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von James Baldwin
From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism.“It contains truth that cannot be denied.” —The Atlantic MonthlyIn this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.
von Richard Wright
When Black Boy exploded onto the literary scene in 1945, it caused a sensation. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Opposing forces felt compelled to comment: addressing Congress, Senator Theodore Bilbo of Mississippi argued that the purpose of this book "was to plant seeds of hate and devilment in the minds of every American." From 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."This new edition of the once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as "black boy." Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged at those about him; at six he was "a drunkard," hanging about taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo."Wright's eloquent account is at once a profound indictment and an unashamed confession -- a poignant and disturbing record of social injustice and human suffering.HarperCollins is proud to celebrate the sixtieth anniversary of the book's publication with this special hardcover edition, which utilizes the restored text established by The Library of America and features a new foreword by Edward P. Jones, author of the Pulitzer Prize-winning novel The Known World.
von Geraldine Brooks
“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah DailyWinner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor BookA discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American historyKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
von Staughton Lynd
Contains the Bryant Spann Memorial Prize in Literature for 1997, an award-winning essay, "The Very Last Hurrah" by Eric Leif Davin.
von Earle Labor
A revelatory look at the life of the great American author―and how it shaped his most beloved worksJack London was born a working class, fatherless Californian in 1876. In his youth, he was a boundlessly energetic adventurer on the bustling West Coast―an oyster pirate, a hobo, a sailor, and a prospector by turns. He spent his brief life rapidly accumulating the experiences that would inform his acclaimed bestselling books The Call of the Wild, White Fang, and The Sea-Wolf.The bare outlines of his story suggest a classic rags-to-riches tale, but London the man was plagued by contradictions. He chronicled nature at its most savage, but wept helplessly at the deaths of his favorite animals. At his peak the highest paid writer in the United States, he was nevertheless forced to work under constant pressure for money. An irrepressibly optimistic crusader for social justice and a lover of humanity, he was also subject to spells of bitter invective, especially as his health declined. Branded by shortsighted critics as little more than a hack who produced a couple of memorable dog stories, he left behind a voluminous literary legacy, much of it ripe for rediscovery.In Jack London: An American Life, the noted Jack London scholar Earle Labor explores the brilliant and complicated novelist lost behind the myth―at once a hard-living globe-trotter and a man alive with ideas, whose passion for seeking new worlds to explore never waned until the day he died. Returning London to his proper place in the American pantheon, Labor resurrects a major American novelist in his full fire and glory.
von HEMINGWAY ERNEST
From Ernest Hemingway's Preface: 'There are many kinds of stories in this book. I hope you will find some that you like - In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused.' This is a collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including "Up in Michigan", "Fifty Grand", and "The Light of the World", and the "Snows of Kilimanjaro", "Winner Take Nothing" and "Men Without Women" collections.
von Byron Farwell
"Sets out to give an honest and thorough account of this extraordinary man and does so. . . . Arguably the best [biography of Stonewall]." ―Washington Post Book World The charismatic Confederate general Stonewall Jackson, who began his military career in the Mexican War, earned his great fame in the Civil War in a series of brilliantly fought battles. He was given the name Stonewall at the First Battle of Bull Run, when his brigade faced overwhelming odds but held the line. Byron Farwell's engrossing narrative reveals Stonewall Jackson both as a military genius and as a quirky, dark personality radically different from the storybook version that grew up after Jackson's untimely death at Chancellorsville in 1863.
von Author
Jack London's semiautobiographical critique of individualism that touches on contemporary issues like socialism and mental illness, now two major motion pictures―one directed by Pietro Marcello, the other by Jay CravenThe semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
von Ruskin Bond
Rusty Travels Abroad To Fulfil His Dream Of Becoming A WriterRusty Goes To London Is The Fourth Book In Puffin'S New Series Of The Complete Escapades Of Rusty; This Is The First Time That All The Rusty Stories Are Available In Chronological Order. In His Early Twenties Now, Rusty Finally Severs Ties With Dehra And Books A Passage To England, With The Dream Of Writing And Selling His Novel Abroad. First In His Aunt'S House In Jersey, And Then In Rented Lodgings In London, He Works As A Clerk By Day And Writes Away In The Evenings. Eventually The Novel Is Finished And Rusty Even Finds A Publisher. But This, He Discovers, Does Not Mean That His Book Will See The Light Of Day Soon ...While In London, Rusty Has Myriad Adventures, Each More Incredible Than The Last. Strolling Down Baker Street, He Runs Into Sherlock Holmes, Who Gives Him A Few Lessons In Investigative Techniques. At The Victoria And Albert Museum, He Is Accosted By Rudyard Kipling. And Then, Of Course, There Is The Strange Incident At The Chinese Quarter, The Calypso Christmas In His Lodgings, And The Story Of The Vietnamese Girl Vu-Phuong. After Three Years Abroad, However, Rusty Realizes That He Wants To Make India His Permanent Home; All He Really Needs Is A Room Of His Own To Live And Write In, As The Vibrant World That He Has Known And Loved All Along Unfolds Outside. Returning To Dehra, He Renews Some Acquaintances And Makes A Few New Ones, And Settles Into His Role As Full-Time Author. Full Of Interesting Stories And Memorable Characters, Rusty Goes To London Is A Book That Will Delight All Of Ruskin Bond'S Young Fans.
von Elizabeth Jameson
At the turn of the century, Colorado's Cripple Creek District captured the national imagination with the extraordinary wealth of its gold mines and the unquestionable strength of the militant Western Federation of Miners.In All That Glitters, Elizabeth Jameson tells the better-than-fiction story of Cripple Creek, the scene in 1894 of one of radical labor's most stunning victories and in 1903-4 of one of its most crushing defeats.Jameson's sources include working-class oral histories, the Victor and Cripple Creek Daily Press, published by thirty-four of the local labor unions, and the 1900 manuscript census. She connects unions with lodges and fraternal associations, ethnic identity, families, households, and partisan politics. Through these ties, she probes the differences in age, skill, gender, marital status, and ethnicity that strained working class unity and contributed to the fall of labor in Cripple Creek.Jameson's book will be required reading for western, ethnic, and working-class historians seeking an alternative interpretation of western mining struggles that emphasizes class, gender, and multiple sources of social identity.