disappearance and discovery shape us all. On average, we each lose two hundred thousand objects over our lifetime, and Schulz brilliantly illuminates the relationship between those everyday losses and our most devastating ones. Likewise, she explores the importance of seeking, whether for ancient ruins or new ideas, friends, faith, meaning, or love. The resulting book is part memoir, part guidebook to sustaining wonder and gratitude even in the face of loss and grief. A staff writer at The New Yorker and winner of the Pulitzer Prize, Schulz writes with curiosity, tenderness, and humor about the connections between joy and sorrow—and between us all.

Jenna Bush Hager, the former first daughter and granddaughter, #1 New York Times bestselling author, and coanchor of the Today show, shares moving, funny stories about her beloved grandparents and the wisdom they passed on that has shaped her life.To the world, George and Barbara Bush were America’s powerful president and influential first lady. To Jenna Bush Hager, they were her beloved Gampy and Ganny, who taught her about respect, humility, kindness, and living a life of passion and meaning—timeless lessons that continue to guide her.In Midland, Texas, Jenna’s maternal grandparents, Harold and Jenna Welch—Pa and Grammee—a home builder and homemaker, lived a quieter life outside the national spotlight. Yet their influence was no less indelible to their granddaughter. Throughout Jenna’s childhood and adolescence, the Welches taught her the name of every star in the sky, the way a dove uses her voice—teaching her to appreciate the beauty in the smallest things.Now the mother of three young children, Jenna pays homage to her grandparents in this collection of heartwarming, intimate personal essays. Filled with love, laughter, and unforgettable stories, Everything Beautiful in Its Time captures the joyous and bittersweet nature of life itself. Jenna reflects on the single year in which she and her family lost Barbara and George H. W. Bush, and Jenna Welch. With the light, self-deprecating charm of the bestselling Sisters First—cowritten with her twin sister, Barbara—Jenna reveals how they navigated this difficult period with grace, faith, and nostalgic humor, uplifted by their grandparents’ sage advice and incomparable spirits.In this moving book, Jenna remembers the past, cherishes the present, and prepares for the future—providing a wealth of anecdotes and lessons for her own children and all of us. Poignant and humorous, intimate and sincere, Everything Beautiful in Its Time is a warm and wonderful celebration of the enduring power of family and an exploration of the things that truly matter most.“As long as I’m alive, my grandparents will not be forgotten. . . . I hear their voices in the letters they sent me and in my memories. They offer comfort, support, and guidance, and I will listen to them always.”

"I intend to do everything...to have one way of evaluating experience―does it cause me pleasure or pain, and I shall be very cautious about rejecting the painful―I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!"So wrote Susan Sontag in May 1949 at the age of sixteen. This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.Reborn is a kaleidoscopic self-portrait of one of America's greatest writers and intellectuals, teeming with Sontag's voracious curiosity and appetite for life. We watch the young Sontag's complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself―all filtered through the inimitable detail of everyday circumstance.

WINNER OF THE ROYAL SOCIETY OF LITERATURE CHRISTOPHER BLAND PRIZEA BBC RADIO 4 BOOK OF THE WEEK'Truly heart-warming ... It's become my comfort book' JACQUELINE WILSON'Told from inside one of the UK's most overlooked professions, this home careworker's memoir is warm, raw, and unflinchingly honest. The sad moments are balanced with the funny, heartwarming ones' i paperA luminous, uplifting and deeply moving memoir by a care worker, told through her funny, heartbreaking, sometimes frustrating, and always eye-opening encounters with the often overlooked and marginalised people she cares for.Kate never expected to become a home care worker. But when she left her senior role in the NHS, burnt-out and disheartened, she thought caring for people in their own homes would be a simpler job. Despite being determined not to become too involved with her 'customers', she soon found herself developing firm friendships, forging deep connections and bearing witness to the extraordinary drama to be found in ordinary lives.With energy, compassion and clarity, her memoir gives an astonishing insight into this unsung - and often maligned - profession, and into the hidden lives of the housebound and infirm. From Beryl who screams like a banshee whenever Kate tries to wash her, but collapses in giggles when her toes are tickled, to bawdy Mr Radbert who 'promised to give me his car when he can remember where he left it'.Every Kind of People is clear-eyed about the challenges facing the NHS and the care system. But it is above all a celebration of humanity and of the life-changing impact of caring, on those who offer it and those who receive it.'Being as close as this to someone is a uniquely precious place to be. It is a place where secrets are revealed and fears are shared and outrageous jokes are made that could not be told to anyone else. It is a coal face of human experience'---'The work of a natural storyteller ... All kinds of brilliant' JON McGREGOR‘I am in love with Kate's storytelling, her ability to see the person and her fabulous, dry humour. This is a book about caring, and it's also a book about being in love with humanity’ KATHRYN MANNIX'An extraordinary account of what it is to care for others, both beautiful and painful to read. This book is a compassionate invitation to get up close to the human condition and those who attend to it' DR GWEN ADSHEAD, author of The Devil You Know'An extraordinary and important book that will make you laugh, cry, admire and despair in equal measure... A wonderful achievement' DAVID HASLAM

From the Publisher Thirty-two years ago, my mother's best friend died on the operating table. She felt herself moving toward a brilliant light and spoke with her father who had passed away years before. Ultimately, she made the decision to return to take care of her two young children. Although this was the most peaceful experience of her life, she kept it a secret until the publication of books like CLOSER TO THE LIGHT and TRANSFORMED BY THE LIGHT. Reading the experiences of others gave her the freedom to speak openly about what it means to die and why there is little to fear. Lorelei Andrysick Ballantine Advertising

The multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.

"I was born with skins too few. Or they were scrubbed off me by...robust and efficient hands." The experiences absorbed through these "skins too few" are evoked in this memoir of Doris Lessing's childhood and youth as the daughter of a British colonial family in Persia and Southern Rhodesia Honestly and with overwhelming immediacy, Lessing maps the growth of her consciousness, her sexuality, and her politics, offering a rare opportunity to get under her skin and discover the forces that made her one of the most distinguished writers of our time.

This illuminating account is a personal story, yet it reveals the universality of Scherer's reaction to her trauma--the flashbacks, nightmares, feelings of anguish, despair, and vulnerability, inexplicably and maddeningly interspersed among hours and even days of progress.

NATIONAL BOOK AWARD FINALISTONE OF THE BEST BOOKS OF THE YEARThe New York Times, Washington Post, The San Francisco Chronicle, Vogue, NPR, Publishers Weekly, BookPage A revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.