Empfehlungen basierend auf "House of the Sleeping Beauties: And Other Stories"

A "dreamlike and compelling” tour de force (Chicago Tribune)—an astonishingly imaginative detective story, an account of a disintegrating marriage, and an excavation of the buried secrets from Japan’s forgotten campaign in Manchuria during World War II.Now with a new introduction by the author.In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels.

Yasuko hanaoka accidentally kills her ex-husband, when circumstances rose to an unendurable level of ghastly behaviour from him. What follows is an elongated and witty brain-game between the investigator and her accomplice, ishigami, who aided yasuko in covering up the murder. The devotion of suspect x is the story about an ingenious plotter, and clever dr manabu yukawa, who helps in solving the case. Yasuko hanaoka works in a restaurant. She is divorced, and is a single mother to misato. Her ex-husband, togashi, was an abusive man, stalking and extorting money from her. With similar intentions, he showed up at yasuko’s home, this time threatening to kill her and her daughter if she refused to lend him money. What started from denial, reached to a heated argument, and within a short span of time, turned to a nasty fight. In the spur of the moment, yasuko killed togashi. Hearing the commotion in their apartment, tetsuya ishigami came into the picture. Ishigami was a middle-aged, singl

Ten-year-old Manami did not realize how peaceful her family's life on Bainbridge Island was until the day it all changed. It's 1942, after the attack on Pearl Harbor, and Manami and her family are Japanese American, which means that the government says they must leave their home by the sea and join other Japanese Americans at a prison camp in the desert. Manami is sad to go, but even worse is that they are going to have to give her and her grandfather's dog, Yujiin, to a neighbor to take care of. Manami decides to sneak Yujiin under her coat and gets as far as the mainland before she is caught and forced to abandon Yujiin. She and her grandfather are devastated, but Manami clings to the hope that somehow Yujiin will find his way to the camp and make her family whole again. It isn't until she finds a way to let go of her guilt that Manami can reclaim the piece of herself that she left behind and accept all that has happened to her family.

In April 1926, the Japanese poet Taneda Santoka (1882–1940) set off on the first of many walking trips, journeys in which he tramped thousands of miles through the Japanese countryside. These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In For All My Walking, master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story.A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight.Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.

The haunting and poignant story of a how a young Japanese girl's understanding of the historic and tragic bombing of Hiroshima is transformed by a memorial lantern-floating ceremony.Twelve-year-old Nozomi lives in the Japanese city of Hiroshima. She wasn't even born when the bombing of Hiroshima took place. Every year Nozomi joins her family at the lantern-floating ceremony to honor those lost in the bombing. People write the names of their deceased loved ones along with messages of peace, on paper lanterns and set them afloat on the river. This year Nozomi realizes that her mother always releases one lantern with no name. She begins to ask questions, and when complicated stories of loss and loneliness unfold, Nozomi and her friends come up with a creative way to share their loved ones' experiences. By opening people's eyes to the struggles they all keep hidden, the project teaches the entire community new ways to show compassion.Soul Lanterns is an honest exploration of what happened on August 6, 1945, and offers readers a glimpse not only into the rich cultural history of Japan but also into the intimate lives of those who recognize--better than most--the urgent need for peace.

Eleventh-century Japan: After a difficult but successful assignment as provisional governor of Eichigo, Akitada Sugawara is finally allowed to return to Heian Kyo. But instead of a triumphant homecoming accompanied by his beautiful wife and young son, Akitada must ride ahead of his entourage to the sickbed of his dying mother. Fading light and a steady downpour interrupt his journey, forcing him to take refuge in a temple where a brilliantly illustrated hell screen and a piercing cry disturb his restless sleep.Upon his arrival, Akitada finds his mother, sick and bitter, cursing his return, while his youngest sister, Yoshiko, forsakes her own happiness to serve as the old woman’s nurse and maid. Only his sister Akiko seems fortunate---married to a wealthy nobleman, Toshikage, and expecting their first child. But appearances prove to be deceptive, for it is not long before Akitada is asked to help clear his brother-in-law’s name. In the course of his investigation Akitada learns that his night at the temple was disturbed by more than a terrible scream. A woman has been murdered, and because of his reputation for detective work, Akitada must solve another mystery. Personal and professional interests begin to merge as Akitada becomes ensnared in a tangled web of deceit and malevolence that will, in the end, strike very close to home.

What if you woke up one morning, and everything changed?It's one week before Christmas Eve, and Haruhi and the S.O.S. Brigade (a club for her high school's strangest and most extraordinary students) are gearing up for holiday festivities. But just before the fun kicks off, Kyon, the only "normal" member, wakes up in a weird alternate dimension, one where Haruhi attends another school entirely, Nagato the time traveling robot is just an ordinary human, and Mikuru (the cute girl of Kyon's dreams) doesn't even recognize him-in other words, S.O.S. Brigade never existed.The only clue Kyon can find is a bookmark left by the robot version of Nagato, which leads him on a quest back in time, where he interacts with the storyline from "Bamboo Leaf Rhapsody", a short story from the previous Haruhi book, The Boredom of Haruhi Suzumiya. This fun and quirky holiday tale is reminiscent of A Christmas Carol and It's a Wonderful Life.

"A classic of Japanese literature" (Chicago Sun-Times) and the first novel in the masterful tetralogy, The Sea of Fertility, set in 1912 Tokyo, featuring an aspiring lawyer who believes he has met the successive reincarnations of his childhood friend.  It is 1912 in Tokyo, and the hermetic world of the ancient aristocracy is being breached for the first time by outsiders—rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Shigekuni Honda, an aspiring lawyer and his childhood friend, Kiyoaki Matsugae, are the sons of two such families. As they come of age amidst the growing tensions between old and new, Kiyoaki is plagued by his simultaneous love for and loathing of the spirited young woman Ayakura Satoko. But Kiyoaki’s true feelings only become apparent when her sudden engagement to a royal prince shows him the magnitude of his passion—and leads to a love affair both doomed and inevitable.

“[A]n excellent book...” —The EconomistFinancial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan.Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.The Financial Times“David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.”The Telegraph (UK)“Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.”Publishers Weekly (starred):"A probing and insightful portrait of contemporary Japan."