Empfehlungen basierend auf "How to End a Story Collected Diaries, 1978-1998"

Shortlisted for the James Tait Black Prize for BiographyLonglisted for The Orwell Prize for Political WritingAn electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silentIn Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

NEW YORK TIMES BESTSELLER • A deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the founder of The Isolation Journals and a subject of the Netflix documentary American Symphony ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist “I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

#1 NEW YORK TIMES BESTSELLER • The critically acclaimed singer-songwriter, producer, and six-time Grammy winner opens up about faith, sexuality, parenthood, and a life shaped by music in “one of the great memoirs of our time” (Glennon Doyle, author of Untamed).NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND AUTOSTRADDLE • “The best-written, most engaging rock autobiography since her childhood hero, Elton John, published Me.”—VarietyBrandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans.Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

What I hope is that people reading this book will bear in mind that we are human beings first, inmates second.--Bonnie ForeshawIn a stunning new work of insight and hope, New York Times bestselling author Wally Lamb once again reveals his unmatched talent for finding the humanity in the lost and lonely and celebrates the transforming power of the written word.For the past several years, Lamb has taught writing to a group of women prisoners at York Correctional Institution. At first mistrustful of Lamb, one another, and the writing process, over time these students let down their guard, picked up their pens, and discovered their voices. In this unforgettable collection, the women of York describe in their own words how they were imprisoned by abuse, rejection, and their own self-destructive impulses long before they entered the criminal justice system. Yet these are stories of hope, humor, and triumph in the face of despair. Having used writing as a tool to unlock their creativity and begin the process of healing, these amazing writers have left victimhood behind.In his powerful introduction, Lamb describes the incredible journey of expression and self-awareness the women took through their writings and shares how they challenged him as a teacher and as a fellow author. In "Hair Chronicles," Tabatha Rowley tells her life history through her past hairstyles -- outer signals to the world each time she reinvented herself and eventually came to prize her own self-worth. Brenda Medina admits in "Hell, and How I got Here" that she continued to rebel in prison until her parents' abiding love made her realize that her misbehavior was hurting them and herself deeply. In "Faith, Power, and Pants," Bonnie Foreshaw describes how faith has carried her through trials in life and in prison and has allowed her to understand her past actions, to look toward the future, and to believe that she will once again taste home cooking. Couldn't Keep It to Myself is a true testament to the process of finding oneself and working toward a better day.

FINALIST FOR THE 2023 PULITZER PRIZE FOR MEMOIR 'An exquisite exploration of disability, identity and the human capacity to do (and be) more than we've ever dreamed' Time 'Gorgeously, vividly alive' New York Times 'Challenges the unspoken social taboos about the disabled body, unpacking myths of beauty and our complicity in upholding those myths' Lit Hub Born with sacral agenesis, a visible congenital disability that affects her stature and gait, Chloé Cooper Jones had always found solace in what she thought of as 'the neutral room' - a dissociative space in her mind that offered her solace and self-protection, but also kept her isolated. When she became pregnant (disproving her doctor, who had assumed it impossible), something necessary in her started to crack, forcing her to reckon with her defensive positionality to the world and the people in it. This prompted an odyssey across time and space as Chloé - while at museums, operas, concerts and sporting events, and in the presence of awe-inspiring nature - reconsidered the consciousness-shifting power of beauty. A book of the year for the New York Times, Washington Post, Los Angeles Times, USA Today, Time, BuzzFeed, Lit Hub, Electric Literature, Vulture, Publishers Weekly, Booklist and New York Public Library

When Miss Norma was diagnosed with uterine cancer, she was advised to undergo surgery, radiation, and chemotherapy. But instead of confining herself to a hospital bed for what could be her last stay, Miss Norma—newly widowed after nearly seven decades of marriage—rose to her full height of five feet and told the doctor, “I’m ninety years old. I’m hitting the road.” And so Miss Norma took off on an unforgettable around-the-country journey in a thirty-six-foot motor home with her retired son Tim, his wife Ramie, and their dog Ringo. As this once timid woman says “yes” to living in the face of death, she tries regional foods for the first time, reaches for the clouds in a hot air balloon, and mounts up for a horseback ride. With each passing mile (and one educational visit to a cannabis dispensary), Miss Norma’s health improves and conversations that had once been taboo begin to unfold. Norma, Tim, and Ramie bond in ways they had never done before, and their definitions of home, family, and friendship expand. Stop by stop, state by state, they meet countless people from all walks of life—strangers who become fast friends and welcome them with kindness and open hearts.Infused with this irrepressible nonagenarian’s wisdom, courage, and generous spirit, Driving Miss Norma is the charming, infectiously joyous chronicle of their experiences on the road. It portrays a transformative journey of living life on your own terms that shows us it is never too late to begin an adventure, inspire hope, or become a trailblazer.

