Empfehlungen basierend auf "Her Hidden Genius: A Novel"

In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift: an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs.But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and frest-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin.Told with dazzling narrative brillance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

The Josephine B. Trilogy comprises three acclaimed,bestselling novels that draw the reader into the delicate yet passionaterelationship between Josephine and Napoleon Bonaparte: The Many Lives& Secret Sorrows of Josephine B.; Tales of Passion, Tales of Woe;and The Last Great Dance on Earth. Together in this omnibusedition, they form an irresistible epic, tracing Josephine’s transformationfrom impressionable young girl to canny and compassionate wife, to confidanteempress and one of the most sophisticated and powerful women in history.Adored by readers of historical fiction, the Josephine novelsare a sweeping tale of love and loss, political intrigue and revolution duringone of the most tumultuous periods in European history.

A Harper Perennial Modern Classics reissue of this unflinching examination of post-war French intellectual life, and an amazing chronicle of love, philosophy and politics from one of the most important thinkers of the twentieth century.An epic romance, a philosophical argument and an honest and searing portrayal of what it means to be a woman, this is Simone de Beauvoir's most famous and profound novel. De Beauvoir sketches the volatile intellectual and political climate of post-war France with amazing deftness and insight, peopling her story with fictionalisations of the most important figures of the era, such as Camus, Sartre and Nelson Algren. Her novel examines the painful split between public and private life that characterised the female experience in the mid-20th century, and addresses the most difficult questions of gender and choice.It is an astonishing work of intellectual athleticism, yet also a moving romance, a love story of passion and depth. Long out of print, this masterpiece is now reissued as part of the Harper Perennial Modern Classics series so that a whole new generation can discover de Beauvoir's magic.

In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity?The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail.Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

WINNER OF THE PULITZER PRIZE Finalist for the Lambda Literary Award Finalist for the PEN/Jacqueline Bograd Weld Award for Biography Named one of the Best Books of the Year by: O Magazine, Milwaukee Journal Sentinel, Seattle Times The definitive portrait of one of the American Century’s most towering intellectuals: her writing and her radical thought, her public activism and her hidden private face No writer is as emblematic of the American twentieth century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture. She was there when the Cuban Revolution began, and when the Berlin Wall came down; in Vietnam under American bombardment, in wartime Israel, in besieged Sarajevo. She was in New York when artists tried to resist the tug of money—and when many gave in. No writer negotiated as many worlds; no serious writer had as many glamorous lovers. Sontag tells these stories and examines the work upon which her reputation was based. It explores the agonizing insecurity behind the formidable public face: the broken relationships, the struggles with her sexuality, that animated—and undermined—her writing. And it shows her attempts to respond to the cruelties and absurdities of a country that had lost its way, and her conviction that fidelity to high culture was an activism of its own.  Utilizing hundreds of interviews conducted from Maui to Stockholm and from London to Sarajevo—and featuring nearly one hundred images—Sontag is the first book based on the writer’s restricted archives, and on access to many people who have never before spoken about Sontag, including Annie Leibovitz. It is a definitive portrait—a great American novel in the form of a biography.

A highly anticipated biography of the enigmatic and popular Swedish painter.   The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.    But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.   Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.

The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. Its prime movers, the Vicomte de Valmont and the Marquise de Merteuil--gifted, wealthy, and bored--form an unholy alliance and turn seduction into a game. And they play this game with such wit and style that it is impossible not to admire them, until they discover mysterious rules that they cannot understand. In the ensuing battle there can be no winners, and the innocent suffer with the guilty.This new translation gives Laclos a modern voice, and readers will be able to judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about a world we still inhabit.

A Sunday Times History Book of the Year 2023 A Spectator Book of the Year 2023 The Irish Times No.1 Bestseller As taut as a fictional thriller Mail on Sunday Gripping, detailed and richly layered Guardian KILLING THATCHER is the gripping account of how the IRA came astonishingly close to killing Margaret Thatcher and to wiping out the British Cabinet - an extraordinary assassination attempt linked to the Northern Ireland Troubles and the most daring conspiracy against the Crown since the Gunpowder Plot. In this fascinating and compelling book, veteran journalist Rory Carroll retraces the road to the infamous Brighton bombing in 1984 - an incident that shaped the political landscape in the UK for decades to come. He begins with the infamous execution of Lord Mountbatten in 1979 - for which the IRA took full responsibility - before tracing the rise of Margaret Thatcher, her response to the Troubles in Ireland and the chain of events that culminated in the hunger strikes of 1981 and the death of 10 republican prisoners, including Bobby Sands. From that moment on Thatcher became an enemy of the IRA - and the organisation swore revenge. Opening with a brilliantly-paced prologue that introduces bomber Patrick Magee in the build up to the incident, Carroll sets out to deftly explore the intrigue before and after the assassination attempt - with the story spanning three continents, from pubs and palaces, safe houses and interrogation rooms, hotels and barracks. On one side, an elite IRA team aided by a renegade priest, US-raised funds and Libyas Qaddafi and on the other, intelligence officers, police detectives, informers and bomb disposal officers. An exciting narrative that blends true crime with political history, this is the first major book to investigate the Brighton attack.

Rebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.