Empfehlungen basierend auf "History of Religious Ideas, Volume 3 From Muhammad to the Age of Reforms"

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called "the Koran in Persian." The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound.Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Fourteen Centuries Of Islamic Thought Have Produced A Legacy Of Interpretive Readings Of The Qu'ran Written Almost Entirely By Men. Now, With Qu'ran And Woman, Amina Wadud Provides A First Interpretive Reading By A Woman, A Reading Which Validates The Female Voice In The Qu'ran And Brings It Out Of The Shadows. Muslim Progressives Have Long Argued That It Is Not The Religion But Patriarchal Interpretation And Implementation Of The Qu'ran That Have Kept Women Oppressed. For Many, The Way To Reform Is The Reexamination And Reinterpretation Of Religious Texts. Qu'ran And Woman Contributes A Gender Inclusive Reading To One Of The Most Fundamental Disciplines In Islamic Thought, Qu'ranic Exegesis. Wadud Breaks Down Specific Texts And Key Words Which Have Been Used To Limit Women's Public And Private Role, Even To Justify Violence Toward Muslim Women, Revealing That Their Original Meaning And Context Defy Such Interpretations. What Her Analysis Clarifies Is The Lack Of Gender Bias, Precedence, Or Prejudice In The Essential Language Of The Qur'an. Despite Much Qu'ranic Evidence About The Significance Of Women, Gender Reform In Muslim Society Has Been Stubbornly Resisted. Wadud's Reading Of The Qu'ran Confirms Women's Equality And Constitutes Legitimate Grounds For Contesting The Unequal Treatment That Women Have Experienced Historically And Continue To Experience Legally In Muslim Communities. The Qu'ran Does Not Prescribe One Timeless And Unchanging Social Structure For Men And Women, Wadud Argues Lucidly, Affirming That The Qu'ran Holds Greater Possibilities For Guiding Human Society To A More Fulfilling And Productive Mutual Collaboration Between Men And Women Than As Yet Attained By Muslims Or Non-muslims.

A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian

While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.

The "Conference of the Birds" is a 12th-century Sufi allegory that has been described as the Islamic "Canterbury Tales". Written by an Iranian Sufi, Farid ud-Din Attar, who was a major influence on the work of Rumi, it is the story of the birds' quest for an ideal king, and an allegory for the Sufi (or mystical Islamic) path to enlightenment. Though hugely popular and influential in the Islamic world, it is still relatively unfamiliar in the West. In this edition, the poet Raficq Abdulla has reinterpreted key extracts to make the insight of Sufism accessible to a contemporary reader. Each page is decorated with illustrations taken from Persian manuscripts in the Oriental collection at the British Library. The poem uses the birds' journey to describe the stages of Sufi enlightenment, and each bird represents a human archetype. At the end of the tale, the birds discover tht what they are seeking is none other than in Sufism, enlightenment is unity with the Divine, and the way to God is inward, through one's own soul.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • Named A Best Book of the Year by The Washington Post and The Denver Post • Praised by Fareed Zakaria as “intelligent, compassionate, and revealing,” a powerful journey to help bridge one of the greatest divides shaping our world today.If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.Praise for If the Oceans Were Ink“A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common…. If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims.”―The Washington Post“Journalist Power writes about her year studying the Quran with a Muslim scholar she befriended while working at a think tank in London. For some, this will be a strong introduction to Islam. To others, it's fodder for discussion on the Sheikh's views, how Westerners (such as Power) interpret those views and the interplay of culture and religion.” ―The Denver Post“For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends―intelligent, compassionate, and revealing―the kind that needs to be taking place around the world.”―Fareed Zakaria, author of The Post-American World“Carla Power’s intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book’s very essence. A spirited, compelling read.”―Azadeh Moaveni, author of Lipstick Jihad“An inspiring story of two [people] from different worlds who refuse to let religious and cultural differences, prejudice, and ignorance get in the way of their friendship, If the Oceans Were Ink is as thought-provoking as it is elegantly written. It takes a difficult, highly charged topic and puts it into terms that are not only understandable and eye-opening, but beautiful.”―Bustle (11 Beautifully Written Memoirs by Women)“Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran’s message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance.”―John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam“A thoughtful, provocative, intelligent book.”―Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava“With a journalist’s mind for the story, a born traveler’s heart for the adventure of crossing borders, and a

François Déroche, Translated From French By Malcom Debevoise. Includes Bibliographical References And Index. Electronic Reproduction. New York Available Via World Wide Web.

A hugely influential philosophical work of prose poetry, Kahlil Gibran's The Prophet is an inspirational, allegorical guide to living, and this Penguin Modern Classics edition includes an introduction by Robin Waterfield. First published in the 1920's, The Prophet is perhaps the most famous work of religious fiction of the twentieth century, and has sold millions of copies in more than twenty languages. Gibran's Prophet speaks of many things central to daily life: love, marriage, death, beauty, passion, eating, work and play. The spiritual message he imparts, of finding divinity through love, blends eastern mysticism, religious faith and philosophy with simple advice. The Prophet became the bible of 1960s culture and was credited with founding the New Age movement, yet it still continues to inspire people around the world today. This edition is illustrated with Gibran's famous visionary paintings. Kahlil Gibran (1883-1931) was a poet, philosopher and artist, who stands among the most important Arabic language authors of the early twentieth century. Born in Lebanon, he spent the last twenty years of his life in the United States, where for many years he was the leader of a Lebansese writing circle in New York. He is the author of numerous volumes, including The Garden of the Prophet, The Storm, The Beloved: Reflections on the Path of the Heart, The Vision, Reflections on the Way of the Soul, and Spirit Brides. If you enjoyed The Prophet, you might like Herman Hesse's Siddhartha, also available in Penguin Modern Classics. 'His work goes on from generation to generation' Daily Mail 'To read it was to transcend ordinary levels of perception, to become aware ... of a more intense level of being' Independent

'Read! Your Lord is the Most Bountiful one who taught by the pen, who taught man what he did not know.' The Qur'an, believed by Muslims to be the word of God, was revealed to the Prophet Muhammad 1400 years ago. It is the supreme authority in Islam and the living source of all Islamic teaching; it is a sacred text and a book of guidance, that sets out the creed, rituals, ethics, and laws of the Islamic religion. It has been one of the most influential books in the history of literature. Recognized as the greatest literary masterpiece in Arabic, it has nevertheless remained difficult to understand in its English translations. This new translation is written in a contemporary idiom that remains faithful to the original, making it easy to read while retaining its powers of eloquence. Archaisms and cryptic language are avoided, and the Arabic meaning preserved by respecting the context of the discourse. The message of the Qur'an was directly addressed to all people regardless of class, gender, or age, and this translation is equally accessible to everyone. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Wael B. Hallaq boldly argues that the ÒIslamic state,Ó judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernityÕs moral predicament, which renders impossible any project resting solely on ethical foundations. The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the stateÕs technologies of the self are severely lacking in moral substance, and todayÕs Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine ShariÕa governance. The IslamistsÕ constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen). Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other Òcrises of IslamÓ are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.