Why, as an eager and talented writer, has Anne Morrow Lindbergh published so relatively little in forty years of marriage?” asked reviewer John Barkham in 1970. “After a promising start with those first books on flying, she tapered off into long silences broken by an infrequent volume of verse or prose.”  Many years later, Lindbergh replied with a quote from Harriet Beecher Stowe, who claimed that writing, for a wife and mother, is “rowing against wind and tide.”   In this sixth and final collection of Lindbergh’s diaries and letters, taking us from 1947 to 1986, we mark her progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature.   Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies.  She researched and wrote many books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8.  She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply.   More than any previous books by or about Anne Morrow Lindbergh, Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time.

NATIONAL BESTSELLER • Kathleen Buhle shares her story of resilience and self-discovery after her marriage to Hunter Biden unraveled in the wake of substance abuse and infidelity in this “dignified and revealing” (People) memoir.“Kathleen Buhle’s brave and honest story transcends politics, division, hearsay, and judgment.”—Connie BrittonThis is not a story about good versus evil. Or who was right. Or who was better. For decades, Kathleen Buhle chose to play the role of the good wife, beginning when, as a naïve young woman from a working-class family on the South Side of Chicago, she met the dashing son of a senator at the Jesuit Volunteer Corps in Oregon. Within months of falling in love, Kathleen found herself pregnant and engaged, living a life beyond anything she’d ever known. Determined to build her family on a foundation of love, Kathleen was convinced her and Hunter’s commitment to each other could overcome any obstacle. But when Hunter’s drinking evolved into dependency, she was forced to learn how rapidly and irrevocably a marriage can fall apart under the merciless power of addiction. When the lies became insurmountable, Kathleen was forced to reckon with the compromises she had made to try to save her marriage. She wondered if she could survive on her own. The result is a memoir that is page-turning and heart-breaking. Here Kathleen asks why she kept so much hidden—from her daughters and herself—for so many years, why she became dependent on one man, and why she was more faithful to a vow of secrecy than to her own truth. This inspiring chronicle of radical honesty and self-actualization speaks to women who have lost part of their identity and want to reclaim it.

A validating new approach to the long-term grieving process that explains why we feel “stuck,” why that’s normal, and how shifting our perception of grief can help us grow—from the New York Times bestselling author of Motherless Daughters “This is perhaps one of the most important books about grief ever written. It finally dispels the myth that we are all supposed to get over the death of a loved one.”—Claire Bidwell Smith, author of Anxiety: The Missing Stage of Grief Aren’t you over it yet? Anyone who has experienced a major loss in their past knows this question. We’ve spent years fielding versions of it, both explicit and implied, from family, colleagues, acquaintances, and friends. We recognize the subtle cues—the slight eyebrow lift, the soft, startled “Oh! That long ago?”—from those who wonder how an event so far in the past can still occupy so much precious mental and emotional real estate. Because of the common but false assumption that grief should be time-limited, too many of us believe we’re grieving “wrong” when sadness suddenly resurges sometimes months or even years after a loss. The AfterGrief explains that the death of a loved one isn’t something most of us get over, get past, put down, or move beyond. Grief is not an emotion to pass through on the way to “feeling better.” Instead, grief is in constant motion; it is tidal, easily and often reactivated by memories and sensory events, and is re-triggered as we experience life transitions, anniversaries, and other losses. Whether we want it to or not, grief gets folded into our developing identities, where it informs our thoughts, hopes, expectations, behaviors, and fears, and we inevitably carry it forward into everything that follows. Drawing on her own encounters with the ripple effects of early loss, as well as on interviews with dozens of researchers, therapists, and regular people who’ve been bereaved, New York Times bestselling author Hope Edelman offers profound advice for reassessing loss and adjusting the stories we tell ourselves about its impact on our identities. With guidance for reframing a story of loss, finding equilibrium within it, and even experiencing renewed growth and purpose in its wake, she demonstrates that though grief is a lifelong process, it doesn’t have to be a lifelong struggle.

You don't know me, but I know about you.... I can't make you live longer. I can't stop you from hurting. But I can give you one wish, as someone did for me. It's hard for Anne Wingate and her father to accept the doctors' diagnosis: Anne is HIV positive. Seven years earlier, before blood screening was required, Anne received a transfusion to save her life, and the blood was tainted. Now Anne must deal with the inevitable progression of her condition. When an anonymous benefactor promises to grant a single wish with no strings attached, Anne decides to spend the summer on a ranch out west and live as normally as she possibly can. The summer seems even better than she dreamed, especially after she meets Morgan. But Anne hasn't confided in Morgan about her condition, and when her health begins to deteriorate, she suddenly leaves the ranch. Is there time for Anne and Morgan to meet again?