Empfehlungen basierend auf "Homesick"

NEW YORK TIMES EDITORS’ CHOICE • A collection of raucous stories that offer a “vibrant and true mosaic” (The New York Times) of New Orleans, from the critically acclaimed author of We Cast a ShadowSHORTLISTED FOR THE ERNEST J. GAINES AWARD • LONGLISTED FOR THE STORY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR—Garden & Gun, Electric Lit • “Every sentence is both something that makes you want to laugh in a gut-wrenching way and threatens to break your heart in a way that you did not anticipate.”—Robert Jones, Jr., author of The Prophets, in The Wall Street JournalMaurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to an elderly gentleman’s home, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.

Product Description This is an account on audiotape of NASA engineer Hickam's high school days in West Virginia in the 1950s. When 14-year-old Homer watches Sputnik fly over his home town, his life is changed forever. His group of "Rocket Boy" friends launch their own rocket into space, and unite a town and a family. Amazon.com Review Inspired by Werner von Braun and his Cape Canaveral team, 14-year-old Homer Hickam decided in 1957 to build his own rockets. They were his ticket out of Coalwood, West Virginia, a mining town that everyone knew was dying--everyone except Sonny's father, the mine superintendent and a company man so dedicated that his family rarely saw him. Hickam's smart, iconoclastic mother wanted her son to become something more than a miner and, along with a female science teacher, encouraged the efforts of his grandiosely named Big Creek Missile Agency. He grew up to be a NASA engineer and his memoir of the bumpy ride toward a gold medal at the National Science Fair in 1960--an unprecedented honor for a miner's kid--is rich in humor as well as warm sentiment. Hickam vividly evokes a world of close communal ties in which a storekeeper who sold him saltpeter warned, "Listen, rocket boy. This stuff can blow you to kingdom come." Hickam is candid about the deep disagreements and tensions in his parents' marriage, even as he movingly depicts their quiet loyalty to each other. The portrait of his ultimately successful campaign to win his aloof father's respect is equally affecting.--Wendy Smith From Publishers Weekly Great memoirs must balance the universal and the particular. Too much of the former makes it overly familiar; too much of the latter makes readers ask what the story has to do with them. In his debut, Hickam, a retired NASA engineer, walks that line beautifully. On one level, it's the story of a teenage boy who learns about dedication, responsibility, thermodynamics and girls. On the other hand, it's about a dying way of life in a coal town where the days are determined by the rhythms of the mine and the company that controls everything and everybody. Hickam's father is Coalwood, W.Va.'s mine superintendent, whose devotion to the mine is matched only by his wife's loathing for it. When Sputnik inspires "Sonny" with an interest in rockets, she sees it not as a hobby but as a way to escape the mines. After an initial, destructive try involving 12 cherry bombs, Sonny and his cronies set up the Big Creek Missile Agency (BCMA). From Auk I (top altitude, six feet), through Auk XXXI (top altitude, 31,000 feet), the boys experiment with nozzles, fins and, most of all, fuel, graduating from a basic black powder to "rocket candy" (melted potassium chlorate and sugar) to "Zincoshine" (zinc, sulfur, moonshine). But Coalwood is the real star, here. Teachers, clergy, machinists, town gossips, union, management, everyone become co-conspirators in the BCMA's explosive three-year project. Hickam admits to taking poetic license in combining characters and with the sequence of events, and if there is any flaw, it's that the people and the narrative seem a little too perfect. But no matter how jaded readers have become by the onslaught of memoirs, none will want to miss the fantastic voyage of BCMA, Auk and Coalwood. First serial to Life. 10-city author tour. (Sept.) FYI: Rocket Boys is currently in production at Universal, which plans to release it later this year.Copyright 1998 Reed Business Information, Inc. From Library Journal Hickam recalls his distinguished NASA career, which all started when he saw Sputnik as a little boy and began designing and launching homemade rockets. With a ten-city author tour.Copyright 1998 Reed Business Information, Inc. From Booklist In 1957, the national panic set off bySputnik I reached into the hollows of Coalwood, West Virginia, the setting for this affecting story. The second son of a coal mine's manager, teenage Homer went bo

The gruff and surly Mr Thomas Oakley is less than pleased when he is landed with a scrawny little city boy as a guest, but because it is compulsory that each villager takes in an evacuee he reluctantly agrees. It soon becomes obvious to Mister Tom that young Willie Beech is hiding something, and as the pair begin to form an unlikely bond and Willie grows in stature and in confidence he begins to forget the past. But when he has to return to war-torn London to face his mother again he retreats into his shy and awkward ways once more. Goodnight Mister Tom is one of the most touching and powerful stories ever written. As the relationship between Willie and Tom begins to transform them both, Magorian's powerful yet gentle writing tugs at the heart, taking the reader on an incredibly emotional journey that never once stoops to unnecessary sentimentality. --Susan Harrison

What if you had just one chance, one letter you could leave behind for the person you love?What would you write?Stella Carey has good reason to only work nights at the hospice where she is a nurse. Married to a war veteran who has returned from Afghanistan brutally injured, Stella leaves the house each night as her husband Vincent, locks himself away, unable to sleep due to Post Traumatic Stress Disorder.During her nights at the hospice, Stella writes letters for her patients containing their final wishes, thoughts and feelings – from how to use a washing machine, to advice on how to be a good parent – and usually she delivers each letter to the recipient after he or she has died.That is until Stella writes one letter that she feels compelled to deliver in time to give her patient one final chance of redemption…

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

An autobiographical story of childhood and family from the international sensation and bestseller, Karl Ove Knausgaard.Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father.In the now infamously direct style of the My Struggle cycle, Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrated. This is a book about family, memory and how we never become quite what we set out to be.

