Empfehlungen basierend auf "Heap Earth Upon It"

“This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living—and guaranteed to please.” —VogueA RECOMMENDED BOOK FROM:The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * The Washington Post * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * DebutifulAn intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyerAva, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children.Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than "I like you a great deal."Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her.And then Julian writes to tell Ava he is coming back to Hong Kong... Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

Paperback. Pub Date :2011-11-10 Pages: 300 Language: English Publisher: HarperCollins UK A ruthless and unflinching examination of American life in the late 1960s. from the author of The Year of Magical Thinking.Somewhere out beyond Hollywood. hollowed- out actress Maria Wyeth's life plays out in a numbing routine of perpetual freeway driving.Anaesthetized to pain and pleasure. she is seemingly unaffected by her fraught personal history.In her early thirties. divorced from her husband. dislocated from friends. and somehow detached from her past and future. Wyeth epitomises a generation made ill by too much freedom.Set beyond good and evil - literally in Los Angeles and the barren wastescapes of the Mojave desert. and figuratively in the landscapes of a broken spirit - Play It As It Lays is an immaculately wrought vision of Californian culture on the cusp of the 1970s.Three d...

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

“One of those life-changing reads that makes you see— or, in this case, hear—the whole world differently.” —Megan Angelo, author of FollowersThe author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

From Eliza Clark, the author of the brilliant novels Boy Parts and Penance and one of Granta’s Best Young British Novelists, comes a fierce, visionary and darkly comic story collection.A woman welcomes a parasite into her body.A teenager longs for perfect skin.A scientist tends to fragile alien flora.A young man takes the night into his own hands.Unsettling, revelatory, and laced with her signature dark humor, Eliza Clark’s debut short story collection plumbs the depths of that most basic human feeling: hunger.

The New York Times BestsellerNational Book Critics Circle Award FinalistLambda Literary Award winnerFrom Roxane Gay, the New York Times bestselling author of Bad Feminist, a memoir in weight about eating healthier, finding a tolerable form of exercise, and exploring what it means to learn, in the middle of your life, how to take care of yourself and how to feed your hunger.New York Times bestselling author Roxane Gay has written with intimacy and sensitivity about food and bodies, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she casts an insightful and critical eye on her childhood, teens, and twenties—including the devastating act of violence that acted as a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn’t yet been told but needs to be.

'Stunning' DAZED 'Her prose sparkles' ELIZA CLARK 'Hauntingly good' iNEWS 'A must read' GLAMOUR From the bestselling author of Our Wives Under the Sea, a haunting, heart wrenching novel of three sisters navigating queer love and faith at the end of the world. There's no way to bury a body in earth which is flooded It is a fact consigned to history along with almost everything else It's been raining for a long time now, for so long that the lands have reshaped themselves. Old places have been lost. Arcane rituals and religions have crept back into practice. Sisters Isla, Irene and Agnes have not spoken in some time when their estranged father dies. A famous architect revered for making the new world navigable, he had long cut himself off from public life. They find themselves uncertain of how to grieve his passing when everything around them seems to be ending anyway. As the sisters come together to clear the grand glass house that is the pinnacle of his legacy, they begin to sense that the magnetic influence of their father lives on through it. Something sinister seems to be unfolding, something related to their mother's long-ago disappearance and the strangers who have always been unusually interested in their lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperilled world. 'Armfield writes so gracefully' THE TIMES 'Evocative yet grounded' OBSERVER 'A chilling vision of a future capital that I've found impossible to shake' INEWS 'Ballard-ian in apocalyptic scope ... Deeply, passionately, messily human' PAUL TREMBLAY 'A signature cocktail of deadpan wit and staggering beauty' ALICE SLATER 'Brilliant, original ... an era-defining writer' KALIANE BRADLEY 'Every page guillotines you with its wisdom' TOM BENN

Text: English, French (translation)

A novel of loss and love. The author has also written Sexing the Cherry and Oranges are Not the Only Fruit which won the 1985 Whitbread Prize and was later adapted as an award-winning BBC dramatization. Her book The Passion won the 1987 John Llewellyn Rhys Memorial Prize.

Richard Siken's Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Gl�ck hails the "cumulative, driving, apocalyptic power, [and] purgatorial recklessness" of Siken's poems. She notes, "Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form."