When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too heavy for his 25-year-old artist parents and their happy, smiling baby.Growing up in South East London in the 1980s, Emmett is spat at on the street and prayed over at church. At his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs. At his Sixth Form College for disabled students, he's told he will be expelled if the rumours are true, if he's gay.And then Emmett is chosen for a first-of-its-kind surgery in America which he hopes will 'cure' him, enable him to walk unaided. He hopes for a to walk, to dance, to be able to leave the house when it rains. To have a body that's everyday beautiful, to hold hands in the street. But the 'miracle' doesn't occur, and Emmett must reckon with a world which views disabled people as invisible, unworthy of desire. He must fight to be seen.

Sue Barton, Neighborhood Nurse. Sue Barton left her position as Superintendent of Nurses at the Springdale, New Hampshire Hospital in order to raise a family. Now she and Dr. Bill have three children: six-year-old Tabitha and the four-year-old twins, Johnny and Jerry. Sue is happy in her job as wife and mother until she goes to a reunion of her class in nursing school where the accomplishments of others make her feel as if she is stagnating. Yet Sue finds herself using her talents in countless ways as she nurses the neighborhood. She finds work for a disabled farmer; she pinch-hits for the visiting nurse; she helps bring the famous artist, Mona Stuart and her teenage daughter Cal together. And always something is happening at home for Sue and Bill and their faithful Veazie Ann to cope with - Jerry's strange tantrums, Johnny's disappearance in the woods with his little friend Anne, Tabitha's attempt to run away. Are Sue's training and abilities wasted on all these daily and personal small problems? Her customary humor and warm good sense help her decide.

From the author of the National Book Award finalist Patron Saints of Nothing comes an emotionally charged, moving novel about four generations of Filipino American boys grappling with identity, masculinity, and their fraught father-son relationships.Watsonville, 1930. Francisco Maghabol barely ekes out a living in the fields of California. As he spends what little money he earns at dance halls and faces increasing violence from white men in town, Francisco wonders if he should’ve never left the Philippines.Stockton, 1965. Between school days full of prejudice from white students and teachers and night shifts working at his aunt’s restaurant, Emil refuses to follow in the footsteps of his labor organizer father, Francisco. He’s going to make it in this country no matter what or who he has to leave behind.Denver, 1983. Chris is determined to prove that his overbearing father, Emil, can’t control him. However, when a missed assignment on “ancestral history” sends Chris off the football team and into the library, he discovers a desire to know more about Filipino history―even if his father dismisses his interest as unamerican and unimportant.Philadelphia, 2020. Enzo struggles to keep his anxiety in check as a global pandemic breaks out and his abrasive grandfather moves in. While tensions are high between his dad and his lolo, Enzo’s daily walks with Lolo Emil have him wondering if maybe he can help bridge their decades-long rift.Told in multiple perspectives, Everything We Never Had unfolds like a beautifully crafted nesting doll, where each Maghabol boy forges his own path amid heavy family and societal expectations, passing down his flaws, values, and virtues to the next generation, until it’s up to Enzo to see how he can braid all these strands and men together.

A New York Times 2016 Notable Book An immediate national best seller and instant classic from the Pulitzer Prize-winning author of Empire Falls. Richard Russo returns to North Bath--"a town where dishonesty abounds, everyone misapprehends everyone else and half the citizens are half-crazy" (The New York Times)--and the characters who made Nobody's Fool a beloved choice of book clubs everywhere. Everybody's Fool is classic Russo, filled with humor, heart, hard times, and people you can't help but love, possibly because their various faults make them so human. Everybody's Fool picks up roughly a decade since we were last with Miss Beryl and Sully on New Year's Eve 1984. The irresistible Sully, who in the intervening years has come by some unexpected good fortune, is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years . . . the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends . . . Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one). We also enjoy the company of Doug Raymer, the chief of police who's obsessing primarily over the identity of the man his wife might've been about to run off with, before dying in a freak accident . . . Bath's mayor, the former academic Gus Moynihan, whose wife problems are, if anything, even more pressing . . . and then there's Carl Roebuck, whose lifelong run of failing upward might now come to ruin. And finally, there's Charice Bond--a light at the end of the tunnel that is Chief Raymer's office--as well as her brother, Jerome, who might well be the train barreling into the station. A crowning achievement--"like hopping on the last empty barstool surrounded by old friends" (Entertainment Weekly)--from one of the greatest storytellers of our time.